THE DA VINCI CODE - 4

THE DA VINCI CODE

DAN BROWN

( INSTALMENT 4 )

Chapter 43

André Vernet—president of the Paris branch of the Depository Bank of Zurich—lived in a lavish flat above the bank. Despite his plush accommodations, he had always dreamed of owning a riverside apartment on L'lle Saint-Louis, where he could rub shoulders with the true cognoscenti, rather than here, where he simply met the filthy rich.

When I retire, Vernet told himself, I will fill my cellar with rare Bordeaux, adorn my salon with a Fragonard and perhaps a Boucher, and spend my days hunting for antique furniture and rare books in the Quartier Latin.

Tonight, Vernet had been awake only six and a half minutes. Even so, as he hurried through the bank's underground corridor, he looked as if his personal tailor and hairdresser had polished him to a fine sheen. Impeccably dressed in a silk suit, Vernet sprayed some breath spray in his mouth and tightened his tie as he walked. No stranger to being awoken to attend to his international clients arriving from different time zones, Vernet modeled his sleep habits after the Maasai warriors—the African tribe famous for their ability to rise from the deepest sleep to a state of total battle readiness in a matter of seconds.

Battle ready, Vernet thought, fearing the comparison might be uncharacteristically apt tonight. The arrival of a gold key client always required an extra flurry of attention, but the arrival of a gold key client who was wanted by the Judicial Police would be an extremely delicate matter. The bank had enough battles with law enforcement over the privacy rights of their clients without proof that some of them were criminals.

Five minutes, Vernet told himself. I need these people out of my bank before the police arrive.

If he moved quickly, this impending disaster could be deftly sidestepped. Vernet could tell the police that the fugitives in question had indeed walked into his bank as reported, but because they were not clients and had no account number, they were turned away. He wished the damned watchman had not called Interpol. Discretion was apparently not part of the vocabulary of a 15-euro-per-hour watchman.

Stopping at the doorway, he took a deep breath and loosened his muscles. Then, forcing a balmy smile, he unlocked the door and swirled into the room like a warm breeze.

"Good evening," he said, his eyes finding his clients. "I am André Vernet. How can I be of serv—" The rest of the sentence lodged somewhere beneath his Adam's apple. The woman before him was as unexpected a visitor as Vernet had ever had.

"I'm sorry, do we know each other?" Sophie asked. She did not recognize the banker, but he for a moment looked as if he'd seen a ghost.

"No …" the bank president fumbled. "I don't … believe so. Our services are anonymous." He exhaled and forced a calm smile. "My assistant tells me you have a gold key but no account number? Might I ask how you came by this key?"

"My grandfather gave it to me," Sophie replied, watching the man closely. His uneasiness seemed more evident now.

"Really? Your grandfather gave you the key but failed to give you the account number?"

"I don't think he had time," Sophie said. "He was murdered tonight."

Her words sent the man staggering backward. "Jacques Saunière is dead?" he demanded, his eyes filling with horror. "But … how?!"

Now it was Sophie who reeled, numb with shock. "You knew my grandfather?"

Banker André Vernet looked equally astounded, steadying himself by leaning on an end table. "Jacques and I were dear friends. When did this happen?"

"Earlier this evening. Inside the Louvre."

Vernet walked to a deep leather chair and sank into it. "I need to ask you both a very important question." He glanced up at Langdon and then back to Sophie. "Did either of you have anything to do with his death?"

"No!" Sophie declared. "Absolutely not."

Vernet's face was grim, and he paused, pondering. "Your pictures are being circulated by Interpol. This is how I recognized you. You're wanted for a murder."

Sophie slumped. Fache ran an Interpol broadcast already? It seemed the captain was more motivated than Sophie had anticipated. She quickly told Vernet who Langdon was and what had happened inside the Louvre tonight.

Vernet looked amazed. "And as your grandfather was dying, he left you a message telling you to find Mr. Langdon?"

