THE
DA VINCI CODE
DAN
BROWN
(
INSTALMENT 7 )
Chapter
92
King's
College, established by King George IV in 1829, houses its Department
of Theology and Religious Studies adjacent to Parliament on property
granted by the Crown. King's College Religion Department boasts not
only 150 years' experience in teaching and research, but the 1982
establishment of the Research Institute in Systematic Theology, which
possesses one of the most complete and electronically advanced
religious research libraries in the world.
Langdon
still felt shaky as he and Sophie came in from the rain and entered
the library. The primary research room was as Teabing had described
it—a dramatic octagonal chamber dominated by an enormous round
table around which King Arthur and his knights might have been
comfortable were it not for the presence of twelve flat-screen
computer workstations. On the far side of the room, a reference
librarian was just pouring a pot of tea and settling in for her day
of work.
"Lovely
morning," she said in a cheerful British accent, leaving the tea
and walking over. "May I help you?"
"Thank
you, yes," Langdon replied. "My name is—"
"Robert
Langdon." She gave a pleasant smile. "I know who you are."
For
an instant, he feared Fache had put him on English television as
well, but the librarian's smile suggested otherwise. Langdon still
had not gotten used to these moments of unexpected celebrity. Then
again, if anyone on earth were going to recognize his face, it would
be a librarian in a Religious Studies reference facility.
"Pamela
Gettum," the librarian said, offering her hand. She had a
genial, erudite face and a pleasingly fluid voice. The horn-rimmed
glasses hanging around her neck were thick.
"A
pleasure," Langdon said. "This is my friend Sophie Neveu."
The
two women greeted one another, and Gettum turned immediately back to
Langdon. "I didn't know you were coming."
"Neither
did we. If it's not too much trouble, we could really use your help
finding some information."
Gettum
shifted, looking uncertain. "Normally our services are by
petition and appointment only, unless of course you're the guest of
someone at the college?"
Langdon
shook his head. "I'm afraid we've come unannounced. A friend of
mine speaks very highly of you. Sir Leigh Teabing?" Langdon felt
a pang of gloom as he said the name. "The British Royal
Historian."
Gettum
brightened now, laughing. "Heavens, yes. What a character.
Fanatical! Every time he comes in, it's always the same search
strings. Grail. Grail. Grail. I swear that man will die before he
gives up on that quest." She winked. "Time and money afford
one such lovely luxuries, wouldn't you say? A regular Don Quixote,
that one."
"Is
there any chance you can help us?" Sophie asked. "It's
quite important."
Gettum
glanced around the deserted library and then winked at them both.
"Well, I can't very well claim I'm too busy, now can I? As long
as you sign in, I can't imagine anyone being too upset. What did you
have in mind?"
"We're
trying to find a tomb in London."
Gettum
looked dubious. "We've got about twenty thousand of them. Can
you be a little more specific?"
"It's
the tomb of a knight. We don't have a name."
"A
knight. That tightens the net substantially. Much less common."
"We
don't have much information about the knight we're looking for,"
Sophie said, "but this is what we know." She produced a
slip of paper on which she had written only the first two lines of
the poem.
Hesitant
to show the entire poem to an outsider, Langdon and Sophie had
decided to share just the first two lines, those that identified the
knight. Compartmentalized cryptography, Sophie had called it. When an
intelligence agency intercepted a code containing sensitive data,
cryptographers each worked on a discrete section of the code. This
way, when they broke it, no single cryptographer possessed the entire
deciphered message.
In
this case, the precaution was probably excessive; even if this
librarian saw the entire poem, identified the knight's tomb, and knew
what orb was missing, the information was useless without the
cryptex.
Gettum
sensed an urgency in the eyes of this famed American scholar, almost
as if his finding this tomb quickly were a matter of critical
importance. The green-eyed woman accompanying him also seemed
anxious.
Puzzled,
Gettum put on her glasses and examined the paper they had just handed
her.
In
London lies a knight a Pope interred.
His
labor's fruit a Holy wrath incurred.
She
glanced at her guests. "What is this? Some kind of Harvard
scavenger hunt?"
Langdon's
laugh sounded forced. "Yeah, something like that."
Gettum
paused, feeling she was not getting the whole story. Nonetheless, she
felt intrigued and found herself pondering the verse carefully.
"According to this rhyme, a knight did something that incurred
displeasure with God, and yet a Pope was kind enough to bury him in
London."
Langdon
nodded. "Does it ring any bells?"
Gettum
moved toward one of the workstations. "Not offhand, but let's
see what we can pull up in the database."
Over
the past two decades, King's College Research Institute in Systematic
Theology had used optical character recognition software in unison
with linguistic translation devices to digitize and catalog an
enormous collection of texts—encyclopedias of religion, religious
biographies, sacred scriptures in dozens of languages, histories,
Vatican letters, diaries of clerics, anything at all that qualified
as writings on human spirituality. Because the massive collection was
now in the form of bits and bytes rather than physical pages, the
data was infinitely more accessible.
Settling
into one of the workstations, Gettum eyed the slip of paper and began
typing. "To begin, we'll run a straight Boolean with a few
obvious keywords and see what happens."
"Thank
you."
Gettum
typed in a few words:
LONDON,
KNIGHT, POPE
As
she clicked the SEARCH button, she could feel the hum of the massive
mainframe downstairs scanning data at a rate of 500 MB/sec. "I'm
asking the system to show us any documents whose complete text
contains all three of these keywords. We'll get more hits than we
want, but it's a good place to start."
The
screen was already showing the first of the hits now.
Painting
the Pope. The Collected Portraits of Sir Joshua Reynolds. London
University Press.
Gettum
shook her head. "Obviously not what you're looking for."
She scrolled to the next hit.
The
London Writings of Alexander Pope by G. Wilson Knight.
Again
she shook her head.
As
the system churned on, the hits came up more quickly than usual.
Dozens of texts appeared, many of them referencing the
eighteenth-century British writer Alexander Pope, whose
counterreligious, mock-epic poetry apparently contained plenty of
references to knights and London.
Gettum
shot a quick glance to the numeric field at the bottom of the screen.
This computer, by calculating the current number of hits and
multiplying by the percentage of the database left to search,
provided a rough guess of how much information would be found. This
particular search looked like it was going to return an obscenely
large amount of data.
Estimated
number of total hits: 2,692
"We
need to refine the parameters further," Gettum said, stopping
the search. "Is this all the information you have regarding the
tomb? There's nothing else to go on?"
Langdon
glanced at Sophie Neveu, looking uncertain.
This
is no scavenger hunt, Gettum sensed. She had heard the whisperings of
Robert Langdon's experience in Rome last year. This American had been
granted access to the most secure library on earth—the Vatican
Secret Archives. She wondered what kinds of secrets Langdon might
have learned inside and if his current desperate hunt for a
mysterious London tomb might relate to information he had gained
within the Vatican. Gettum had been a librarian long enough to know
the most common reason people came to London to look for knights. The
Grail.
Gettum
smiled and adjusted her glasses. "You are friends with Leigh
Teabing, you are in England, and you are looking for a knight."
She folded her hands. "I can only assume you are on a Grail
quest."
Langdon
and Sophie exchanged startled looks.
Gettum
laughed. "My friends, this library is a base camp for Grail
seekers. Leigh Teabing among them. I wish I had a shilling for every
time I'd run searches for the Rose, Mary Magdalene, Sangreal,
Merovingian, Priory of Sion, et cetera, et cetera. Everyone loves a
conspiracy." She took off her glasses and eyed them. "I
need more information."
In
the silence, Gettum sensed her guests' desire for discretion was
quickly being outweighed by their eagerness for a fast result.
"Here,"
Sophie Neveu blurted. "This is everything we know."
Borrowing a pen from Langdon, she wrote two more lines on the slip of
paper and handed it to Gettum.
You
seek the orb that ought be on his tomb.
It
speaks of Rosy flesh and seeded womb.
Gettum
gave an inward smile. The Grail indeed, she thought, noting the
references to the Rose and her seeded womb. "I can help you,"
she said, looking up from the slip of paper. "Might I ask where
this verse came from? And why you are seeking an orb?"
"You
might ask," Langdon said, with a friendly smile, "but it's
a long story and we have very little time."
"Sounds
like a polite way of saying 'mind your own business.' "
"We
would be forever in your debt, Pamela," Langdon said, "if
you could find out who this knight is and where he is buried."
"Very
well," Gettum said, typing again. "I'll play along. If this
is a Grail-related issue, we should cross-reference against Grail
keywords. I'll add a proximity parameter and remove the title
weighting. That will limit our hits only to those instances of
textual keywords that occur near a Grail-related word."
Search
for: KNIGHT, LONDON, POPE, TOMB
Within
100 word proximity of: GRAIL, ROSE, SANGREAL, CHALICE
"How
long will this take?" Sophie asked.
"A
few hundred terabytes with multiple cross-referencing fields?"
Gettum's eyes glimmered as she clicked the SEARCH key. "A mere
fifteen minutes."
Langdon
and Sophie said nothing, but Gettum sensed this sounded like an
eternity to them.
"Tea?"
Gettum asked, standing and walking toward the pot she had made
earlier. "Leigh always loves my tea."
Chapter
93
London's
Opus Dei Centre is a modest brick building at 5 Orme Court,
overlooking the North Walk at Kensington Gardens. Silas had never
been here, but he felt a rising sense of refuge and asylum as he
approached the building on foot. Despite the rain, Rémy had dropped
him off a short distance away in order to keep the limousine off the
main streets. Silas didn't mind the walk. The rain was cleansing.
At
Rémy's suggestion, Silas had wiped down his gun and disposed of it
through a sewer grate. He was glad to get rid of it. He felt lighter.
His legs still ached from being bound all that time, but Silas had
endured far greater pain. He wondered, though, about Teabing, whom
Rémy had left bound in the back of the limousine. The Briton
certainly had to be feeling the pain by now.
"What
will you do with him?" Silas had asked Rémy as they drove over
here.
Rémy
had shrugged. "That is a decision for the Teacher." There
was an odd finality in his tone.
Now,
as Silas approached the Opus Dei building, the rain began to fall
harder, soaking his heavy robe, stinging the wounds of the day
before. He was ready to leave behind the sins of the last twenty-four
hours and purge his soul. His work was done.
Moving
across a small courtyard to the front door, Silas was not surprised
to find the door unlocked. He opened it and stepped into the
minimalist foyer. A muted electronic chime sounded upstairs as Silas
stepped onto the carpet. The bell was a common feature in these halls
where the residents spent most of the day in their rooms in prayer.
Silas could hear movement above on the creaky wood floors.
A
man in a cloak came downstairs. "May I help you?" He had
kind eyes that seemed not even to register Silas's startling physical
appearance.
"Thank
you. My name is Silas. I am an Opus Dei numerary."
"American?"
Silas
nodded. "I am in town only for the day. Might I rest here?"
"You
need not even ask. There are two empty rooms on the third floor.
Shall I bring you some tea and bread?"
"Thank
you." Silas was famished.
Silas
went upstairs to a modest room with a window, where he took off his
wet robe and knelt down to pray in his undergarments. He heard his
host come up and lay a tray outside his door. Silas finished his
prayers, ate his food, and lay down to sleep.
Three
stories below, a phone was ringing. The Opus Dei numerary who had
welcomed Silas answered the line.
"This
is the London police," the caller said. "We are trying to
find an albino monk. We've had a tip-off that he might be there. Have
you seen him?"
The
numerary was startled. "Yes, he is here. Is something wrong?"
"He
is there now?"
"Yes,
upstairs praying. What is going on?"
"Leave
him precisely where he is," the officer commanded. "Don't
say a word to anyone. I'm sending officers over right away."
Chapter
94
St.
James's Park is a sea of green in the middle of London, a public park
bordering the palaces of Westminster, Buckingham, and St. James's.
Once enclosed by King Henry VIII and stocked with deer for the hunt,
St. James's Park is now open to the public. On sunny afternoons,
Londoners picnic beneath the willows and feed the pond's resident
pelicans, whose ancestors were a gift to Charles II from the Russian
ambassador.
The
Teacher saw no pelicans today. The stormy weather had brought instead
seagulls from the ocean. The lawns were covered with them—hundreds
of white bodies all facing the same direction, patiently riding out
the damp wind. Despite the morning fog, the park afforded splendid
views of the Houses of Parliament and Big Ben. Gazing across the
sloping lawns, past the duck pond and the delicate silhouettes of the
weeping willows, the Teacher could see the spires of the building
that housed the knight's tomb—the real reason he had told Rémy to
come to this spot.
As
the Teacher approached the front passenger door of the parked
limousine, Rémy leaned across and opened the door. The Teacher
paused outside, taking a pull from the flask of cognac he was
carrying. Then, dabbing his mouth, he slid in beside Rémy and closed
the door.
Rémy
held up the keystone like a trophy. "It was almost lost."
"You
have done well," the Teacher said.
"We
have done well," Rémy replied, laying the keystone in the
Teacher's eager hands.
The
Teacher admired it a long moment, smiling. "And the gun? You
wiped it down?"
"Back
in the glove box where I found it."
"Excellent."
The Teacher took another drink of cognac and handed the flask to
Rémy. "Let's toast our success. The end is near."
Rémy
accepted the bottle gratefully. The cognac tasted salty, but Rémy
didn't care. He and the Teacher were truly partners now. He could
feel himself ascending to a higher station in life. I will never be a
servant again. As Rémy gazed down the embankment at the duck pond
below, Château Villette seemed miles away.
Taking
another swig from the flask, Rémy could feel the cognac warming his
blood. The warmth in Rémy's throat, however, mutated quickly to an
uncomfortable heat. Loosening his bow tie, Rémy tasted an unpleasant
grittiness and handed the flask back to the Teacher. "I've
probably had enough," he managed, weakly.
Taking
the flask, the Teacher said, "Rémy, as you are aware, you are
the only one who knows my face. I placed enormous trust in you."
"Yes,"
he said, feeling feverish as he loosened his tie further. "And
your identity shall go with me to the grave."
The
Teacher was silent a long moment. "I believe you."
Pocketing the flask and the keystone, the Teacher reached for the
glove box and pulled out the tiny Medusa revolver. For an instant,
Rémy felt a surge of fear, but the Teacher simply slipped it in his
trousers pocket.
What
is he doing? Rémy felt himself sweating suddenly.
"I
know I promised you freedom," the Teacher said, his voice now
sounding regretful. "But considering your circumstances, this is
the best I can do."
The
swelling in Rémy's throat came on like an earthquake, and he lurched
against the steering column, grabbing his throat and tasting vomit in
his narrowing esophagus. He let out a muted croak of a scream, not
even loud enough to be heard outside the car. The saltiness in the
cognac now registered.
I'm
being murdered!
Incredulous,
Rémy turned to see the Teacher sitting calmly beside him, staring
straight ahead out the windshield. Rémy's eyesight blurred, and he
gasped for breath. I made everything possible for him! How could he
do this! Whether the Teacher had intended to kill Rémy all along or
whether it had been Rémy's actions in the Temple Church that had
made the Teacher lose faith, Rémy would never know. Terror and rage
coursed through him now. Rémy tried to lunge for the Teacher, but
his stiffening body could barely move. I trusted you with everything!
Rémy
tried to lift his clenched fists to blow the horn, but instead he
slipped sideways, rolling onto the seat, lying on his side beside the
Teacher, clutching at his throat. The rain fell harder now. Rémy
could no longer see, but he could sense his oxygen-deprived brain
straining to cling to his last faint shreds of lucidity. As his world
slowly went black, Rémy Legaludec could have sworn he heard the
sounds of the soft Riviera surf.
The
Teacher stepped from the limousine, pleased to see that nobody was
looking in his direction. I had no choice, he told himself, surprised
how little remorse he felt for what he had just done. Rémy sealed
his own fate. The Teacher had feared all along that Rémy might need
to be eliminated when the mission was complete, but by brazenly
showing himself in the Temple Church, Rémy had accelerated the
necessity dramatically. Robert Langdon's unexpected visit to Château
Villette had brought the Teacher both a fortuitous windfall and an
intricate dilemma. Langdon had delivered the keystone directly to the
heart of the operation, which was a pleasant surprise, and yet he had
brought the police on his tail. Rémy's prints were all over Château
Villette, as well as in the barn's listening post, where Rémy had
carried out the surveillance. The Teacher was grateful he had taken
so much care in preventing any ties between Rémy's activities and
his own. Nobody could implicate the Teacher unless Rémy talked, and
that was no longer a concern.