"Yes. And this key." Sophie laid the gold key on the coffee table in front of Vernet, placing the Priory seal face down.

Vernet glanced at the key but made no move to touch it. "He left you only this key? Nothing else? No slip of paper?"

Sophie knew she had been in a hurry inside the Louvre, but she was certain she had seen nothing else behind Madonna of the Rocks. "No. Just the key."

Vernet gave a helpless sigh. "I'm afraid every key is electronically paired with a ten-digit account number that functions as a password. Without that number, your key is worthless."

Ten digits. Sophie reluctantly calculated the cryptographic odds. Over ten billion possible choices. Even if she could bring in DCPJ's most powerful parallel processing computers, she still would need weeks to break the code. "Certainly, monsieur, considering the circumstances, you can help us."

"I'm sorry. I truly can do nothing. Clients select their own account numbers via a secure terminal, meaning account numbers are known only to the client and computer. This is one way we ensure anonymity. And the safety of our employees."

Sophie understood. Convenience stores did the same thing. EMPLOYEES DO NOT HAVE KEYS TO THE SAFE. This bank obviously did not want to risk someone stealing a key and then holding an employee hostage for the account number.

Sophie sat down beside Langdon, glanced down at the key and then up at Vernet. "Do you have any idea what my grandfather is storing in your bank?"

"None whatsoever. That is the definition of a Geldschrank bank."

"Monsieur Vernet," she pressed, "our time tonight is short. I am going to be very direct if I may." She reached out to the gold key and flipped it over, watching the man's eyes as she revealed the Priory of Sion seal. "Does the symbol on this key mean anything to you?"

Vernet glanced down at the fleur-de-lis seal and made no reaction. "No, but many of our clients emboss corporate logos or initials onto their keys."

Sophie sighed, still watching him carefully. "This seal is the symbol of a secret society known as the Priory of Sion."

Vernet again showed no reaction. "I know nothing of this. Your grandfather was a friend, but we spoke mostly of business." The man adjusted his tie, looking nervous now.

"Monsieur Vernet," Sophie pressed, her tone firm. "My grandfather called me tonight and told me he and I were in grave danger. He said he had to give me something. He gave me a key to your bank. Now he is dead. Anything you can tell us would be helpful."

Vernet broke a sweat. "We need to get out of the building. I'm afraid the police will arrive shortly. My watchman felt obliged to call Interpol."

Sophie had feared as much. She took one last shot. "My grandfather said he needed to tell me the truth about my family. Does that mean anything to you?"

"Mademoiselle, your family died in a car accident when you were young. I'm sorry. I know your grandfather loved you very much. He mentioned to me several times how much it pained him that you two had fallen out of touch."

Sophie was uncertain how to respond.

Langdon asked, "Do the contents of this account have anything to do with the Sangreal?"

Vernet gave him an odd look. "I have no idea what that is." Just then, Vernet's cell phone rang, and he snatched it off his belt. "Oui?" He listened a moment, his expression one of surprise and growing concern. "La police? Si rapidement?" He cursed, gave some quick directions in French, and said he would be up to the lobby in a minute.

Hanging up the phone, he turned back to Sophie. "The police have responded far more quickly than usual. They are arriving as we speak."

Sophie had no intention of leaving empty-handed. "Tell them we came and went already. If they want to search the bank, demand a search warrant. That will take them time."

"Listen," Vernet said, "Jacques was a friend, and my bank does not need this kind of press, so for those two reasons, I have no intention of allowing this arrest to be made on my premises. Give me a minute and I will see what I can do to help you leave the bank undetected. Beyond that, I cannot get involved." He stood up and hurried for the door. "Stay here. I'll make arrangements and be right back."

"But the safe-deposit box," Sophie declared. "We can't just leave."

"There's nothing I can do," Vernet said, hurrying out the door. "I'm sorry."

Sophie stared after him a moment, wondering if maybe the account number was buried in one of the countless letters and packages her grandfather had sent her over the years and which she had left unopened.