One
more loose end to tie up here, the Teacher thought, moving now toward
the rear door of the limousine. The police will have no idea what
happened … and no living witness left to tell them. Glancing around
to ensure nobody was watching, he pulled open the door and climbed
into the spacious rear compartment.
Minutes
later, the Teacher was crossing St. James's Park. Only two people now
remain. Langdon and Neveu. They were more complicated. But
manageable. At the moment, however, the Teacher had the cryptex to
attend to.
Gazing
triumphantly across the park, he could see his destination. In London
lies a knight a Pope interred. As soon as the Teacher had heard the
poem, he had known the answer. Even so, that the others had not
figured it out was not surprising. I have an unfair advantage. Having
listened to Saunière's conversations for months now, the Teacher had
heard the Grand Master mention this famous knight on occasion,
expressing esteem almost matching that he held for Da Vinci. The
poem's reference to the knight was brutally simple once one saw it—a
credit to Saunière's wit—and yet how this tomb would reveal the
final password was still a mystery.
You
seek the orb that ought be on his tomb.
The
Teacher vaguely recalled photos of the famous tomb and, in
particular, its most distinguishing feature. A magnificent orb. The
huge sphere mounted atop the tomb was almost as large as the tomb
itself. The presence of the orb seemed both encouraging and troubling
to the Teacher. On one hand, it felt like a signpost, and yet,
according to the poem, the missing piece of the puzzle was an orb
that ought to be on his tomb … not one that was already there. He
was counting on his closer inspection of the tomb to unveil the
answer.
The
rain was getting heavier now, and he tucked the cryptex deep in his
right-hand pocket to protect it from the dampness. He kept the tiny
Medusa revolver in his left, out of sight. Within minutes, he was
stepping into the quiet sanctuary of London's grandest
nine-hundred-year-old building.
Just
as the Teacher was stepping out of the rain, Bishop Aringarosa was
stepping into it. On the rainy tarmac at Biggin Hill Executive
Airport, Aringarosa emerged from his cramped plane, bundling his
cassock against the cold damp. He had hoped to be greeted by Captain
Fache. Instead a young British police officer approached with an
umbrella.
"Bishop
Aringarosa? Captain Fache had to leave. He asked me to look after
you. He suggested I take you to Scotland Yard. He thought it would be
safest."
Safest?
Aringarosa looked down at the heavy briefcase of Vatican bonds
clutched in his hand. He had almost forgotten. "Yes, thank you."
Aringarosa
climbed into the police car, wondering where Silas could be. Minutes
later, the police scanner crackled with the answer.
5
Orme Court.
Aringarosa
recognized the address instantly.
The
Opus Dei Centre in London.
He
spun to the driver. "Take me there at once!"
Chapter
95
Langdon's
eyes had not left the computer screen since the search began.
Five
minutes. Only two hits. Both irrelevant.
He
was starting to get worried.
Pamela
Gettum was in the adjoining room, preparing hot drinks. Langdon and
Sophie had inquired unwisely if there might be some coffee brewing
alongside the tea Gettum had offered, and from the sound of the
microwave beeps in the next room, Langdon suspected their request was
about to be rewarded with instant Nescafe.
Finally,
the computer pinged happily.
"Sounds
like you got another," Gettum called from the next room. "What's
the title?"
Langdon
eyed the screen.
Grail
Allegory in Medieval Literature: A Treatise on Sir Gawain and the
Green Knight.
"Allegory
of the Green Knight," he called back.
"No
good," Gettum said. "Not many mythological green giants
buried in London."
Langdon
and Sophie sat patiently in front of the screen and waited through
two more dubious returns. When the computer pinged again, though, the
offering was unexpected.
DIE
OPERN VON RICHARD WAGNER
"The
operas of Wagner?" Sophie asked.
Gettum
peeked back in the doorway, holding a packet of instant coffee. "That
seems like a strange match. Was Wagner a knight?"
"No,"
Langdon said, feeling a sudden intrigue. "But he was a
well-known Freemason." Along with Mozart, Beethoven,
Shakespeare, Gershwin, Houdini, and Disney. Volumes had been written
about the ties between the Masons and the Knights Templar, the Priory
of Sion, and the Holy Grail. "I want to look at this one. How do
I see the full text?"
"You
don't want the full text," Gettum called. "Click on the
hypertext title. The computer will display your keyword hits along
with mono prelogs and triple postlogs for context."
Langdon
had no idea what she had just said, but he clicked anyway.
A
new window popped up.
…mythological
knight named Parsifal who …
…metaphorical
Grail quest that arguably …
…the
London Philharmonic in 1855 …
Rebecca
Pope's opera anthology "Diva's …
…Wagner's
tomb in Bayreuth, Germany …
"Wrong
Pope," Langdon said, disappointed. Even so, he was amazed by the
system's ease of use. The keywords with context were enough to remind
him that Wagner's opera Parsifal was a tribute to Mary Magdalene and
the bloodline of Jesus Christ, told through the story of a young
knight on a quest for truth.
"Just
be patient," Gettum urged. "It's a numbers game. Let the
machine run."
Over
the next few minutes, the computer returned several more Grail
references, including a text about troubadours—France's famous
wandering minstrels. Langdon knew it was no coincidence that the word
minstrel and minister shared an etymological root. The troubadours
were the traveling servants or "ministers" of the Church of
Mary Magdalene, using music to disseminate the story of the sacred
feminine among the common folk. To this day, the troubadours sang
songs extolling the virtues of "our Lady"—a mysterious
and beautiful woman to whom they pledged themselves forever.
Eagerly,
he checked the hypertext but found nothing.
The
computer pinged again.
KNIGHTS,
KNAVES, POPES, AND PENTACLES: THE HISTORY OF THE HOLY GRAIL THROUGH
TAROT
"Not
surprising," Langdon said to Sophie. "Some of our keywords
have the same names as individual cards." He reached for the
mouse to click on a hyperlink. "I'm not sure if your grandfather
ever mentioned it when you played Tarot with him, Sophie, but this
game is a 'flash-card catechism' into the story of the Lost Bride and
her subjugation by the evil Church."
Sophie
eyed him, looking incredulous. "I had no idea."
"That's
the point. By teaching through a metaphorical game, the followers of
the Grail disguised their message from the watchful eye of the
Church." Langdon often wondered how many modern card players had
any clue that their four suits—spades, hearts, clubs, diamonds—were
Grail-related symbols that came directly from Tarot's four suits of
swords, cups, scepters, and pentacles.
Spades
were Swords—The blade. Male.
Hearts
were Cups—The chalice. Feminine.
Clubs
were Scepters—The Royal Line. The flowering staff.
Diamonds
were Pentacles—The goddess. The sacred feminine.
Four
minutes later, as Langdon began feeling fearful they would not find
what they had come for, the computer produced another hit.
The
Gravity of Genius: Biography of a Modern Knight.
"Gravity
of Genius?" Langdon called out to Gettum. "Bio of a modern
knight?"
Gettum
stuck her head around the corner. "How modern? Please don't tell
me it's your Sir Rudy Giuliani. Personally, I found that one a bit
off the mark."
Langdon
had his own qualms about the newly knighted Sir Mick Jagger, but this
hardly seemed the moment to debate the politics of modern British
knighthood. "Let's have a look." Langdon summoned up the
hypertext keywords.
… honorable
knight, Sir Isaac Newton …
… in
London in 1727 and …
… his
tomb in Westminster Abbey …
… Alexander
Pope, friend and colleague …
"I
guess 'modern' is a relative term," Sophie called to Gettum.
"It's an old book. About Sir Isaac Newton."
Gettum
shook her head in the doorway. "No good. Newton was buried in
Westminster Abbey, the seat of English Protestantism. There's no way
a Catholic Pope was present. Cream and sugar?"
Sophie
nodded.
Gettum
waited. "Robert?"
Langdon's
heart was hammering. He pulled his eyes from the screen and stood up.
"Sir Isaac Newton is our knight."
Sophie
remained seated. "What are you talking about?"
"Newton
is buried in London," Langdon said. "His labors produced
new sciences that incurred the wrath of the Church. And he was a
Grand Master of the Priory of Sion. What more could we want?"
"What
more?" Sophie pointed to the poem. "How about a knight a
Pope interred? You heard Ms. Gettum. Newton was not buried by a
Catholic Pope."
Langdon
reached for the mouse. "Who said anything about a Catholic
Pope?" He clicked on the "Pope" hyperlink, and the
complete sentence appeared.
Sir
Isaac Newton's burial, attended by kings and nobles, was presided
over by Alexander Pope, friend and colleague, who gave a stirring
eulogy before sprinkling dirt on the tomb.
Langdon
looked at Sophie. "We had the correct Pope on our second hit.
Alexander." He paused. "A. Pope."
In
London lies a knight A. Pope interred.
Sophie
stood up, looking stunned.
Jacques
Saunière, the master of double-entendres, had proven once again that
he was a frighteningly clever man.
Chapter
96
Silas
awoke with a start.
He
had no idea what had awoken him or how long he had been asleep. Was I
dreaming? Sitting up now on his straw mat, he listened to the quiet
breathing of the Opus Dei residence hall, the stillness textured only
by the soft murmurs of someone praying aloud in a room below him.
These were familiar sounds and should have comforted him.
And
yet he felt a sudden and unexpected wariness.
Standing,
wearing only his undergarments, Silas walked to the window. Was I
followed? The courtyard below was deserted, exactly as he had seen it
when he entered. He listened. Silence. So why am I uneasy? Long ago
Silas had learned to trust his intuition. Intuition had kept him
alive as a child on the streets of Marseilles long before prison …
long before he was born again by the hand of Bishop Aringarosa.
Peering out the window, he now saw the faint outline of a car through
the hedge. On the car's roof was a police siren. A floorboard creaked
in the hallway. A door latch moved.
Silas
reacted on instinct, surging across the room and sliding to a stop
just behind the door as it crashed open. The first police officer
stormed through, swinging his gun left then right at what appeared an
empty room. Before he realized where Silas was, Silas had thrown his
shoulder into the door, crushing a second officer as he came through.
As the first officer wheeled to shoot, Silas dove for his legs. The
gun went off, the bullet sailing above Silas's head, just as he
connected with the officer's shins, driving his legs out from under
him, and sending the man down, his head hitting the floor. The second
officer staggered to his feet in the doorway, and Silas drove a knee
into his groin, then went clambering over the writhing body into the
hall.
Almost
naked, Silas hurled his pale body down the staircase. He knew he had
been betrayed, but by whom? When he reached the foyer, more officers
were surging through the front door. Silas turned the other way and
dashed deeper into the residence hall. The women's entrance. Every
Opus Dei building has one. Winding down narrow hallways, Silas snaked
through a kitchen, past terrified workers, who left to avoid the
naked albino as he knocked over bowls and silverware, bursting into a
dark hallway near the boiler room. He now saw the door he sought, an
exit light gleaming at the end.
Running
full speed through the door out into the rain, Silas leapt off the
low landing, not seeing the officer coming the other way until it was
too late. The two men collided, Silas's broad, naked shoulder
grinding into the man's sternum with crushing force. He drove the
officer backward onto the pavement, landing hard on top of him. The
officer's gun clattered away. Silas could hear men running down the
hall shouting. Rolling, he grabbed the loose gun just as the officers
emerged. A shot rang out on the stairs, and Silas felt a searing pain
below his ribs. Filled with rage, he opened fire at all three
officers, their blood spraying.
A
dark shadow loomed behind, coming out of nowhere. The angry hands
that grabbed at his bare shoulders felt as if they were infused with
the power of the devil himself. The man roared in his ear. SILAS, NO!
Silas
spun and fired. Their eyes met. Silas was already screaming in horror
as Bishop Aringarosa fell.
Chapter
97
More
than three thousand people are entombed or enshrined within
Westminster Abbey. The colossal stone interior burgeons with the
remains of kings, statesmen, scientists, poets, and musicians. Their
tombs, packed into every last niche and alcove, range in grandeur
from the most regal of mausoleums—that of Queen Elizabeth I, whose
canopied sarcophagus inhabits its own private, apsidal chapel—down
to the most modest etched floor tiles whose inscriptions have worn
away with centuries of foot traffic, leaving it to one's imagination
whose relics might lie below the tile in the undercroft.
Designed
in the style of the great cathedrals of Amiens, Chartres, and
Canterbury, Westminster Abbey is considered neither cathedral nor
parish church. It bears the classification of royal peculiar, subject
only to the Sovereign. Since hosting the coronation of William the
Conqueror on Christmas Day in 1066, the dazzling sanctuary has
witnessed an endless procession of royal ceremonies and affairs of
state—from the canonization of Edward the Confessor, to the
marriage of Prince Andrew and Sarah Ferguson, to the funerals of
Henry V, Queen Elizabeth I, and Lady Diana.
Even
so, Robert Langdon currently felt no interest in any of the abbey's
ancient history, save one event—the funeral of the British knight
Sir Isaac Newton.
In
London lies a knight a Pope interred.
Hurrying
through the grand portico on the north transept, Langdon and Sophie
were met by guards who politely ushered them through the abbey's
newest addition—a large walk-through metal detector—now present
in most historic buildings in London. They both passed through
without setting off the alarm and continued to the abbey entrance.
Stepping
across the threshold into Westminster Abbey, Langdon felt the outside
world evaporate with a sudden hush. No rumble of traffic. No hiss of
rain. Just a deafening silence, which seemed to reverberate back and
forth as if the building were whispering to itself.
Langdon's
and Sophie's eyes, like those of almost every visitor, shifted
immediately skyward, where the abbey's great abyss seemed to explode
overhead. Gray stone columns ascended like redwoods into the shadows,
arching gracefully over dizzying expanses, and then shooting back
down to the stone floor. Before them, the wide alley of the north
transept stretched out like a deep canyon, flanked by sheer cliffs of
stained glass. On sunny days, the abbey floor was a prismatic
patchwork of light. Today, the rain and darkness gave this massive
hollow a wraithlike aura … more like that of the crypt it truly
was.
"It's
practically empty," Sophie whispered.
Langdon
felt disappointed. He had hoped for a lot more people. A more public
place. Their earlier experience in the deserted Temple Church was not
one Langdon wanted to repeat. He had been anticipating a certain
feeling of security in the popular tourist destination, but Langdon's
recollections of bustling throngs in a well-lit abbey had been formed
during the peak summer tourist season. Today was a rainy April
morning. Rather than crowds and shimmering stained glass, all Langdon
saw was acres of desolate floor and shadowy, empty alcoves.
"We
passed through metal detectors," Sophie reminded, apparently
sensing Langdon's apprehension. "If anyone is in here, they
can't be armed."
Langdon
nodded but still felt circumspect. He had wanted to bring the London
police with them, but Sophie's fears of who might be involved put a
damper on any contact with the authorities. We need to recover the
cryptex, Sophie had insisted. It is the key to everything.
She
was right, of course.
The
key to getting Leigh back alive.
The
key to finding the Holy Grail.
The
key to learning who is behind this.
Unfortunately,
their only chance to recover the keystone seemed to be here and now …
at the tomb of Isaac Newton. Whoever held the cryptex would have to
pay a visit to the tomb to decipher the final clue, and if they had
not already come and gone, Sophie and Langdon intended to intercept
them.
Striding
toward the left wall to get out of the open, they moved into an
obscure side aisle behind a row of pilasters. Langdon couldn't shake
the image of Leigh Teabing being held captive, probably tied up in
the back of his own limousine. Whoever had ordered the top Priory
members killed would not hesitate to eliminate others who stood in
the way. It seemed a cruel irony that Teabing—a modern British
knight—was a hostage in the search for his own countryman, Sir
Isaac Newton.
"Which
way is it?" Sophie asked, looking around.
The
tomb. Langdon had no idea. "We should find a docent and ask."
Langdon
knew better than to wander aimlessly in here. Westminster Abbey was a
tangled warren of mausoleums, perimeter chambers, and walk-in burial
niches. Like the Louvre's Grand Gallery, it had a lone point of
entry—the door through which they had just passed—easy to find
your way in, but impossible to find your way out. A literal tourist
trap, one of Langdon's befuddled colleagues had called it. Keeping
architectural tradition, the abbey was laid out in the shape of a
giant crucifix. Unlike most churches, however, it had its entrance on
the side, rather than the standard rear of the church via the narthex
at the bottom of the nave. Moreover, the abbey had a series of
sprawling cloisters attached. One false step through the wrong
archway, and a visitor was lost in a labyrinth of outdoor passageways
surrounded by high walls.
"Docents
wear crimson robes," Langdon said, approaching the center of the
church. Peering obliquely across the towering gilded altar to the far
end of the south transept, Langdon saw several people crawling on
their hands and knees. This prostrate pilgrimage was a common
occurrence in Poets' Corner, although it was far less holy than it
appeared. Tourists doing grave rubbings.
"I
don't see any docents," Sophie said. "Maybe we can find the
tomb on our own?"
Without
a word, Langdon led her another few steps to the center of the abbey
and pointed to the right.
Sophie
drew a startled breath as she looked down the length of the abbey's
nave, the full magnitude of the building now visible. "Aah,"
she said. "Let's find a docent."
At
that moment, a hundred yards down the nave, out of sight behind the
choir screen, the stately tomb of Sir Isaac Newton had a lone
visitor. The Teacher had been scrutinizing the monument for ten
minutes now.
Newton's
tomb consisted of a massive black-marble sarcophagus on which
reclined the sculpted form of Sir Isaac Newton, wearing classical
costume, and leaning proudly against a stack of his own
books—Divinity, Chronology, Opticks, and Philosophiae Naturalis
Principia Mathematica. At Newton's feet stood two winged boys holding
a scroll. Behind Newton's recumbent body rose an austere pyramid.
Although the pyramid itself seemed an oddity, it was the giant shape
mounted halfway up the pyramid that most intrigued the Teacher.
An
orb.
The
Teacher pondered Saunière's beguiling riddle. You seek the orb that
ought be on his tomb. The massive orb protruding from the face of the
pyramid was carved in basso-relievo and depicted all kinds of
heavenly bodies—constellations, signs of the zodiac, comets, stars,
and planets. Above it, the image of the Goddess of Astronomy beneath
a field of stars.
Countless
orbs.
The
Teacher had been convinced that once he found the tomb, discerning
the missing orb would be easy. Now he was not so sure. He was gazing
at a complicated map of the heavens. Was there a missing planet? Had
some astronomical orb been omitted from a constellation? He had no
idea. Even so, the Teacher could not help but suspect that the
solution would be ingeniously clean and simple—"a knight a
pope interred." What orb am I looking for? Certainly, an
advanced knowledge of astrophysics was not a prerequisite for finding
the Holy Grail, was it?
It
speaks of Rosy flesh and seeded womb.
The
Teacher's concentration was broken by several approaching tourists.
He slipped the cryptex back in his pocket and watched warily as the
visitors went to a nearby table, left a donation in the cup, and
restocked on the complimentary grave-rubbing supplies set out by the
abbey. Armed with fresh charcoal pencils and large sheets of heavy
paper, they headed off toward the front of the abbey, probably to the
popular Poets' Corner to pay their respects to Chaucer, Tennyson, and
Dickens by rubbing furiously on their graves.
Alone
again, he stepped closer to the tomb, scanning it from bottom to top.
He began with the clawed feet beneath the sarcophagus, moved upward
past Newton, past his books on science, past the two boys with their
mathematical scroll, up the face of the pyramid to the giant orb with
its constellations, and finally up to the niche's star-filled canopy.
What
orb ought to be here … and yet is missing? He touched the cryptex
in his pocket as if he could somehow divine the answer from
Saunière's crafted marble. Only five letters separate me from the
Grail.
Pacing
now near the corner of the choir screen, he took a deep breath and
glanced up the long nave toward the main altar in the distance. His
gaze dropped from the gilded altar down to the bright crimson robe of
an abbey docent who was being waved over by two very familiar
individuals.
Langdon
and Neveu.
Calmly,
the Teacher moved two steps back behind the choir screen. That was
fast. He had anticipated Langdon and Sophie would eventually decipher
the poem's meaning and come to Newton's tomb, but this was sooner
than he had imagined. Taking a deep breath, the Teacher considered
his options. He had grown accustomed to dealing with surprises.
I
am holding the cryptex.
Reaching
down to his pocket, he touched the second object that gave him his
confidence: the Medusa revolver. As expected, the abbey's metal
detectors had blared as the Teacher passed through with the concealed
gun. Also as expected, the guards had backed off at once when the
Teacher glared indignantly and flashed his identification card.
Official rank always commanded the proper respect.
Although
initially the Teacher had hoped to solve the cryptex alone and avoid
any further complications, he now sensed that the arrival of Langdon
and Neveu was actually a welcome development. Considering the lack of
success he was having with the "orb" reference, he might be
able to use their expertise. After all, if Langdon had deciphered the
poem to find the tomb, there was a reasonable chance he also knew
something about the orb. And if Langdon knew the password, then it
was just a matter of applying the right pressure.
Not
here, of course.
Somewhere
private.
The
Teacher recalled a small announcement sign he had seen on his way
into the abbey. Immediately he knew the perfect place to lure them.
The
only question now … what to use as bait.
Chapter
98
Langdon
and Sophie moved slowly down the north aisle, keeping to the shadows
behind the ample pillars that separated it from the open nave.
Despite having traveled more than halfway down the nave, they still
had no clear view of Newton's tomb. The sarcophagus was recessed in a
niche, obscured from this oblique angle.
"At
least there's nobody over there," Sophie whispered.
Langdon
nodded, relieved. The entire section of the nave near Newton's tomb
was deserted. "I'll go over," he whispered. "You
should stay hidden just in case someone—"
Sophie
had already stepped from the shadows and was headed across the open
floor.
"—is
watching," Langdon sighed, hurrying to join her.
Crossing
the massive nave on a diagonal, Langdon and Sophie remained silent as
the elaborate sepulchre revealed itself in tantalizing increments …
a black-marble sarcophagus … a reclining statue of Newton … two
winged boys … a huge pyramid … and … an enormous orb.
"Did
you know about that?" Sophie said, sounding startled.
Langdon
shook his head, also surprised.
"Those
look like constellations carved on it," Sophie said.
As
they approached the niche, Langdon felt a slow sinking sensation.
Newton's tomb was covered with orbs—stars, comets, planets. You
seek the orb that ought be on his tomb? It could turn out to be like
trying to find a missing blade of grass on a golf course.
"Astronomical
bodies," Sophie said, looking concerned. "And a lot of
them."
Langdon
frowned. The only link between the planets and the Grail that Langdon
could imagine was the pentacle of Venus, and he had already tried the
password "Venus" en route to the Temple Church.
Sophie
moved directly to the sarcophagus, but Langdon hung back a few feet,
keeping an eye on the abbey around them.
"Divinity,"
Sophie said, tilting her head and reading the titles of the books on
which Newton was leaning. "Chronology. Opticks. Philosophiae
Naturalis Principia Mathematica?" She turned to him. "Ring
any bells?"
Langdon
stepped closer, considering it. "Principia Mathematica, as I
remember, has something to do with the gravitation pull of planets …
which admittedly are orbs, but it seems a little far-fetched."
"How
about the signs of the zodiac?" Sophie asked, pointing to the
constellations on the orb. "You were talking about Pisces and
Aquarius earlier, weren't you?"
The
End of Days, Langdon thought. "The end of Pisces and the
beginning of Aquarius was allegedly the historical marker at which
the Priory planned to release the Sangreal documents to the world."
But the millennium came and went without incident, leaving historians
uncertain when the truth was coming.
"It
seems possible," Sophie said, "that the Priory's plans to
reveal the truth might be related to the last line of the poem."
It
speaks of Rosy flesh and seeded womb. Langdon felt a shiver of
potential. He had not considered the line that way before.
"You
told me earlier," she said, "that the timing of the
Priory's plans to unveil the truth about 'the Rose' and her fertile
womb was linked directly to the position of planets—orbs."
Langdon
nodded, feeling the first faint wisps of possibility materializing.
Even so, his intuition told him astronomy was not the key. The Grand
Master's previous solutions had all possessed an eloquent, symbolic
significance—the Mona Lisa, Madonna of the Rocks, SOFIA. This
eloquence was definitely lacking in the concept of planetary orbs and
the zodiac. Thus far, Jacques Saunière had proven himself a
meticulous code writer, and Langdon had to believe that his final
password—those five letters that unlocked the Priory's ultimate
secret—would prove to be not only symbolically fitting but also
crystal clear. If this solution were anything like the others, it
would be painfully obvious once it dawned.
"Look!"
Sophie gasped, jarring his thoughts as she grabbed his arm. From the
fear in her touch Langdon sensed someone must be approaching, but
when he turned to her, she was staring aghast at the top of the black
marble sarcophagus. "Someone was here," she whispered,
pointing to a spot on the sarcophagus near Newton's outstretched
right foot.
Langdon
did not understand her concern. A careless tourist had left a
charcoal, grave-rubbing pencil on the sarcophagus lid near Newton's
foot. It's nothing. Langdon reached out to pick it up, but as he
leaned toward the sarcophagus, the light shifted on the polished
black-marble slab, and Langdon froze. Suddenly, he saw why Sophie was
afraid.
Scrawled
on the sarcophagus lid, at Newton's feet, shimmered a barely visible
charcoal-pencil message:
I
have Teabing.
Go
through Chapter House,
out
south exit, to public garden.
Langdon
read the words twice, his heart pounding wildly.
Sophie
turned and scanned the nave.
Despite
the pall of trepidation that settled over him upon seeing the words,
Langdon told himself this was good news. Leigh is still alive. There
was another implication here too. "They don't know the password
either," he whispered.
Sophie
nodded. Otherwise why make their presence known?
"They
may want to trade Leigh for the password."
"Or
it's a trap."
Langdon
shook his head. "I don't think so. The garden is outside the
abbey walls. A very public place." Langdon had once visited the
abbey's famous College Garden—a small fruit orchard and herb
garden—left over from the days when monks grew natural
pharmacological remedies here. Boasting the oldest living fruit trees
in Great Britain, College Garden was a popular spot for tourists to
visit without having to enter the abbey. "I think sending us
outside is a show of faith. So we feel safe."
Sophie
looked dubious. "You mean outside, where there are no metal
detectors?"
Langdon
scowled. She had a point.
Gazing
back at the orb-filled tomb, Langdon wished he had some idea about
the cryptex password … something with which to negotiate. I got
Leigh involved in this, and I'll do whatever it takes if there is a
chance to help him.
"The
note says to go through the Chapter House to the south exit,"
Sophie said. "Maybe from the exit we would have a view of the
garden? That way we could assess the situation before we walked out
there and exposed ourselves to any danger?"
The
idea was a good one. Langdon vaguely recalled the Chapter House as a
huge octagonal hall where the original British Parliament convened in
the days before the modern Parliament building existed. It had been
years since he had been there, but he remembered it being out through
the cloister somewhere. Taking several steps back from the tomb,
Langdon peered around the choir screen to his right, across the nave
to the side opposite that which they had descended.
A
gaping vaulted passageway stood nearby, with a large sign.
THIS
WAY TO:
CLOISTERS
DEANERY
COLLEGE
HALL
MUSEUM
PYX
CHAMBER
ST.
FAITH'S CHAPEL
CHAPTER
HOUSE
Langdon
and Sophie were jogging as they passed beneath the sign, moving too
quickly to notice the small announcement apologizing that certain
areas were closed for renovations.
They
emerged immediately into a high-walled, open-roof courtyard through
which morning rain was falling. Above them, the wind howled across
the opening with a low drone, like someone blowing over the mouth of
a bottle. Entering the narrow, low-hanging walkways that bordered the
courtyard perimeter, Langdon felt the familiar uneasiness he always
felt in enclosed spaces. These walkways were called cloisters, and
Langdon noted with uneasiness that these particular cloisters lived
up to their Latin ties to the word claustrophobic.
Focusing
his mind straight ahead toward the end of the tunnel, Langdon
followed the signs for the Chapter House. The rain was spitting now,
and the walkway was cold and damp with gusts of rain that blew
through the lone pillared wall that was the cloister's only source of
light. Another couple scurried past them the other way, hurrying to
get out of the worsening weather. The cloisters looked deserted now,
admittedly the abbey's least enticing section in the wind and rain.
Forty
yards down the east cloister, an archway materialized on their left,
giving way to another hallway. Although this was the entrance they
were looking for, the opening was cordoned off by a swag and an
official-looking sign.
CLOSED
FOR RENOVATION
PYX
CHAMBER
ST.
FAITH'S CHAPEL
CHAPTER
HOUSE
The
long, deserted corridor beyond the swag was littered with scaffolding
and drop cloths. Immediately beyond the swag, Langdon could see the
entrances to the Pyx Chamber and St. Faith's Chapel on the right and
left. The entrance to the Chapter House, however, was much farther
away, at the far end of the long hallway. Even from here, Langdon
could see that its heavy wooden door was wide open, and the spacious
octagonal interior was bathed in a grayish natural light from the
room's enormous windows that looked out on College Garden. Go through
Chapter House, out south exit, to public garden.
"We
just left the east cloister," Langdon said, "so the south
exit to the garden must be through there and to the right."
Sophie
was already stepping over the swag and moving forward.
As
they hurried down the dark corridor, the sounds of the wind and rain
from the open cloister faded behind them. The Chapter House was a
kind of satellite structure—a freestanding annex at the end of the
long hallway to ensure the privacy of the Parliament proceedings
housed there.
"It
looks huge," Sophie whispered as they approached.
Langdon
had forgotten just how large this room was. Even from outside the
entrance, he could gaze across the vast expanse of floor to the
breathtaking windows on the far side of the octagon, which rose five
stories to a vaulted ceiling. They would certainly have a clear view
of the garden from in here.
Crossing
the threshold, both Langdon and Sophie found themselves having to
squint. After the gloomy cloisters, the Chapter House felt like a
solarium. They were a good ten feet into the room, searching the
south wall, when they realized the door they had been promised was
not there.
They
were standing in an enormous dead end.
The
creaking of a heavy door behind them made them turn, just as the door
closed with a resounding thud and the latch fell into place.
The
lone man who had been standing behind the door looked calm as he
aimed a small revolver at them. He was portly and was propped on a
pair of aluminum crutches.
For
a moment Langdon thought he must be dreaming.
It
was Leigh Teabing.
Chapter
99
Sir
Leigh Teabing felt rueful as he gazed out over the barrel of his
Medusa revolver at Robert Langdon and Sophie Neveu. "My
friends," he said, "since the moment you walked into my
home last night, I have done everything in my power to keep you out
of harm's way. But your persistence has now put me in a difficult
position."
He
could see the expressions of shock and betrayal on Sophie's and
Langdon's faces, and yet he was confident that soon they would both
understand the chain of events that had guided the three of them to
this unlikely crossroads.
There
is so much I have to tell you both … so much you do not yet
understand.
"Please
believe," Teabing said, "I never had any intention of your
being involved. You came to my home. You came searching for me."
"Leigh?"
Langdon finally managed. "What the hell are you doing? We
thought you were in trouble. We came here to help you!"
"As
I trusted you would," he said. "We have much to discuss."
Langdon
and Sophie seemed unable to tear their stunned gazes from the
revolver aimed at them.
"It
is simply to ensure your full attention," Teabing said. "If
I had wanted to harm you, you would be dead by now. When you walked
into my home last night, I risked everything to spare your lives. I
am a man of honor, and I vowed in my deepest conscience only to
sacrifice those who had betrayed the Sangreal."
"What
are you talking about?" Langdon said. "Betrayed the
Sangreal?"
"I
discovered a terrible truth," Teabing said, sighing. "I
learned why the Sangreal documents were never revealed to the world.
I learned that the Priory had decided not to release the truth after
all. That's why the millennium passed without any revelation, why
nothing happened as we entered the End of Days."
Langdon
drew a breath, about to protest.
"The
Priory," Teabing continued, "was given a sacred charge to
share the truth. To release the Sangreal documents when the End of
Days arrived. For centuries, men like Da Vinci, Botticelli, and
Newton risked everything to protect the documents and carry out that
charge. And now, at the ultimate moment of truth, Jacques Saunière
changed his mind. The man honored with the greatest responsibility in
Christian history eschewed his duty. He decided the time was not
right." Teabing turned to Sophie. "He failed the Grail. He
failed the Priory. And he failed the memory of all the generations
that had worked to make that moment possible."