Langdon stood suddenly, and Sophie sensed an unexpected glimmer of contentment in his eyes.

"Robert? You're smiling."

"Your grandfather was a genius."

"I'm sorry?"

"Ten digits?"

Sophie had no idea what he was talking about.

"The account number," he said, a familiar lopsided grin now craning his face. "I'm pretty sure he left it for us after all."

"Where?"

Langdon produced the printout of the crime scene photo and spread it out on the coffee table. Sophie needed only to read the first line to know Langdon was correct.

13-3-2-21-1-1-8-5

O, Draconian devil!

Oh, lame saint!

P.S. Find Robert Langdon

Chapter 44

"Ten digits," Sophie said, her cryptologic senses tingling as she studied the printout.

13-3-2-21-1-1-8-5

Grand-père wrote his account number on the Louvre floor!

When Sophie had first seen the scrambled Fibonacci sequence on the parquet, she had assumed its sole purpose was to encourage DCPJ to call in their cryptographers and get Sophie involved. Later, she realized the numbers were also a clue as to how to decipher the other lines—a sequence out of order … a numeric anagram. Now, utterly amazed, she saw the numbers had a more important meaning still. They were almost certainly the final key to opening her grandfather's mysterious safe-deposit box.

"He was the master of double-entendres," Sophie said, turning to Langdon. "He loved anything with multiple layers of meaning. Codes within codes."

Langdon was already moving toward the electronic podium near the conveyor belt. Sophie grabbed the computer printout and followed.

The podium had a keypad similar to that of a bank ATM terminal. The screen displayed the bank's cruciform logo. Beside the keypad was a triangular hole. Sophie wasted no time inserting the shaft of her key into the hole.

The screen refreshed instantly.

ACCOUNT NUMBER: _ _ _ _ _ _ _ _ _ _

The cursor blinked. Waiting.

Ten digits. Sophie read the numbers off the printout, and Langdon typed them in.

ACCOUNT NUMBER: 1332211185

When he had typed the last digit, the screen refreshed again. A message in several languages appeared. English was on top.

CAUTION:

Before you strike the enter key, please check the accuracy of your account number.

For your own security, if the computer does not recognize your account number, this system will automatically shut down.

"Fonction terminer," Sophie said, frowning. "Looks like we only get one try." Standard ATM machines allowed users three attempts to type a PIN before confiscating their bank card. This was obviously no ordinary cash machine.

"The number looks right," Langdon confirmed, carefully checking what they had typed and comparing it to the printout. He motioned to the ENTER key. "Fire away."

Sophie extended her index finger toward the keypad, but hesitated, an odd thought now hitting her.

"Go ahead," Langdon urged. "Vernet will be back soon."

"No." She pulled her hand away. "This isn't the right account number."

"Of course it is! Ten digits. What else would it be?"

"It's too random."

Too random? Langdon could not have disagreed more. Every bank advised its customers to choose PINs at random so nobody could guess them. Certainly clients here would be advised to choose their account numbers at random.

Sophie deleted everything she had just typed in and looked up at Langdon, her gaze self-assured. "It's far too coincidental that this supposedly random account number could be rearranged to form the Fibonacci sequence."

Langdon realized she had a point. Earlier, Sophie had rearranged this account number into the Fibonacci sequence. What were the odds of being able to do that?

Sophie was at the keypad again, entering a different number, as if from memory. "Moreover, with my grandfather's love of symbolism and codes, it seems to follow that he would have chosen an account number that had meaning to him, something he could easily remember." She finished typing the entry and gave a sly smile. "Something that appeared random … but was not." Langdon looked at the screen.

ACCOUNT NUMBER: 1123581321

It took him an instant, but when Langdon spotted it, he knew she was right.

The Fibonacci sequence.