"You?"
Sophie declared, glancing up now, her green eyes boring into him with
rage and realization. "You are the one responsible for my
grandfather's murder?"
Teabing
scoffed. "Your grandfather and his sénéchaux were traitors to
the Grail."
Sophie
felt a fury rising from deep within. He's lying!
Teabing's
voice was relentless. "Your grandfather sold out to the Church.
It is obvious they pressured him to keep the truth quiet."
Sophie
shook her head. "The Church had no influence on my grandfather!"
Teabing
laughed coldly. "My dear, the Church has two thousand years of
experience pressuring those who threaten to unveil its lies. Since
the days of Constantine, the Church has successfully hidden the truth
about Mary Magdalene and Jesus. We should not be surprised that now,
once again, they have found a way to keep the world in the dark. The
Church may no longer employ crusaders to slaughter non-believers, but
their influence is no less persuasive. No less insidious." He
paused, as if to punctuate his next point. "Miss Neveu, for some
time now your grandfather has wanted to tell you the truth about your
family."
Sophie
was stunned. "How could you know that?"
"My
methods are immaterial. The important thing for you to grasp right
now is this." He took a deep breath. "The deaths of your
mother, father, grandmother, and brother were not accidental."
The
words sent Sophie's emotions reeling. She opened her mouth to speak
but was unable.
Langdon
shook his head. "What are you saying?"
"Robert,
it explains everything. All the pieces fit. History repeats itself.
The Church has a precedent of murder when it comes to silencing the
Sangreal. With the End of Days imminent, killing the Grand Master's
loved ones sent a very clear message. Be quiet, or you and Sophie are
next."
"It
was a car accident," Sophie stammered, feeling the childhood
pain welling inside her. "An accident!"
"Bedtime
stories to protect your innocence," Teabing said. "Consider
that only two family members went untouched—the Priory's Grand
Master and his lone granddaughter—the perfect pair to provide the
Church with control over the brotherhood. I can only imagine the
terror the Church wielded over your grandfather these past years,
threatening to kill you if he dared release the Sangreal secret,
threatening to finish the job they started unless Saunière
influenced the Priory to reconsider its ancient vow."
"Leigh,"
Langdon argued, now visibly riled, "certainly you have no proof
that the Church had anything to do with those deaths, or that it
influenced the Priory's decision to remain silent."
"Proof?"
Teabing fired back. "You want proof the Priory was influenced?
The new millennium has arrived, and yet the world remains ignorant!
Is that not proof enough?"
In
the echoes of Teabing's words, Sophie heard another voice speaking.
Sophie, I must tell you the truth about your family. She realized she
was trembling. Could this possibly be that truth her grandfather had
wanted to tell her? That her family had been murdered? What did she
truly know about the crash that took her family? Only sketchy
details. Even the stories in the newspaper had been vague. An
accident? Bedtime stories? Sophie flashed suddenly on her
grandfather's overprotectiveness, how he never liked to leave her
alone when she was young. Even when Sophie was grown and away at
university, she had the sense her grandfather was watching over. She
wondered if there had been Priory members in the shadows throughout
her entire life, looking after her.
"You
suspected he was being manipulated," Langdon said, glaring with
disbelief at Teabing. "So you murdered him?"
"I
did not pull the trigger," Teabing said. "Saunière was
dead years ago, when the Church stole his family from him. He was
compromised. Now he is free of that pain, released from the shame
caused by his inability to carry out his sacred duty. Consider the
alternative. Something had to be done. Shall the world be ignorant
forever? Shall the Church be allowed to cement its lies into our
history books for all eternity? Shall the Church be permitted to
influence indefinitely with murder and extortion? No, something
needed to be done! And now we are poised to carry out Saunière's
legacy and right a terrible wrong." He paused. "The three
of us. Together."
Sophie
felt only incredulity. "How could you possibly believe that we
would help you?"
"Because,
my dear, you are the reason the Priory failed to release the
documents. Your grandfather's love for you prevented him from
challenging the Church. His fear of reprisal against his only
remaining family crippled him. He never had a chance to explain the
truth because you rejected him, tying his hands, making him wait. Now
you owe the world the truth. You owe it to the memory of your
grandfather."
Robert
Langdon had given up trying to get his bearings. Despite the torrent
of questions running through his mind, he knew only one thing
mattered now—getting Sophie out of here alive. All the guilt
Langdon had mistakenly felt earlier for involving Teabing had now
been transferred to Sophie.
I
took her to Château Villette. I am responsible.
Langdon
could not fathom that Leigh Teabing would be capable of killing them
in cold blood here in the Chapter House, and yet Teabing certainly
had been involved in killing others during his misguided quest.
Langdon had the uneasy feeling that gunshots in this secluded,
thick-walled chamber would go unheard, especially in this rain. And
Leigh just admitted his guilt to us.
Langdon
glanced at Sophie, who looked shaken. The Church murdered Sophie's
family to silence the Priory? Langdon felt certain the modern Church
did not murder people. There had to be some other explanation.
"Let
Sophie leave," Langdon declared, staring at Leigh. "You and
I should discuss this alone."
Teabing
gave an unnatural laugh. "I'm afraid that is one show of faith I
cannot afford. I can, however, offer you this." He propped
himself fully on his crutches, gracelessly keeping the gun aimed at
Sophie, and removed the keystone from his pocket. He swayed a bit as
he held it out for Langdon. "A token of trust, Robert."
Robert
felt wary and didn't move. Leigh is giving the keystone back to us?
"Take
it," Teabing said, thrusting it awkwardly toward Langdon.
Langdon
could imagine only one reason Teabing would give it back. "You
opened it already. You removed the map."
Teabing
was shaking his head. "Robert, if I had solved the keystone, I
would have disappeared to find the Grail myself and kept you
uninvolved. No, I do not know the answer. And I can admit that
freely. A true knight learns humility in the face of the Grail. He
learns to obey the signs placed before him. When I saw you enter the
abbey, I understood. You were here for a reason. To help. I am not
looking for singular glory here. I serve a far greater master than my
own pride. The Truth. Mankind deserves to know that truth. The Grail
found us all, and now she is begging to be revealed. We must work
together."
Despite
Teabing's pleas for cooperation and trust, his gun remained trained
on Sophie as Langdon stepped forward and accepted the cold marble
cylinder. The vinegar inside gurgled as Langdon grasped it and
stepped backward. The dials were still in random order, and the
cryptex remained locked.
Langdon
eyed Teabing. "How do you know I won't smash it right now?"
Teabing's
laugh was an eerie chortle. "I should have realized your threat
to break it in the Temple Church was an empty one. Robert Langdon
would never break the keystone. You are an historian, Robert. You are
holding the key to two thousand years of history—the lost key to
the Sangreal. You can feel the souls of all the knights burned at the
stake to protect her secret. Would you have them die in vain? No, you
will vindicate them. You will join the ranks of the great men you
admire—Da Vinci, Botticelli, Newton—each of whom would have been
honored to be in your shoes right now. The contents of the keystone
are crying out to us. Longing to be set free. The time has come.
Destiny has led us to this moment."
"I
cannot help you, Leigh. I have no idea how to open this. I only saw
Newton's tomb for a moment. And even if I knew the password …"
Langdon paused, realizing he had said too much.
"You
would not tell me?" Teabing sighed. "I am disappointed and
surprised, Robert, that you do not appreciate the extent to which you
are in my debt. My task would have been far simpler had Rémy and I
eliminated you both when you walked into Château Villette. Instead I
risked everything to take the nobler course."
"This
is noble?" Langdon demanded, eyeing the gun.
"Saunière's
fault," Teabing said. "He and his sénéchaux lied to
Silas. Otherwise, I would have obtained the keystone without
complication. How was I to imagine the Grand Master would go to such
ends to deceive me and bequeath the keystone to an estranged
granddaughter?" Teabing looked at Sophie with disdain. "Someone
so unqualified to hold this knowledge that she required a symbologist
baby-sitter." Teabing glanced back at Langdon. "Fortunately,
Robert, your involvement turned out to be my saving grace. Rather
than the keystone remaining locked in the depository bank forever,
you extracted it and walked into my home."
Where
else would I run? Langdon thought. The community of Grail historians
is small, and Teabing and I have a history together.
Teabing
now looked smug. "When I learned Saunière left you a dying
message, I had a pretty good idea you were holding valuable Priory
information. Whether it was the keystone itself, or information on
where to find it, I was not sure. But with the police on your heels,
I had a sneaking suspicion you might arrive on my doorstep."
Langdon
glared. "And if we had not?"
"I
was formulating a plan to extend you a helping hand. One way or
another, the keystone was coming to Château Villette. The fact that
you delivered it into my waiting hands only serves as proof that my
cause is just."
"What!"
Langdon was appalled.
"Silas
was supposed to break in and steal the keystone from you in Château
Villette—thus removing you from the equation without hurting you,
and exonerating me from any suspicion of complicity. However, when I
saw the intricacy of Saunière's codes, I decided to include you both
in my quest a bit longer. I could have Silas steal the keystone
later, once I knew enough to carry on alone."
"The
Temple Church," Sophie said, her tone awash with betrayal.
Light
begins to dawn, Teabing thought. The Temple Church was the perfect
location to steal the keystone from Robert and Sophie, and its
apparent relevance to the poem made it a plausible decoy. Rémy's
orders had been clear—stay out of sight while Silas recovers the
keystone. Unfortunately, Langdon's threat to smash the keystone on
the chapel floor had caused Rémy to panic. If only Rémy had not
revealed himself, Teabing thought ruefully, recalling his own mock
kidnapping. Rémy was the sole link to me, and he showed his face!
Fortunately,
Silas remained unaware of Teabing's true identity and was easily
fooled into taking him from the church and then watching naively as
Rémy pretended to tie their hostage in the back of the limousine.
With the soundproof divider raised, Teabing was able to phone Silas
in the front seat, use the fake French accent of the Teacher, and
direct Silas to go straight to Opus Dei. A simple anonymous tip to
the police was all it would take to remove Silas from the picture.
One
loose end tied up.
The
other loose end was harder. Rémy.
Teabing
struggled deeply with the decision, but in the end Rémy had proven
himself a liability. Every Grail quest requires sacrifice. The
cleanest solution had been staring Teabing in the face from the
limousine's wet bar—a flask, some cognac, and a can of peanuts. The
powder at the bottom of the can would be more than enough to trigger
Rémy's deadly allergy. When Rémy parked the limo on Horse Guards
Parade, Teabing climbed out of the back, walked to the side passenger
door, and sat in the front next to Rémy. Minutes later, Teabing got
out of the car, climbed into the rear again, cleaned up the evidence,
and finally emerged to carry out the final phase of his mission.
Westminster
Abbey had been a short walk, and although Teabing's leg braces,
crutches, and gun had set off the metal detector, the rent-a-cops
never knew what to do. Do we ask him to remove his braces and crawl
through? Do we frisk his deformed body? Teabing presented the
flustered guards a far easier solution—an embossed card identifying
him as Knight of the Realm. The poor fellows practically tripped over
one another ushering him in.
Now,
eyeing the bewildered Langdon and Neveu, Teabing resisted the urge to
reveal how he had brilliantly implicated Opus Dei in the plot that
would soon bring about the demise of the entire Church. That would
have to wait. Right now there was work to do.
"Mes
amis," Teabing declared in flawless French, "vous ne
trouvez pas le Saint-Graal, c'est le Saint-Graal qui vous trouve."
He smiled. "Our paths together could not be more clear. The
Grail has found us."
Silence.
He
spoke to them in a whisper now. "Listen. Can you hear it? The
Grail is speaking to us across the centuries. She is begging to be
saved from the Priory's folly. I implore you both to recognize this
opportunity. There could not possibly be three more capable people
assembled at this moment to break the final code and open the
cryptex." Teabing paused, his eyes alight. "We need to
swear an oath together. A pledge of faith to one another. A knight's
allegiance to uncover the truth and make it known."
Sophie
stared deep into Teabing's eyes and spoke in a steely tone. "I
will never swear an oath with my grandfather's murderer. Except an
oath that I will see you go to prison."
Teabing's
heart turned grave, then resolute. "I am sorry you feel that
way, mademoiselle." He turned and aimed the gun at Langdon. "And
you, Robert? Are you with me, or against me?"
Chapter
100
Bishop
Manuel Aringarosa's body had endured many kinds of pain, and yet the
searing heat of the bullet wound in his chest felt profoundly foreign
to him. Deep and grave. Not a wound of the flesh … but closer to
the soul.
He
opened his eyes, trying to see, but the rain on his face blurred his
vision. Where am I? He could feel powerful arms holding him, carrying
his limp body like a rag doll, his black cassock flapping.
Lifting
a weary arm, he mopped his eyes and saw the man holding him was
Silas. The great albino was struggling down a misty sidewalk,
shouting for a hospital, his voice a heartrending wail of agony. His
red eyes were focused dead ahead, tears streaming down his pale,
blood-spattered face.
"My
son," Aringarosa whispered, "you're hurt."
Silas
glanced down, his visage contorted in anguish. "I am so very
sorry, Father." He seemed almost too pained to speak.
"No,
Silas," Aringarosa replied. "It is I who am sorry. This is
my fault." The Teacher promised me there would be no killing,
and I told you to obey him fully. "I was too eager. Too fearful.
You and I were deceived." The Teacher was never going to deliver
us the Holy Grail.
Cradled
in the arms of the man he had taken in all those years ago, Bishop
Aringarosa felt himself reel back in time. To Spain. To his modest
beginnings, building a small Catholic church in Oviedo with Silas.
And later, to New York City, where he had proclaimed the glory of God
with the towering Opus Dei Center on Lexington Avenue.
Five
months ago, Aringarosa had received devastating news. His life's work
was in jeopardy. He recalled, with vivid detail, the meeting inside
Castel Gandolfo that had changed his life … the news that had set
this entire calamity into motion.
Aringarosa
had entered Gandolfo's Astronomy Library with his head held high,
fully expecting to be lauded by throngs of welcoming hands, all eager
to pat him on the back for his superior work representing Catholicism
in America.
But
only three people were present.
The
Vatican secretariat. Obese. Dour.
Two
high-ranking Italian cardinals. Sanctimonious. Smug.
"Secretariat?"
Aringarosa said, puzzled.
The
rotund overseer of legal affairs shook Aringarosa's hand and motioned
to the chair opposite him. "Please, make yourself comfortable."
Aringarosa
sat, sensing something was wrong.
"I
am not skilled in small talk, Bishop," the secretariat said, "so
let me be direct about the reason for your visit."
"Please.
Speak openly." Aringarosa glanced at the two cardinals, who
seemed to be measuring him with self-righteous anticipation.
"As
you are well aware," the secretariat said, "His Holiness
and others in Rome have been concerned lately with the political
fallout from Opus Dei's more controversial practices."
Aringarosa
felt himself bristle instantly. He already had been through this on
numerous occasions with the new pontiff, who, to Aringarosa's great
dismay, had turned out to be a distressingly fervent voice for
liberal change in the Church.
"I
want to assure you," the secretariat added quickly, "that
His Holiness does not seek to change anything about the way you run
your ministry."
I
should hope not! "Then why am I here?"
The
enormous man sighed. "Bishop, I am not sure how to say this
delicately, so I will state it directly. Two days ago, the
Secretariat Council voted unanimously to revoke the Vatican's
sanction of Opus Dei."
Aringarosa
was certain he had heard incorrectly. "I beg your pardon?"
"Plainly
stated, six months from today, Opus Dei will no longer be considered
a prelature of the Vatican. You will be a church unto yourself. The
Holy See will be disassociating itself from you. His Holiness agrees
and we are already drawing up the legal papers."
"But
… that is impossible!"
"On
the contrary, it is quite possible. And necessary. His Holiness has
become uneasy with your aggressive recruiting policies and your
practices of corporal mortification." He paused. "Also your
policies regarding women. Quite frankly, Opus Dei has become a
liability and an embarrassment."
Bishop
Aringarosa was stupefied. "An embarrassment?"
"Certainly
you cannot be surprised it has come to this."
"Opus
Dei is the only Catholic organization whose numbers are growing! We
now have over eleven hundred priests!"
"True.
A troubling issue for us all."
Aringarosa
shot to his feet. "Ask His Holiness if Opus Dei was an
embarrassment in 1982 when we helped the Vatican Bank!"
"The
Vatican will always be grateful for that," the secretariat said,
his tone appeasing, "and yet there are those who still believe
your financial munificence in 1982 is the only reason you were
granted prelature status in the first place."
"That
is not true!" The insinuation offended Aringarosa deeply.
"Whatever
the case, we plan to act in good faith. We are drawing up severance
terms that will include a reimbursement of those monies. It will be
paid in five installments."
"You
are buying me off?" Aringarosa demanded. "Paying me to go
quietly? When Opus Dei is the only remaining voice of reason!"
One
of the cardinals glanced up. "I'm sorry, did you say reason?"
Aringarosa
leaned across the table, sharpening his tone to a point. "Do you
really wonder why Catholics are leaving the Church? Look around you,
Cardinal. People have lost respect. The rigors of faith are gone. The
doctrine has become a buffet line. Abstinence, confession, communion,
baptism, mass—take your pick—choose whatever combination pleases
you and ignore the rest. What kind of spiritual guidance is the
Church offering?"
"Third-century
laws," the second cardinal said, "cannot be applied to the
modern followers of Christ. The rules are not workable in today's
society."
"Well,
they seem to be working for Opus Dei!"
"Bishop
Aringarosa," the secretariat said, his voice conclusive. "Out
of respect for your organization's relationship with the previous
Pope, His Holiness will be giving Opus Dei six months to voluntarily
break away from the Vatican. I suggest you cite your differences of
opinion with the Holy See and establish yourself as your own
Christian organization."
"I
refuse!" Aringarosa declared. "And I'll tell him that in
person!"
"I'm
afraid His Holiness no longer cares to meet with you."
Aringarosa
stood up. "He would not dare abolish a personal prelature
established by a previous Pope!"
"I'm
sorry." The secretariat's eyes did not flinch. "The Lord
giveth and the Lord taketh away."
Aringarosa
had staggered from that meeting in bewilderment and panic. Returning
to New York, he stared out at the skyline in disillusionment for
days, overwhelmed with sadness for the future of Christianity.
It
was several weeks later that he received the phone call that changed
all that. The caller sounded French and identified himself as the
Teacher—a title common in the prelature. He said he knew of the
Vatican's plans to pull support from Opus Dei.
How
could he know that? Aringarosa wondered. He had hoped only a handful
of Vatican power brokers knew of Opus Dei's impending annulment.
Apparently the word was out. When it came to containing gossip, no
walls in the world were as porous as those surrounding Vatican City.
"I
have ears everywhere, Bishop," the Teacher whispered, "and
with these ears I have gained certain knowledge. With your help, I
can uncover the hiding place of a sacred relic that will bring you
enormous power … enough power to make the Vatican bow before you.
Enough power to save the Faith." He paused. "Not just for
Opus Dei. But for all of us."
The
Lord taketh away … and the Lord giveth. Aringarosa felt a glorious
ray of hope. "Tell me your plan."
Bishop
Aringarosa was unconscious when the doors of St. Mary's Hospital
hissed open. Silas lurched into the entryway delirious with
exhaustion. Dropping to his knees on the tile floor, he cried out for
help. Everyone in the reception area gaped in wonderment at the
half-naked albino offering forth a bleeding clergyman.
The
doctor who helped Silas heave the delirious bishop onto a gurney
looked gloomy as he felt Aringarosa's pulse. "He's lost a lot of
blood. I am not hopeful."
Aringarosa's
eyes flickered, and he returned for a moment, his gaze locating
Silas. "My child …"
Silas's
soul thundered with remorse and rage. "Father, if it takes my
lifetime, I will find the one who deceived us, and I will kill him."
Aringarosa
shook his head, looking sad as they prepared to wheel him away.
"Silas … if you have learned nothing from me, please … learn
this." He took Silas's hand and gave it a firm squeeze.
"Forgiveness is God's greatest gift."
"But
Father …"
Aringarosa
closed his eyes. "Silas, you must pray."
Chapter
101
Robert
Langdon stood beneath the lofty cupola of the deserted Chapter House
and stared into the barrel of Leigh Teabing's gun.
Robert,
are you with me, or against me? The Royal Historian's words echoed in
the silence of Langdon's mind.
There
was no viable response, Langdon knew. Answer yes, and he would be
selling out Sophie. Answer no, and Teabing would have no choice but
to kill them both.
Langdon's
years in the classroom had not imbued him with any skills relevant to
handling confrontations at gunpoint, but the classroom had taught him
something about answering paradoxical questions. When a question has
no correct answer, there is only one honest response.
The
gray area between yes and no.
Silence.
Staring
at the cryptex in his hands, Langdon chose simply to walk away.
Without
ever lifting his eyes, he stepped backward, out into the room's vast
empty spaces. Neutral ground. He hoped his focus on the cryptex
signaled Teabing that collaboration might be an option, and that his
silence signaled Sophie he had not abandoned her.
All
the while buying time to think.
The
act of thinking, Langdon suspected, was exactly what Teabing wanted
him to do. That's why he handed me the cryptex. So I could feel the
weight of my decision. The British historian hoped the touch of the
Grand Master's cryptex would make Langdon fully grasp the magnitude
of its contents, coaxing his academic curiosity to overwhelm all
else, forcing him to realize that failure to unlock the keystone
would mean the loss of history itself.
With
Sophie at gunpoint across the room, Langdon feared that discovering
the cryptex's elusive password would be his only remaining hope of
bartering her release. If I can free the map, Teabing will negotiate.
Forcing his mind to this critical task, Langdon moved slowly toward
the far windows … allowing his mind to fill with the numerous
astronomical images on Newton's tomb.
You
seek the orb that ought be on his tomb.
It
speaks of Rosy flesh and seeded womb.
Turning
his back to the others, he walked toward the towering windows,
searching for any inspiration in their stained-glass mosaics. There
was none.
Place
yourself in Saunière's mind, he urged, gazing outward now into
College Garden. What would he believe is the orb that ought be on
Newton's tomb? Images of stars, comets, and planets twinkled in the
falling rain, but Langdon ignored them. Saunière was not a man of
science. He was a man of humanity, of art, of history. The sacred
feminine … the chalice … the Rose … the banished Mary Magdalene
… the decline of the goddess … the Holy Grail.
Legend
had always portrayed the Grail as a cruel mistress, dancing in the
shadows just out of sight, whispering in your ear, luring you one
more step and then evaporating into the mist.
Gazing
out at the rustling trees of College Garden, Langdon sensed her
playful presence. The signs were everywhere. Like a taunting
silhouette emerging from the fog, the branches of Britain's oldest
apple tree burgeoned with five-petaled blossoms, all glistening like
Venus. The goddess was in the garden now. She was dancing in the
rain, singing songs of the ages, peeking out from behind the
bud-filled branches as if to remind Langdon that the fruit of
knowledge was growing just beyond his reach.
Across
the room, Sir Leigh Teabing watched with confidence as Langdon gazed
out the window as if under a spell.
Exactly
as I hoped, Teabing thought. He will come around.
For
some time now, Teabing had suspected Langdon might hold the key to
the Grail. It was no coincidence that Teabing launched his plan into
action on the same night Langdon was scheduled to meet Jacques
Saunière. Listening in on the curator, Teabing was certain the man's
eagerness to meet privately with Langdon could mean only one thing.
Langdon's mysterious manuscript has touched a nerve with the Priory.
Langdon
has stumbled onto a truth, and Saunière fears its release. Teabing
felt certain the Grand Master was summoning Langdon to silence him.
The
Truth has been silenced long enough!
Teabing
knew he had to act quickly. Silas's attack would accomplish two
goals. It would prevent Saunière from persuading Langdon to keep
quiet, and it would ensure that once the keystone was in Teabing's
hands, Langdon would be in Paris for recruitment should Teabing need
him.
Arranging
the fatal meeting between Saunière and Silas had been almost too
easy. I had inside information about Saunière's deepest fears.
Yesterday afternoon, Silas had phoned the curator and posed as a
distraught priest. "Monsieur Saunière, forgive me, I must speak
to you at once. I should never breach the sanctity of the
confessional, but in this case, I feel I must. I just took confession
from a man who claimed to have murdered members of your family."
Saunière's
response was startled but wary. "My family died in an accident.
The police report was conclusive."
"Yes,
a car accident," Silas said, baiting the hook. "The man I
spoke to said he forced their car off the road into a river."
Saunière
fell silent.
"Monsieur
Saunière, I would never have phoned you directly except this man
made a comment which makes me now fear for your safety." He
paused. "The man also mentioned your granddaughter, Sophie."
The
mention of Sophie's name had been the catalyst. The curator leapt
into action. He ordered Silas to come see him immediately in the
safest location Saunière knew—his Louvre office. Then he phoned
Sophie to warn her she might be in danger. Drinks with Robert Langdon
were instantly abandoned.
Now,
with Langdon separated from Sophie on the far side of the room,
Teabing sensed he had successfully alienated the two companions from
one another. Sophie Neveu remained defiant, but Langdon clearly saw
the larger picture. He was trying to figure out the password. He
understands the importance of finding the Grail and releasing her
from bondage.
"He
won't open it for you," Sophie said coldly. "Even if he
can."
Teabing
was glancing at Langdon as he held the gun on Sophie. He was fairly
certain now he was going to have to use the weapon. Although the idea
troubled him, he knew he would not hesitate if it came to that. I
have given her every opportunity to do the right thing. The Grail is
bigger than any one of us.
At
that moment, Langdon turned from the window. "The tomb …"
he said suddenly, facing them with a faint glimmer of hope in his
eyes. "I know where to look on Newton's tomb. Yes, I think I can
find the password!"
Teabing's
heart soared. "Where, Robert? Tell me!"
Sophie
sounded horrified. "Robert, no! You're not going to help him,
are you?"
Langdon
approached with a resolute stride, holding the cryptex before him.
"No," he said, his eyes hardening as he turned to Leigh.
"Not until he lets you go."
Teabing's
optimism darkened. "We are so close, Robert. Don't you dare
start playing games with me!"
"No
games," Langdon said. "Let her go. Then I'll take you to
Newton's tomb. We'll open the cryptex together."
"I'm
not going anywhere," Sophie declared, her eyes narrowing with
rage. "That cryptex was given to me by my grandfather. It is not
yours to open."
Langdon
wheeled, looking fearful. "Sophie, please! You're in danger. I'm
trying to help you!"
"How?
By unveiling the secret my grandfather died trying to protect? He
trusted you, Robert. I trusted you!"
Langdon's
blue eyes showed panic now, and Teabing could not help but smile to
see the two of them working against one another. Langdon's attempts
to be gallant were more pathetic than anything. On the verge of
unveiling one of history's greatest secrets, and he troubles himself
with a woman who has proven herself unworthy of the quest.
"Sophie,"
Langdon pleaded. "Please … you must leave."
She
shook her head. "Not unless you either hand me the cryptex or
smash it on the floor."
"What?"
Langdon gasped.
"Robert,
my grandfather would prefer his secret lost forever than see it in
the hands of his murderer." Sophie's eyes looked as if they
would well with tears, but they did not. She stared directly back at
Teabing. "Shoot me if you have to. I am not leaving my
grandfather's legacy in your hands."
Very
well. Teabing aimed the weapon.
"No!"
Langdon shouted, raising his arm and suspending the cryptex
precariously over the hard stone floor. "Leigh, if you even
think about it, I will drop this."
Teabing
laughed. "That bluff worked on Rémy. Not on me. I know you
better than that."
"Do
you, Leigh?"
Yes
I do. Your poker face needs work, my friend. It took me several
seconds, but I can see now that you are lying. You have no idea where
on Newton's tomb the answer lies. "Truly, Robert? You know where
on the tomb to look?"
"I
do."
The
falter in Langdon's eyes was fleeting but Leigh caught it. There was
a lie there. A desperate, pathetic ploy to save Sophie. Teabing felt
a profound disappointment in Robert Langdon.
I
am a lone knight, surrounded by unworthy souls. And I will have to
decipher the keystone on my own.
Langdon
and Neveu were nothing but a threat to Teabing now … and to the
Grail. As painful as the solution was going to be, he knew he could
carry it out with a clean conscience. The only challenge would be to
persuade Langdon to set down the keystone so Teabing could safely end
this charade.
"A
show of faith," Teabing said, lowering the gun from Sophie. "Set
down the keystone, and we'll talk."
Langdon
knew his lie had failed.
He
could see the dark resolve in Teabing's face and knew the moment was
upon them. When I set this down, he will kill us both. Even without
looking at Sophie, he could hear her heart beseeching him in silent
desperation. Robert, this man is not worthy of the Grail. Please do
not place it in his hands. No matter what the cost.
Langdon
had already made his decision several minutes ago, while standing
alone at the window overlooking College Garden.
Protect
Sophie.
Protect
the Grail.
Langdon
had almost shouted out in desperation. But I cannot see how!
The
stark moments of disillusionment had brought with them a clarity
unlike any he had ever felt. The Truth is right before your eyes,
Robert. He knew not from where the epiphany came. The Grail is not
mocking you, she is calling out to a worthy soul.
Now,
bowing down like a subject several yards in front of Leigh Teabing,
Langdon lowered the cryptex to within inches of the stone floor.
"Yes,
Robert," Teabing whispered, aiming the gun at him. "Set it
down."
Langdon's
eyes moved heavenward, up into the gaping void of the Chapter House
cupola. Crouching lower, Langdon lowered his gaze to Teabing's gun,
aimed directly at him.
"I'm
sorry, Leigh."
In
one fluid motion, Langdon leapt up, swinging his arm skyward,
launching the cryptex straight up toward the dome above.
Leigh
Teabing did not feel his finger pull the trigger, but the Medusa
discharged with a thundering crash. Langdon's crouched form was now
vertical, almost airborne, and the bullet exploded in the floor near
Langdon's feet. Half of Teabing's brain attempted to adjust his aim
and fire again in rage, but the more powerful half dragged his eyes
upward into the cupola.
The
keystone!
Time
seemed to freeze, morphing into a slow-motion dream as Teabing's
entire world became the airborne keystone. He watched it rise to the
apex of its climb … hovering for a moment in the void … and then
tumbling downward, end over end, back toward the stone floor.
All
of Teabing's hopes and dreams were plummeting toward earth. It cannot
strike the floor! I can reach it! Teabing's body reacted on instinct.
He released the gun and heaved himself forward, dropping his crutches
as he reached out with his soft, manicured hands. Stretching his arms
and fingers, he snatched the keystone from midair.
Falling
forward with the keystone victoriously clutched in his hand, Teabing
knew he was falling too fast. With nothing to break his fall, his
outstretched arms hit first, and the cryptex collided hard with the
floor.
There
was a sickening crunch of glass within.
For
a full second, Teabing did not breathe. Lying there outstretched on
the cold floor, staring the length of his outstretched arms at the
marble cylinder in his bare palms, he implored the glass vial inside
to hold. Then the acrid tang of vinegar cut the air, and Teabing felt
the cool liquid flowing out through the dials onto his palm.
Wild
panic gripped him. NO! The vinegar was streaming now, and Teabing
pictured the papyrus dissolving within. Robert, you fool! The secret
is lost!
Teabing
felt himself sobbing uncontrollably. The Grail is gone. Everything
destroyed. Shuddering in disbelief over Langdon's actions, Teabing
tried to force the cylinder apart, longing to catch a fleeting
glimpse of history before it dissolved forever. To his shock, as he
pulled the ends of the keystone, the cylinder separated.
He
gasped and peered inside. It was empty except for shards of wet
glass. No dissolving papyrus. Teabing rolled over and looked up at
Langdon. Sophie stood beside him, aiming the gun down at Teabing.
Bewildered,
Teabing looked back at the keystone and saw it. The dials were no
longer at random. They spelled a five-letter word: APPLE.
"The
orb from which Eve partook," Langdon said coolly, "incurring
the Holy wrath of God. Original sin. The symbol of the fall of the
sacred feminine."
Teabing
felt the truth come crashing down on him in excruciating austerity.
The orb that ought be on Newton's tomb could be none other than the
Rosy apple that fell from heaven, struck Newton on the head, and
inspired his life's work. His labor's fruit! The Rosy flesh with a
seeded womb!