1-1-2-3-5-8-13-21

When the Fibonacci sequence was melded into a single ten-digit number, it became virtually unrecognizable. Easy to remember, and yet seemingly random. A brilliant ten-digit code that Saunière would never forget. Furthermore, it perfectly explained why the scrambled numbers on the Louvre floor could be rearranged to form the famous progression.

Sophie reached down and pressed the ENTER key.

Nothing happened.

At least nothing they could detect.

At that moment, beneath them, in the bank's cavernous subterranean vault, a robotic claw sprang to life. Sliding on a double-axis transport system attached to the ceiling, the claw headed off in search of the proper coordinates. On the cement floor below, hundreds of identical plastic crates lay aligned on an enormous grid … like rows of small coffins in an underground crypt.

Whirring to a stop over the correct spot on the floor, the claw dropped down, an electric eye confirming the bar code on the box. Then, with computer precision, the claw grasped the heavy handle and hoisted the crate vertically. New gears engaged, and the claw transported the box to the far side of the vault, coming to a stop over a stationary conveyor belt.

Gently now, the retrieval arm set down the crate and retracted.

Once the arm was clear, the conveyor belt whirred to life …

Upstairs, Sophie and Langdon exhaled in relief to see the conveyor belt move. Standing beside the belt, they felt like weary travelers at baggage claim awaiting a mysterious piece of luggage whose contents were unknown.

The conveyor belt entered the room on their right through a narrow slit beneath a retractable door. The metal door slid up, and a huge plastic box appeared, emerging from the depths on the inclined conveyor belt. The box was black, heavy molded plastic, and far larger than she imagined. It looked like an air-freight pet transport crate without any airholes.

The box coasted to a stop directly in front of them.

Langdon and Sophie stood there, silent, staring at the mysterious container.

Like everything else about this bank, this crate was industrial—metal clasps, a bar code sticker on top, and molded heavy-duty handle. Sophie thought it looked like a giant toolbox.

Wasting no time, Sophie unhooked the two buckles facing her. Then she glanced over at Langdon. Together, they raised the heavy lid and let it fall back.

Stepping forward, they peered down into the crate.

At first glance, Sophie thought the crate was empty. Then she saw something. Sitting at the bottom of the crate. A lone item.

The polished wooden box was about the size of a shoebox and had ornate hinges. The wood was a lustrous deep purple with a strong grain. Rosewood, Sophie realized. Her grandfather's favorite. The lid bore a beautiful inlaid design of a rose. She and Langdon exchanged puzzled looks. Sophie leaned in and grabbed the box, lifting it out.

My God, it's heavy!

She carried it gingerly to a large receiving table and set it down. Langdon stood beside her, both of them staring at the small treasure chest her grandfather apparently had sent them to retrieve.

Langdon stared in wonderment at the lid's hand-carved inlay—a five-petal rose. He had seen this type of rose many times. "The five-petal rose," he whispered, "is a Priory symbol for the Holy Grail."

Sophie turned and looked at him. Langdon could see what she was thinking, and he was thinking it too. The dimensions of the box, the apparent weight of its contents, and a Priory symbol for the Grail all seemed to imply one unfathomable conclusion. The Cup of Christ is in this wooden box. Langdon again told himself it was impossible.

"It's a perfect size," Sophie whispered, "to hold … a chalice."

It can't be a chalice.

Sophie pulled the box toward her across the table, preparing to open it. As she moved it, though, something unexpected happened. The box let out an odd gurgling sound.

Langdon did a double take. There's liquid inside?

Sophie looked equally confused. "Did you just hear …?"

Langdon nodded, lost. "Liquid."

Reaching forward, Sophie slowly unhooked the clasp and raised the lid.

The object inside was unlike anything Langdon had ever seen. One thing was immediately clear to both of them, however. This was definitely not the Cup of Christ.

Chapter 45

"The police are blocking the street," André Vernet said, walking into the waiting room. "Getting you out will be difficult." As he closed the door behind him, Vernet saw the heavy-duty plastic case on the conveyor belt and halted in his tracks. My God! They accessed Saunière's account?