"Robert,"
Teabing stammered, overwhelmed. "You opened it. Where … is the
map?"
Without
blinking, Langdon reached into the breast pocket of his tweed coat
and carefully extracted a delicate rolled papyrus. Only a few yards
from where Teabing lay, Langdon unrolled the scroll and looked at it.
After a long moment, a knowing smile crossed Langdon's face.
He
knows! Teabing's heart craved that knowledge. His life's dream was
right in front of him. "Tell me!" Teabing demanded.
"Please! Oh God, please! It's not too late!"
As
the sound of heavy footsteps thundered down the hall toward the
Chapter House, Langdon quietly rolled the papyrus and slipped it back
in his pocket.
"No!"
Teabing cried out, trying in vain to stand.
When
the doors burst open, Bezu Fache entered like a bull into a ring, his
feral eyes scanning, finding his target—Leigh Teabing—helpless on
the floor. Exhaling in relief, Fache holstered his Manurhin sidearm
and turned to Sophie. "Agent Neveu, I am relieved you and Mr.
Langdon are safe. You should have come in when I asked."
The
British police entered on Fache's heels, seizing the anguished
prisoner and placing him in handcuffs.
Sophie
seemed stunned to see Fache. "How did you find us?"
Fache
pointed to Teabing. "He made the mistake of showing his ID when
he entered the abbey. The guards heard a police broadcast about our
search for him."
"It's
in Langdon's pocket!" Teabing was screaming like a madman. "The
map to the Holy Grail!"
As
they hoisted Teabing and carried him out, he threw back his head and
howled. "Robert! Tell me where it's hidden!"
As
Teabing passed, Langdon looked him in the eye. "Only the worthy
find the Grail, Leigh. You taught me that."
Chapter
102
The
mist had settled low on Kensington Gardens as Silas limped into a
quiet hollow out of sight. Kneeling on the wet grass, he could feel a
warm stream of blood flowing from the bullet wound below his ribs.
Still, he stared straight ahead.
The
fog made it look like heaven here.
Raising
his bloody hands to pray, he watched the raindrops caress his
fingers, turning them white again. As the droplets fell harder across
his back and shoulders, he could feel his body disappearing bit by
bit into the mist.
I
am a ghost.
A
breeze rustled past him, carrying the damp, earthy scent of new life.
With every living cell in his broken body, Silas prayed. He prayed
for forgiveness. He prayed for mercy. And, above all, he prayed for
his mentor … Bishop Aringarosa … that the Lord would not take him
before his time. He has so much work left to do.
The
fog was swirling around him now, and Silas felt so light that he was
sure the wisps would carry him away. Closing his eyes, he said a
final prayer.
From
somewhere in the mist, the voice of Manuel Aringarosa whispered to
him.
Our
Lord is a good and merciful God.
Silas's
pain at last began to fade, and he knew the bishop was right.
Chapter
103
It
was late afternoon when the London sun broke through and the city
began to dry. Bezu Fache felt weary as he emerged from the
interrogation room and hailed a cab. Sir Leigh Teabing had
vociferously proclaimed his innocence, and yet from his incoherent
rantings about the Holy Grail, secret documents, and mysterious
brotherhoods, Fache suspected the wily historian was setting the
stage for his lawyers to plead an insanity defense.
Sure,
Fache thought. Insane. Teabing had displayed ingenious precision in
formulating a plan that protected his innocence at every turn. He had
exploited both the Vatican and Opus Dei, two groups that turned out
to be completely innocent. His dirty work had been carried out
unknowingly by a fanatical monk and a desperate bishop. More clever
still, Teabing had situated his electronic listening post in the one
place a man with polio could not possibly reach. The actual
surveillance had been carried out by his manservant, Rémy—the lone
person privy to Teabing's true identity—now conveniently dead of an
allergic reaction.
Hardly
the handiwork of someone lacking mental faculties, Fache thought.
The
information coming from Collet out of Château Villette suggested
that Teabing's cunning ran so deep that Fache himself might even
learn from it. To successfully hide bugs in some of Paris's most
powerful offices, the British historian had turned to the Greeks.
Trojan horses. Some of Teabing's intended targets received lavish
gifts of artwork, others unwittingly bid at auctions in which Teabing
had placed specific lots. In Saunière's case, the curator had
received a dinner invitation to Château Villette to discuss the
possibility of Teabing's funding a new Da Vinci Wing at the Louvre.
Saunière's invitation had contained an innocuous postscript
expressing fascination with a robotic knight that Saunière was
rumored to have built. Bring him to dinner, Teabing had suggested.
Saunière apparently had done just that and left the knight
unattended long enough for Rémy Legaludec to make one inconspicuous
addition.
Now,
sitting in the back of the cab, Fache closed his eyes. One more thing
to attend to before I return to Paris.
The
St. Mary's Hospital recovery room was sunny.
"You've
impressed us all," the nurse said, smiling down at him. "Nothing
short of miraculous."
Bishop
Aringarosa gave a weak smile. "I have always been blessed."
The
nurse finished puttering, leaving the bishop alone. The sunlight felt
welcome and warm on his face. Last night had been the darkest night
of his life.
Despondently,
he thought of Silas, whose body had been found in the park.
Please
forgive me, my son.
Aringarosa
had longed for Silas to be part of his glorious plan. Last night,
however, Aringarosa had received a call from Bezu Fache, questioning
the bishop about his apparent connection to a nun who had been
murdered in Saint-Sulpice. Aringarosa realized the evening had taken
a horrifying turn. News of the four additional murders transformed
his horror to anguish. Silas, what have you done! Unable to reach the
Teacher, the bishop knew he had been cut loose. Used. The only way to
stop the horrific chain of events he had helped put in motion was to
confess everything to Fache, and from that moment on, Aringarosa and
Fache had been racing to catch up with Silas before the Teacher
persuaded him to kill again.
Feeling
bone weary, Aringarosa closed his eyes and listened to the television
coverage of the arrest of a prominent British knight, Sir Leigh
Teabing. The Teacher laid bare for all to see. Teabing had caught
wind of the Vatican's plans to disassociate itself from Opus Dei. He
had chosen Aringarosa as the perfect pawn in his plan. After all, who
more likely to leap blindly after the Holy Grail than a man like
myself with everything to lose? The Grail would have brought enormous
power to anyone who possessed it.
Leigh
Teabing had protected his identity shrewdly—feigning a French
accent and a pious heart, and demanding as payment the one thing he
did not need—money. Aringarosa had been far too eager to be
suspicious. The price tag of twenty million euro was paltry when
compared with the prize of obtaining the Grail, and with the
Vatican's separation payment to Opus Dei, the finances had worked
nicely. The blind see what they want to see. Teabing's ultimate
insult, of course, had been to demand payment in Vatican bonds, such
that if anything went wrong, the investigation would lead to Rome.
"I
am glad to see you're well, My Lord."
Aringarosa
recognized the gruff voice in the doorway, but the face was
unexpected—stern, powerful features, slicked-back hair, and a broad
neck that strained against his dark suit. "Captain Fache?"
Aringarosa asked. The compassion and concern the captain had shown
for Aringarosa's plight last night had conjured images of a far
gentler physique.
The
captain approached the bed and hoisted a familiar, heavy black
briefcase onto a chair. "I believe this belongs to you."
Aringarosa
looked at the briefcase filled with bonds and immediately looked
away, feeling only shame. "Yes … thank you." He paused
while working his fingers across the seam of his bedsheet, then
continued. "Captain, I have been giving this deep thought, and I
need to ask a favor of you."
"Of
course."
"The
families of those in Paris who Silas …" He paused, swallowing
the emotion. "I realize no sum could possibly serve as
sufficient restitution, and yet, if you could be kind enough to
divide the contents of this briefcase among them … the families of
the deceased."
Fache's
dark eyes studied him a long moment. "A virtuous gesture, My
Lord. I will see to it your wishes are carried out."
A
heavy silence fell between them.
On
the television, a lean French police officer was giving a press
conference in front of a sprawling mansion. Fache saw who it was and
turned his attention to the screen.
"Lieutenant
Collet," a BBC reporter said, her voice accusing. "Last
night, your captain publicly charged two innocent people with murder.
Will Robert Langdon and Sophie Neveu be seeking accountability from
your department? Will this cost Captain Fache his job?"
Lieutenant
Collet's smile was tired but calm. "It is my experience that
Captain Bezu Fache seldom makes mistakes. I have not yet spoken to
him on this matter, but knowing how he operates, I suspect his public
manhunt for Agent Neveu and Mr. Langdon was part of a ruse to lure
out the real killer."
The
reporters exchanged surprised looks.
Collet
continued. "Whether or not Mr. Langdon and Agent Neveu were
willing participants in the sting, I do not know. Captain Fache tends
to keep his more creative methods to himself. All I can confirm at
this point is that the captain has successfully arrested the man
responsible, and that Mr. Langdon and Agent Neveu are both innocent
and safe."
Fache
had a faint smile on his lips as he turned back to Aringarosa. "A
good man, that Collet."
Several
moments passed. Finally, Fache ran his hand over his forehead,
slicking back his hair as he gazed down at Aringarosa. "My Lord,
before I return to Paris, there is one final matter I'd like to
discuss—your impromptu flight to London. You bribed a pilot to
change course. In doing so, you broke a number of international
laws."
Aringarosa
slumped. "I was desperate."
"Yes.
As was the pilot when my men interrogated him." Fache reached in
his pocket and produced a purple amethyst ring with a familiar
hand-tooled mitre-crozier appliqué.
Aringarosa
felt tears welling as he accepted the ring and slipped it back on his
finger. "You've been so kind." He held out his hand and
clasped Fache's. "Thank you."
Fache
waved off the gesture, walking to the window and gazing out at the
city, his thoughts obviously far away. When he turned, there was an
uncertainty about him. "My Lord, where do you go from here?"
Aringarosa
had been asked the exact same question as he left Castel Gandolfo the
night before. "I suspect my path is as uncertain as yours."
"Yes."
Fache paused. "I suspect I will be retiring early."
Aringarosa
smiled. "A little faith can do wonders, Captain. A little
faith."
Chapter
104
Rosslyn
Chapel—often called the Cathedral of Codes—stands seven miles
south of Edinburgh, Scotland, on the site of an ancient Mithraic
temple. Built by the Knights Templar in 1446, the chapel is engraved
with a mind-boggling array of symbols from the Jewish, Christian,
Egyptian, Masonic, and pagan traditions.
The
chapel's geographic coordinates fall precisely on the north-south
meridian that runs through Glastonbury. This longitudinal Rose Line
is the traditional marker of King Arthur's Isle of Avalon and is
considered the central pillar of Britain's sacred geometry. It is
from this hallowed Rose Line that Rosslyn—originally spelled
Roslin—takes its name.
Rosslyn's
rugged spires were casting long evening shadows as Robert Langdon and
Sophie Neveu pulled their rental car into the grassy parking area at
the foot of the bluff on which the chapel stood. Their short flight
from London to Edinburgh had been restful, although neither of them
had slept for the anticipation of what lay ahead. Gazing up at the
stark edifice framed against a cloud-swept sky, Langdon felt like
Alice falling headlong into the rabbit hole. This must be a dream.
And yet he knew the text of Saunière's final message could not have
been more specific.
The
Holy Grail 'neath ancient Roslin waits.
Langdon
had fantasized that Saunière's "Grail map" would be a
diagram—a drawing with an X-marks-the-spot—and yet the Priory's
final secret had been unveiled in the same way Saunière had spoken
to them from the beginning. Simple verse. Four explicit lines that
pointed without a doubt to this very spot. In addition to identifying
Rosslyn by name, the verse made reference to several of the chapel's
renowned architectural features.
Despite
the clarity of Saunière's final revelation, Langdon had been left
feeling more off balance than enlightened. To him, Rosslyn Chapel
seemed far too obvious a location. For centuries, this stone chapel
had echoed with whispers of the Holy Grail's presence. The whispers
had turned to shouts in recent decades when ground-penetrating radar
revealed the presence of an astonishing structure beneath the
chapel—a massive subterranean chamber. Not only did this deep vault
dwarf the chapel atop it, but it appeared to have no entrance or
exit. Archaeologists petitioned to begin blasting through the bedrock
to reach the mysterious chamber, but the Rosslyn Trust expressly
forbade any excavation of the sacred site. Of course, this only
fueled the fires of speculation. What was the Rosslyn Trust trying to
hide?
Rosslyn
had now become a pilgrimage site for mystery seekers. Some claimed
they were drawn here by the powerful magnetic field that emanated
inexplicably from these coordinates, some claimed they came to search
the hillside for a hidden entrance to the vault, but most admitted
they had come simply to wander the grounds and absorb the lore of the
Holy Grail.
Although
Langdon had never been to Rosslyn before now, he always chuckled when
he heard the chapel described as the current home of the Holy Grail.
Admittedly, Rosslyn once might have been home to the Grail, long ago
… but certainly no longer. Far too much attention had been drawn to
Rosslyn in past decades, and sooner or later someone would find a way
to break into the vault.
True
Grail academics agreed that Rosslyn was a decoy—one of the devious
dead ends the Priory crafted so convincingly. Tonight, however, with
the Priory's keystone offering a verse that pointed directly to this
spot, Langdon no longer felt so smug. A perplexing question had been
running through his mind all day:
Why
would Saunière go to such effort to guide us to so obvious a
location?
There
seemed only one logical answer.
There
is something about Rosslyn we have yet to understand.
"Robert?"
Sophie was standing outside the car, looking back at him. "Are
you corning?" She was holding the rosewood box, which Captain
Fache had returned to them. Inside, both cryptexes had been
reassembled and nested as they had been found. The papyrus verse was
locked safely at its core—minus the shattered vial of vinegar.
Making
their way up the long gravel path, Langdon and Sophie passed the
famous west wall of the chapel. Casual visitors assumed this oddly
protruding wall was a section of the chapel that had not been
finished. The truth, Langdon recalled, was far more intriguing.
The
west wall of Solomon's Temple.
The
Knights Templar had designed Rosslyn Chapel as an exact architectural
blueprint of Solomon's Temple in Jerusalem—complete with a west
wall, a narrow rectangular sanctuary, and a subterranean vault like
the Holy of Holies, in which the original nine knights had first
unearthed their priceless treasure. Langdon had to admit, there
existed an intriguing symmetry in the idea of the Templars building a
modern Grail repository that echoed the Grail's original hiding
place.
Rosslyn
Chapel's entrance was more modest than Langdon expected. The small
wooden door had two iron hinges and a simple, oak sign.
ROSLIN
This
ancient spelling, Langdon explained to Sophie, derived from the Rose
Line meridian on which the chapel sat; or, as Grail academics
preferred to believe, from the "Line of Rose"—the
ancestral lineage of Mary Magdalene.
The
chapel would be closing soon, and as Langdon pulled open the door, a
warm puff of air escaped, as if the ancient edifice were heaving a
weary sigh at the end of a long day. Her entry arches burgeoned with
carved cinquefoils.
Roses.
The womb of the goddess.
Entering
with Sophie, Langdon felt his eyes reaching across the famous
sanctuary and taking it all in. Although he had read accounts of
Rosslyn's arrestingly intricate stonework, seeing it in person was an
overwhelming encounter.
Symbology
heaven, one of Langdon's colleagues had called it.
Every
surface in the chapel had been carved with symbols—Christian
cruciforms, Jewish stars, Masonic seals, Templar crosses,
cornucopias, pyramids, astrological signs, plants, vegetables,
pentacles, and roses. The Knights Templar had been master
stonemasons, erecting Templar churches all over Europe, but Rosslyn
was considered their most sublime labor of love and veneration. The
master masons had left no stone uncarved. Rosslyn Chapel was a shrine
to all faiths … to all traditions … and, above all, to nature and
the goddess.
The
sanctuary was empty except for a handful of visitors listening to a
young man giving the day's last tour. He was leading them in a
single-file line along a well-known route on the floor—an invisible
pathway linking six key architectural points within the sanctuary.
Generations of visitors had walked these straight lines, connecting
the points, and their countless footsteps had engraved an enormous
symbol on the floor.
The
Star of David, Langdon thought. No coincidence there. Also known as
Solomon's Seal, this hexagram had once been the secret symbol of the
stargazing priests and was later adopted by the Israelite kings—David
and Solomon.
The
docent had seen Langdon and Sophie enter, and although it was closing
time, offered a pleasant smile and motioned for them to feel free to
look around.
Langdon
nodded his thanks and began to move deeper into the sanctuary.
Sophie, however, stood riveted in the entryway, a puzzled look on her
face.
"What
is it?" Langdon asked.
Sophie
stared out at the chapel. "I think … I've been here."
Langdon
was surprised. "But you said you hadn't even heard of Rosslyn."
"I
hadn't …" She scanned the sanctuary, looking uncertain. "My
grandfather must have brought me here when I was very young. I don't
know. It feels familiar." As her eyes scanned the room, she
began nodding with more certainty. "Yes." She pointed to
the front of the sanctuary. "Those two pillars … I've seen
them."
Langdon
looked at the pair of intricately sculpted columns at the far end of
the sanctuary. Their white lacework carvings seemed to smolder with a
ruddy glow as the last of the day's sunlight streamed in through the
west window. The pillars—positioned where the altar would normally
stand—were an oddly matched pair. The pillar on the left was carved
with simple, vertical lines, while the pillar on the right was
embellished with an ornate, flowering spiral.
Sophie
was already moving toward them. Langdon hurried after her, and as
they reached the pillars, Sophie was nodding with incredulity. "Yes,
I'm positive I have seen these!"
"I
don't doubt you've seen them," Langdon said, "but it wasn't
necessarily here."
She
turned. "What do you mean?"
"These
two pillars are the most duplicated architectural structures in
history. Replicas exist all over the world."
"Replicas
of Rosslyn?" She looked skeptical.
"No.
Of the pillars. Do you remember earlier that I mentioned Rosslyn
itself is a copy of Solomon's Temple? Those two pillars are exact
replicas of the two pillars that stood at the head of Solomon's
Temple." Langdon pointed to the pillar on the left. "That's
called Boaz—or the Mason's Pillar. The other is called Jachin—or
the Apprentice Pillar." He paused. "In fact, virtually
every Masonic temple in the world has two pillars like these."
Langdon
had already explained to her about the Templars' powerful historic
ties to the modern Masonic secret societies, whose primary
degrees—Apprentice Freemason, Fellowcraft Freemason, and Master
Mason—harked back to early Templar days. Sophie's grandfather's
final verse made direct reference to the Master Masons who adorned
Rosslyn with their carved artistic offerings. It also noted Rosslyn's
central ceiling, which was covered with carvings of stars and
planets.
"I've
never been in a Masonic temple," Sophie said, still eyeing the
pillars. "I am almost positive I saw these here." She
turned back into the chapel, as if looking for something else to jog
her memory.
The
rest of the visitors were now leaving, and the young docent made his
way across the chapel to them with a pleasant smile. He was a
handsome young man in his late twenties, with a Scottish brogue and
strawberry blond hair. "I'm about to close up for the day. May I
help you find anything?"
How
about the Holy Grail? Langdon wanted to say.
"The
code," Sophie blurted, in sudden revelation. "There's a
code here!"
The
docent looked pleased by her enthusiasm. "Yes there is, ma'am."
"It's
on the ceiling," she said, turning to the right-hand wall.
"Somewhere over … there."
He
smiled. "Not your first visit to Rosslyn, I see."
The
code, Langdon thought. He had forgotten that little bit of lore.
Among Rosslyn's numerous mysteries was a vaulted archway from which
hundreds of stone blocks protruded, jutting down to form a bizarre
multifaceted surface. Each block was carved with a symbol, seemingly
at random, creating a cipher of unfathomable proportion. Some people
believed the code revealed the entrance to the vault beneath the
chapel.
Others
believed it told the true Grail legend. Not that it
mattered—cryptographers had been trying for centuries to decipher
its meaning. To this day the Rosslyn Trust offered a generous reward
to anyone who could unveil the secret meaning, but the code remained
a mystery. "I'd be happy to show …"
The
docent's voice trailed off.
My
first code, Sophie thought, moving alone, in a trance, toward the
encoded archway. Having handed the rosewood box to Langdon, she could
feel herself momentarily forgetting all about the Holy Grail, the
Priory of Sion, and all the mysteries of the past day. When she
arrived beneath the encoded ceiling and saw the symbols above her,
the memories came flooding back. She was recalling her first visit
here, and strangely, the memories conjured an unexpected sadness.
She
was a little girl … a year or so after her family's death. Her
grandfather had brought her to Scotland on a short vacation. They had
come to see Rosslyn Chapel before going back to Paris. It was late
evening, and the chapel was closed. But they were still inside.
"Can
we go home, Grand-père?" Sophie begged, feeling tired.
"Soon,
dear, very soon." His voice was melancholy. "I have one
last thing I need to do here. How about if you wait in the car?"
"You're
doing another big person thing?"
He
nodded. "I'll be fast. I promise."
"Can
I do the archway code again? That was fun."
"I
don't know. I have to step outside. You won't be frightened in here
alone?"
"Of
course not!" she said with a huff. "It's not even dark
yet!"
He
smiled. "Very well then." He led her over to the elaborate
archway he had shown her earlier.
Sophie
immediately plopped down on the stone floor, lying on her back and
staring up at the collage of puzzle pieces overhead. "I'm going
to break this code before you get back!"
"It's
a race then." He bent over, kissed her forehead, and walked to
the nearby side door. "I'll be right outside. I'll leave the
door open. If you need me, just call." He exited into the soft
evening light.
Sophie
lay there on the floor, gazing up at the code. Her eyes felt sleepy.
After a few minutes, the symbols got fuzzy. And then they
disappeared.
When
Sophie awoke, the floor felt cold.
"Grand-père?"
There
was no answer. Standing up, she brushed herself off. The side door
was still open. The evening was getting darker. She walked outside
and could see her grandfather standing on the porch of a nearby stone
house directly behind the church. Her grandfather was talking quietly
to a person barely visible inside the screened door.
"Grand-père?"
she called.
Her
grandfather turned and waved, motioning for her to wait just a
moment. Then, slowly, he said some final words to the person inside
and blew a kiss toward the screened door. He came to her with tearful
eyes.
"Why
are you crying, Grand-père?"
He
picked her up and held her close. "Oh, Sophie, you and I have
said good-bye to a lot of people this year. It's hard."
Sophie
thought of the accident, of saying good-bye to her mother and father,
her grandmother and baby brother. "Were you saying goodbye to
another person?"
"To
a dear friend whom I love very much," he replied, his voice
heavy with emotion. "And I fear I will not see her again for a
very long time."
Standing
with the docent, Langdon had been scanning the chapel walls and
feeling a rising wariness that a dead end might be looming. Sophie
had wandered off to look at the code and left Langdon holding the
rosewood box, which contained a Grail map that now appeared to be no
help at all. Although Saunière's poem clearly indicated Rosslyn,
Langdon was not sure what to do now that they had arrived. The poem
made reference to a "blade and chalice," which Langdon saw
nowhere.
The
Holy Grail 'neath ancient Roslin waits.
The
blade and chalice guarding o'er Her gates.
Again
Langdon sensed there remained some facet of this mystery yet to
reveal itself.
"I
hate to pry," the docent said, eyeing the rosewood box in
Langdon's hands. "But this box … might I ask where you got
it?"
Langdon
gave a weary laugh. "That's an exceptionally long story."
The
young man hesitated, his eyes on the box again. "It's the
strangest thing—my grandmother has a box exactly like that—a
jewelry box. Identical polished rosewood, same inlaid rose, even the
hinges look the same."
Langdon
knew the young man must be mistaken. If ever a box had been one of a
kind, it was this one—the box custom-made for the Priory keystone.
"The two boxes may be similar but—"
The
side door closed loudly, drawing both of their gazes. Sophie had
exited without a word and was now wandering down the bluff toward a
fieldstone house nearby. Langdon stared after her. Where is she
going? She had been acting strangely ever since they entered the
building. He turned to the docent. "Do you know what that house
is?"
He
nodded, also looking puzzled that Sophie was going down there.
"That's the chapel rectory. The chapel curator lives there. She
also happens to be the head of the Rosslyn Trust." He paused.
"And my grandmother."
"Your
grandmother heads the Rosslyn Trust?"
The
young man nodded. "I live with her in the rectory and help keep
up the chapel and give tours." He shrugged. "I've lived
here my whole life. My grandmother raised me in that house."
Concerned
for Sophie, Langdon moved across the chapel toward the door to call
out to her. He was only halfway there when he stopped short.
Something the young man said just registered.
My
grandmother raised me.
Langdon
looked out at Sophie on the bluff, then down at the rosewood box in
his hand. Impossible. Slowly, Langdon turned back to the young man.
"You said your grandmother has a box like this one?"
"Almost
identical."
"Where
did she get it?"
"My
grandfather made it for her. He died when I was a baby, but my
grandmother still talks about him. She says he was a genius with his
hands. He made all kinds of things."
Langdon
glimpsed an unimaginable web of connections emerging. "You said
your grandmother raised you. Do you mind my asking what happened to
your parents?"
The
young man looked surprised. "They died when I was young."
He paused. "The same day as my grandfather."
Langdon's
heart pounded. "In a car accident?"
The
docent recoiled, a look of bewilderment in his olive-green eyes.
"Yes. In a car accident. My entire family died that day. I lost
my grandfather, my parents, and …" He hesitated, glancing down
at the floor. "And your sister," Langdon said.
Out
on the bluff, the fieldstone house was exactly as Sophie remembered
it. Night was falling now, and the house exuded a warm and inviting
aura. The smell of bread wafted through the opened screened door, and
a golden light shone in the windows. As Sophie approached, she could
hear the quiet sounds of sobbing from within.
Through
the screened door, Sophie saw an elderly woman in the hallway. Her
back was to the door, but Sophie could see she was crying. The woman
had long, luxuriant, silver hair that conjured an unexpected wisp of
memory. Feeling herself drawn closer, Sophie stepped onto the porch
stairs. The woman was clutching a framed photograph of a man and
touching her fingertips to his face with loving sadness.
It
was a face Sophie knew well.
Grand-père.
The
woman had obviously heard the sad news of his death last night.
A
board squeaked beneath Sophie's feet, and the woman turned slowly,
her sad eyes finding Sophie's. Sophie wanted to run, but she stood
transfixed. The woman's fervent gaze never wavered as she set down
the photo and approached the screened door. An eternity seemed to
pass as the two women stared at one another through the thin mesh.
Then, like the slowly gathering swell of an ocean wave, the woman's
visage transformed from one of uncertainty … to disbelief … to
hope … and finally, to cresting joy.
Throwing
open the door, she came out, reaching with soft hands, cradling
Sophie's thunderstruck face. "Oh, dear child … look at you!"
Although
Sophie did not recognize her, she knew who this woman was. She tried
to speak but found she could not even breathe.
"Sophie,"
the woman sobbed, kissing her forehead.
Sophie's
words were a choked whisper. "But … Grand-père said you were
…"
"I
know." The woman placed her tender hands on Sophie's shoulders
and gazed at her with familiar eyes. "Your grandfather and I
were forced to say so many things. We did what we thought was right.
I'm so sorry. It was for your own safety, princess."
Sophie
heard her final word, and immediately thought of her grandfather, who
had called her princess for so many years. The sound of his voice
seemed to echo now in the ancient stones of Rosslyn, settling through
the earth and reverberating in the unknown hollows below.
The
woman threw her arms around Sophie, the tears flowing faster. "Your
grandfather wanted so badly to tell you everything. But things were
difficult between you two. He tried so hard. There's so much to
explain. So very much to explain." She kissed Sophie's forehead
once again, then whispered in her ear. "No more secrets,
princess. It's time you learn the truth about our family."
Sophie
and her grandmother were seated on the porch stairs in a tearful hug
when the young docent dashed across the lawn, his eyes shining with
hope and disbelief.
"Sophie?"
Through
her tears, Sophie nodded, standing. She did not know the young man's
face, but as they embraced, she could feel the power of the blood
coursing through his veins … the blood she now understood they
shared.
When
Langdon walked across the lawn to join them, Sophie could not imagine
that only yesterday she had felt so alone in the world. And now,
somehow, in this foreign place, in the company of three people she
barely knew, she felt at last that she was home.
Chapter
105
Night
had fallen over Rosslyn.
Robert
Langdon stood alone on the porch of the fieldstone house enjoying the
sounds of laughter and reunion drifting through the screened door
behind him. The mug of potent Brazilian coffee in his hand had
granted him a hazy reprieve from his mounting exhaustion, and yet he
sensed the reprieve would be fleeting. The fatigue in his body went
to the core.
"You
slipped out quietly," a voice behind him said.
He
turned. Sophie's grandmother emerged, her silver hair shimmering in
the night. Her name, for the last twenty-eight years at least, was
Marie Chauvel.
Langdon
gave a tired smile. "I thought I'd give your family some time
together." Through the window, he could see Sophie talking with
her brother.
Marie
came over and stood beside him. "Mr. Langdon, when I first heard
of Jacques's murder, I was terrified for Sophie's safety. Seeing her
standing in my doorway tonight was the greatest relief of my life. I
cannot thank you enough."
Langdon
had no idea how to respond. Although he had offered to give Sophie
and her grandmother time to talk in private, Marie had asked him to
stay and listen. My husband obviously trusted you, Mr. Langdon, so I
do as well.
And
so Langdon had remained, standing beside Sophie and listening in mute
astonishment while Marie told the story of Sophie's late parents.
Incredibly, both had been from Merovingian families—direct
descendants of Mary Magdalene and Jesus Christ. Sophie's parents and
ancestors, for protection, had changed their family names of Plantard
and Saint-Clair. Their children represented the most direct surviving
royal bloodline and therefore were carefully guarded by the Priory.
When Sophie's parents were killed in a car accident whose cause could
not be determined, the Priory feared the identity of the royal line
had been discovered.
"Your
grandfather and I," Marie had explained in a voice choked with
pain, "had to make a grave decision the instant we received the
phone call. Your parents' car had just been found in the river."
She dabbed at the tears in her eyes. "All six of us—including
you two grandchildren—were supposed to be traveling together in
that car that very night. Fortunately we changed our plans at the
last moment, and your parents were alone. Hearing of the accident,
Jacques and I had no way to know what had really happened … or if
this was truly an accident." Marie looked at Sophie. "We
knew we had to protect our grandchildren, and we did what we thought
was best. Jacques reported to the police that your brother and I had
been in the car … our two bodies apparently washed off in the
current. Then your brother and I went underground with the Priory.
Jacques, being a man of prominence, did not have the luxury of
disappearing. It only made sense that Sophie, being the eldest, would
stay in Paris to be taught and raised by Jacques, close to the heart
and protection of the Priory." Her voice fell to a whisper.
"Separating the family was the hardest thing we ever had to do.
Jacques and I saw each other only very infrequently, and always in
the most secret of settings … under the protection of the Priory.
There are certain ceremonies to which the brotherhood always stays
faithful."
Langdon
had sensed the story went far deeper, but he also sensed it was not
for him to hear. So he had stepped outside. Now, gazing up at the
spires of Rosslyn, Langdon could not escape the hollow gnaw of
Rosslyn's unsolved mystery. Is the Grail really here at Rosslyn? And
if so, where are the blade and chalice that Saunière mentioned in
his poem?
"I'll
take that," Marie said, motioning to Langdon's hand.
"Oh,
thank you." Langdon held out his empty coffee cup.
She
stared at him. "I was referring to your other hand, Mr.
Langdon."
Langdon
looked down and realized he was holding Saunière's papyrus. He had
taken it from the cryptex once again in hopes of seeing something he
had missed earlier. "Of course, I'm sorry."
Marie
looked amused as she took the paper. "I know of a man at a bank
in Paris who is probably very eager to see the return of this
rosewood box. André Vernet was a dear friend of Jacques, and Jacques
trusted him explicitly. André would have done anything to honor
Jacques's requests for the care of this box."
Including
shooting me, Langdon recalled, deciding not to mention that he had
probably broken the poor man's nose. Thinking of Paris, Langdon
flashed on the three sénéchaux who had been killed the night
before. "And the Priory? What happens now?"
"The
wheels are already in motion, Mr. Langdon. The brotherhood has
endured for centuries, and it will endure this. There are always
those waiting to move up and rebuild."
All
evening Langdon had suspected that Sophie's grandmother was closely
tied to the operations of the Priory. After all, the Priory had
always had women members. Four Grand Masters had been women. The
sénéchaux were traditionally men—the guardians—and yet women
held far more honored status within the Priory and could ascend to
the highest post from virtually any rank.
Langdon
thought of Leigh Teabing and Westminster Abbey. It seemed a lifetime
ago. "Was the Church pressuring your husband not to release the
Sangreal documents at the End of Days?"
"Heavens
no. The End of Days is a legend of paranoid minds. There is nothing
in the Priory doctrine that identifies a date at which the Grail
should be unveiled. In fact the Priory has always maintained that the
Grail should never be unveiled."
"Never?"
Langdon was stunned.
"It
is the mystery and wonderment that serve our souls, not the Grail
itself. The beauty of the Grail lies in her ethereal nature."
Marie Chauvel gazed up at Rosslyn now. "For some, the Grail is a
chalice that will bring them everlasting life. For others, it is the
quest for lost documents and secret history. And for most, I suspect
the Holy Grail is simply a grand idea … a glorious unattainable
treasure that somehow, even in today's world of chaos, inspires us."
"But
if the Sangreal documents remain hidden, the story of Mary Magdalene
will be lost forever," Langdon said.
"Will
it? Look around you. Her story is being told in art, music, and
books. More so every day. The pendulum is swinging. We are starting
to sense the dangers of our history … and of our destructive paths.
We are beginning to sense the need to restore the sacred feminine."
She paused. "You mentioned you are writing a manuscript about
the symbols of the sacred feminine, are you not?"
"I
am."
She
smiled. "Finish it, Mr. Langdon. Sing her song. The world needs
modern troubadours."
Langdon
fell silent, feeling the weight of her message upon him. Across the
open spaces, a new moon was rising above the tree line.
Turning
his eyes toward Rosslyn, Langdon felt a boyish craving to know her
secrets. Don't ask, he told himself. This is not the moment. He
glanced at the papyrus in Marie's hand, and then back at Rosslyn.
"Ask
the question, Mr. Langdon," Marie said, looking amused. "You
have earned the right."
Langdon
felt himself flush.
"You
want to know if the Grail is here at Rosslyn."
"Can
you tell me?"
She
sighed in mock exasperation. "Why is it that men simply cannot
let the Grail rest?" She laughed, obviously enjoying herself.
"Why do you think it's here?"
Langdon
motioned to the papyrus in her hand. "Your husband's poem speaks
specifically of Rosslyn, except it also mentions a blade and chalice
watching over the Grail. I didn't see any symbols of the blade and
chalice up there."
"The
blade and chalice?" Marie asked. "What exactly do they look
like?"
Langdon
sensed she was toying with him, but he played along, quickly
describing the symbols.
A
look of vague recollection crossed her face. "Ah, yes, of
course. The blade represents all that is masculine. I believe it is
drawn like this, no?" Using her index finger, she traced a shape
on her palm.
"Yes,"
Langdon said. Marie had drawn the less common "closed" form
of the blade, although Langdon had seen the symbol portrayed both
ways.
"And
the inverse," she said, drawing again on her palm, "is the
chalice, which represents the feminine."
"Correct,"
Langdon said.
"And
you are saying that in all the hundreds of symbols we have here in
Rosslyn Chapel, these two shapes appear nowhere?"
"I
didn't see them."
"And
if I show them to you, will you get some sleep?"
Before
Langdon could answer, Marie Chauvel had stepped off the porch and was
heading toward the chapel. Langdon hurried after her. Entering the
ancient building, Marie turned on the lights and pointed to the
center of the sanctuary floor. "There you are, Mr. Langdon. The
blade and chalice."
Langdon
stared at the scuffed stone floor. It was blank. "There's
nothing here …"
Marie
sighed and began to walk along the famous path worn into the chapel
floor, the same path Langdon had seen the visitors walking earlier
this evening. As his eyes adjusted to see the giant symbol, he still
felt lost. "But that's the Star of Dav—"
Langdon
stopped short, mute with amazement as it dawned on him.
The
blade and chalice.
Fused
as one.
The
Star of David … the perfect union of male and female … Solomon's
Seal … marking the Holy of Holies, where the male and female
deities—Yahweh and Shekinah—were thought to dwell.
Langdon
needed a minute to find his words. "The verse does point here to
Rosslyn. Completely. Perfectly."
Marie
smiled. "Apparently."
The
implications chilled him. "So the Holy Grail is in the vault
beneath us?"
She
laughed. "Only in spirit. One of the Priory's most ancient
charges was one day to return the Grail to her homeland of France
where she could rest for eternity. For centuries, she was dragged
across the countryside to keep her safe. Most undignified. Jacques's
charge when he became Grand Master was to restore her honor by
returning her to France and building her a resting place fit for a
queen."
"And
he succeeded?"
Now
her face grew serious. "Mr. Langdon, considering what you've
done for me tonight, and as curator of the Rosslyn Trust, I can tell
you for certain that the Grail is no longer here."
Langdon
decided to press. "But the keystone is supposed to point to the
place where the Holy Grail is hidden now. Why does it point to
Rosslyn?"
"Maybe
you're misreading its meaning. Remember, the Grail can be deceptive.
As could my late husband."
"But
how much clearer could he be?" he asked. "We are standing
over an underground vault marked by the blade and chalice, underneath
a ceiling of stars, surrounded by the art of Master Masons.
Everything speaks of Rosslyn."
"Very
well, let me see this mysterious verse." She unrolled the
papyrus and read the poem aloud in a deliberate tone.
The
Holy Grail 'neath ancient Roslin waits.
The
blade and chalice guarding o'er Her gates.
Adorned
in masters' loving art, She lies.
She
rests at last beneath the starry skies.
When
she finished, she was still for several seconds, until a knowing
smile crossed her lips. "Aah, Jacques."
Langdon
watched her expectantly. "You understand this?"
"As
you have witnessed on the chapel floor, Mr. Langdon, there are many
ways to see simple things."
Langdon
strained to understand. Everything about Jacques Saunière seemed to
have double meanings, and yet Langdon could see no further.
Marie
gave a tired yawn. "Mr. Langdon, I will make a confession to
you. I have never officially been privy to the present location of
the Grail. But, of course, I was married to a person of enormous
influence … and my women's intuition is strong." Langdon
started to speak but Marie continued. "I am sorry that after all
your hard work, you will be leaving Rosslyn without any real answers.
And yet, something tells me you will eventually find what you seek.
One day it will dawn on you." She smiled. "And when it
does, I trust that you, of all people, can keep a secret."
There
was a sound of someone arriving in the doorway. "Both of you
disappeared," Sophie said, entering.
"I
was just leaving," her grandmother replied, walking over to
Sophie at the door. "Good night, princess." She kissed
Sophie's forehead. "Don't keep Mr. Langdon out too late."
Langdon
and Sophie watched her grandmother walk back toward the fieldstone
house. When Sophie turned to him, her eyes were awash in deep
emotion. "Not exactly the ending I expected."
That
makes two of us, he thought. Langdon could see she was overwhelmed.
The news she had received tonight had changed everything in her life.
"Are you okay? It's a lot to take in."
She
smiled quietly. "I have a family. That's where I'm going to
start. Who we are and where we came from will take some time."
Langdon
remained silent.
"Beyond
tonight, will you stay with us?" Sophie asked. "At least
for a few days?"
Langdon
sighed, wanting nothing more. "You need some time here with your
family, Sophie. I'm going back to Paris in the morning."
She
looked disappointed but seemed to know it was the right thing to do.
Neither of them spoke for a long time. Finally Sophie reached over
and, taking his hand, led him out of the chapel. They walked to a
small rise on the bluff. From here, the Scottish countryside spread
out before them, suffused in a pale moonlight that sifted through the
departing clouds. They stood in silence, holding hands, both of them
fighting the descending shroud of exhaustion.
The
stars were just now appearing, but to the east, a single point of
light glowed brighter than any other. Langdon smiled when he saw it.
It was Venus. The ancient Goddess shining down with her steady and
patient light.
The
night was growing cooler, a crisp breeze rolling up from the
lowlands. After a while, Langdon looked over at Sophie. Her eyes were
closed, her lips relaxed in a contented smile. Langdon could feel his
own eyes growing heavy. Reluctantly, he squeezed her hand. "Sophie?"
Slowly,
she opened her eyes and turned to him. Her face was beautiful in the
moonlight. She gave him a sleepy smile. "Hi."
Langdon
felt an unexpected sadness to realize he would be returning to Paris
without her. "I may be gone before you wake up." He paused,
a knot growing in his throat. "I'm sorry, I'm not very good at—"
Sophie
reached out and placed her soft hand on the side of his face. Then,
leaning forward, she kissed him tenderly on the cheek. "When can
I see you again?"
Langdon
reeled momentarily, lost in her eyes. "When?" He paused,
curious if she had any idea how much he had been wondering the same
thing. "Well, actually, next month I'm lecturing at a conference
in Florence. I'll be there a week without much to do."
"Is
that an invitation?"
"We'd
be living in luxury. They're giving me a room at the Brunelleschi."
Sophie
smiled playfully. "You presume a lot, Mr. Langdon."
He
cringed at how it had sounded. "What I meant—"
"I
would love nothing more than to meet you in Florence, Robert. But on
one condition." Her tone turned serious. "No museums, no
churches, no tombs, no art, no relics."
"In
Florence? For a week? There's nothing else to do."
Sophie
leaned forward and kissed him again, now on the lips. Their bodies
came together, softly at first, and then completely. When she pulled
away, her eyes were full of promise.
"Right,"
Langdon managed. "It's a date."
Epilogue
Robert
Langdon awoke with a start. He had been dreaming. The bathrobe beside
his bed bore the monogram HOTEL RITZ PARIS. He saw a dim light
filtering through the blinds. Is it dusk or dawn? he wondered.
Langdon's
body felt warm and deeply contented. He had slept the better part of
the last two days. Sitting up slowly in bed, he now realized what had
awoken him … the strangest thought. For days he had been trying to
sort through a barrage of information, but now Langdon found himself
fixed on something he'd not considered before.
Could
it be?
He
remained motionless a long moment.
Getting
out of bed, he walked to the marble shower. Stepping inside, he let
the powerful jets message his shoulders. Still, the thought
enthralled him.
Impossible.
Twenty
minutes later, Langdon stepped out of the Hotel Ritz into Place
Vendôme. Night was falling. The days of sleep had left him
disoriented … and yet his mind felt oddly lucid. He had promised
himself he would stop in the hotel lobby for a cafe au lait to clear
his thoughts, but instead his legs carried him directly out the front
door into the gathering Paris night.
Walking
east on Rue des Petits Champs, Langdon felt a growing excitement. He
turned south onto Rue Richelieu, where the air grew sweet with the
scent of blossoming jasmine from the stately gardens of the Palais
Royal.
He
continued south until he saw what he was looking for—the famous
royal arcade—a glistening expanse of polished black marble. Moving
onto it, Langdon scanned the surface beneath his feet. Within
seconds, he found what he knew was there—several bronze medallions
embedded in the ground in a perfectly straight line. Each disk was
five inches in diameter and embossed with the letters N and S.
Nord.
Sud.
He
turned due south, letting his eye trace the extended line formed by
the medallions. He began moving again, following the trail, watching
the pavement as he walked. As he cut across the corner of the
Comédie-Française, another bronze medallion passed beneath his
feet. Yes!
The
streets of Paris, Langdon had learned years ago, were adorned with
135 of these bronze markers, embedded in sidewalks, courtyards, and
streets, on a north-south axis across the city. He had once followed
the line from Sacré-Coeur, north across the Seine, and finally to
the ancient Paris Observatory. There he discovered the significance
of the sacred path it traced.
The
earth's original prime meridian.
The
first zero longitude of the world.
Paris's
ancient Rose Line.
Now,
as Langdon hurried across Rue de Rivoli, he could feel his
destination within reach. Less than a block away.
The
Holy Grail 'neath ancient Roslin waits.
The
revelations were coming now in waves. Saunière's ancient spelling of
Roslin … the blade and chalice … the tomb adorned with masters'
art.
Is
that why Saunière needed to talk with me? Had I unknowingly guessed
the truth?
He
broke into a jog, feeling the Rose Line beneath his feet, guiding
him, pulling him toward his destination. As he entered the long
tunnel of Passage Richelieu, the hairs on his neck began to bristle
with anticipation. He knew that at the end of this tunnel stood the
most mysterious of Parisian monuments—conceived and commissioned in
the 1980s by the Sphinx himself, François Mitterrand, a man rumored
to move in secret circles, a man whose final legacy to Paris was a
place Langdon had visited only days before.
Another
lifetime.
With
a final surge of energy, Langdon burst from the passageway into the
familiar courtyard and came to a stop. Breathless, he raised his
eyes, slowly, disbelieving, to the glistening structure in front of
him.
The
Louvre Pyramid.
Gleaming
in the darkness.
He
admired it only a moment. He was more interested in what lay to his
right. Turning, he felt his feet again tracing the invisible path of
the ancient Rose Line, carrying him across the courtyard to the
Carrousel du Louvre—the enormous circle of grass surrounded by a
perimeter of neatly trimmed hedges—once the site of Paris's
primeval nature-worshipping festivals … joyous rites to celebrate
fertility and the Goddess.
Langdon
felt as if he were crossing into another world as he stepped over the
bushes to the grassy area within. This hallowed ground was now marked
by one of the city's most unusual monuments. There in the center,
plunging into the earth like a crystal chasm, gaped the giant
inverted pyramid of glass that he had seen a few nights ago when he
entered the Louvre's subterranean entresol.
La
Pyramide Inversée.
Tremulous,
Langdon walked to the edge and peered down into the Louvre's
sprawling underground complex, aglow with amber light. His eye was
trained not just on the massive inverted pyramid, but on what lay
directly beneath it. There, on the floor of the chamber below, stood
the tiniest of structures … a structure Langdon had mentioned in
his manuscript.
Langdon
felt himself awaken fully now to the thrill of unthinkable
possibility. Raising his eyes again to the Louvre, he sensed the huge
wings of the museum enveloping him … hallways that burgeoned with
the world's finest art.
Da
Vinci … Botticelli …
Adorned
in masters' loving art, She lies.
Alive
with wonder, he stared once again downward through the glass at the
tiny structure below.
I
must go down there!
Stepping
out of the circle, he hurried across the courtyard back toward the
towering pyramid entrance of the Louvre. The day's last visitors were
trickling out of the museum.
Pushing
through the revolving door, Langdon descended the curved staircase
into the pyramid. He could feel the air grow cooler. When he reached
the bottom, he entered the long tunnel that stretched beneath the
Louvre's courtyard, back toward La Pyramide Inversée.
At
the end of the tunnel, he emerged into a large chamber. Directly
before him, hanging down from above, gleamed the inverted pyramid—a
breathtaking V-shaped contour of glass.
The
Chalice.
Langdon's
eyes traced its narrowing form downward to its tip, suspended only
six feet above the floor. There, directly beneath it, stood the tiny
structure.
A
miniature pyramid. Only three feet tall. The only structure in this
colossal complex that had been built on a small scale.
Langdon's
manuscript, while discussing the Louvre's elaborate collection of
goddess art, had made passing note of this modest pyramid. "The
miniature structure itself protrudes up through the floor as though
it were the tip of an iceberg—the apex, of an enormous, pyramidical
vault, submerged below like a hidden chamber."
Illuminated
in the soft lights of the deserted entresol, the two pyramids pointed
at one another, their bodies perfectly aligned, their tips almost
touching.
The
Chalice above. The Blade below.
The
blade and chalice guarding o'er Her gates.
Langdon
heard Marie Chauvel's words. One day it will dawn on you.
He
was standing beneath the ancient Rose Line, surrounded by the work of
masters. What better place for Saunière to keep watch? Now at last,
he sensed he understood the true meaning of the Grand Master's verse.
Raising his eyes to heaven, he gazed upward through the glass to a
glorious, star-filled night.
She
rests at last beneath the starry skies.
Like
the murmurs of spirits in the darkness, forgotten words echoed. The
quest for the Holy Grail is the quest to kneel before the bones of
Mary Magdalene. A journey to pray at the feet of the outcast one.
With
a sudden upwelling of reverence, Robert Langdon fell to his knees.
For
a moment, he thought he heard a woman's voice … the wisdom of the
ages … whispering up from the chasms of the earth.
END
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