Sophie and Langdon were at the table, huddling over what looked to be a large wooden jewelry box. Sophie immediately closed the lid and looked up. "We had the account number after all," she said.

Vernet was speechless. This changed everything. He respectfully diverted his eyes from the box and tried to figure out his next move. I have to get them out of the bank! But with the police already having set up a roadblock, Vernet could imagine only one way to do that. "Mademoiselle Neveu, if I can get you safely out of the bank, will you be taking the item with you or returning it to the vault before you leave?"

Sophie glanced at Langdon and then back to Vernet. "We need to take it."

Vernet nodded. "Very well. Then whatever the item is, I suggest you wrap it in your jacket as we move through the hallways. I would prefer nobody else see it."

As Langdon shed his jacket, Vernet hurried over to the conveyor belt, closed the now empty crate, and typed a series of simple commands. The conveyor belt began moving again, carrying the plastic container back down to the vault. Pulling the gold key from the podium, he handed it to Sophie.

"This way please. Hurry."

When they reached the rear loading dock, Vernet could see the flash of police lights filtering through the underground garage. He frowned. They were probably blocking the ramp. Am I really going to try to pull this off? He was sweating now.

Vernet motioned to one of the bank's small armored trucks. Transport sûr was another service offered by the Depository Bank of Zurich.

"Get in the cargo hold," he said, heaving open the massive rear door and motioning to the glistening steel compartment. "I'll be right back."

As Sophie and Langdon climbed in, Vernet hurried across the loading dock to the dock overseer's office, let himself in, collected the keys for the truck, and found a driver's uniform jacket and cap. Shedding his own suit coat and tie, he began to put on the driver's jacket. Reconsidering, he donned a shoulder holster beneath the uniform. On his way out, he grabbed a driver's pistol from the rack, put in a clip, and stuffed it in the holster, buttoning his uniform over it. Returning to the truck, Vernet pulled the driver's cap down low and peered in at Sophie and Langdon, who were standing inside the empty steel box.

"You'll want this on," Vernet said, reaching inside and flicking a wall switch to illuminate the lone courtesy bulb on the hold's ceiling. "And you'd better sit down. Not a sound on our way out the gate."

Sophie and Langdon sat down on the metal floor. Langdon cradled the treasure wadded in his tweed jacket. Swinging the heavy doors closed, Vernet locked them inside. Then he got in behind the wheel and revved the engine.

As the armored truck lumbered toward the top of the ramp, Vernet could feel the sweat already collecting beneath his driver's cap. He could see there were far more police lights in front than he had imagined. As the truck powered up the ramp, the interior gate swung inward to let him pass. Vernet advanced and waited while the gate behind him closed before pulling forward and tripping the next sensor. The second gate opened, and the exit beckoned.

Except for the police car blocking the top of the ramp.

Vernet dabbed his brow and pulled forward.

A lanky officer stepped out and waved him to a stop a few meters from the roadblock. Four patrol cars were parked out front.

Vernet stopped. Pulling his driver's cap down farther, he effected as rough a facade as his cultured upbringing would allow. Not budging from behind the wheel, he opened the door and gazed down at the agent, whose face was stern and sallow.

"Qu'est-ce qui se passe?" Vernet asked, his tone rough.

"Je suis Jérome Collet," the agent said. "Lieutenant Police Judiciaire." He motioned to the truck's cargo hold. "Qu'est-ce qu'ily a là dedans?"

"Hell if I know," Vernet replied in crude French. "I'm only a driver."

Collet looked unimpressed. "We're looking for two criminals."

Vernet laughed. "Then you came to the right spot. Some of these bastards I drive for have so much money they must be criminals."

The agent held up a passport picture of Robert Langdon. "Was this man in your bank tonight?"

Vernet shrugged. "No clue. I'm a dock rat. They don't let us anywhere near the clients. You need to go in and ask the front desk."

"Your bank is demanding a search warrant before we can enter."

Vernet put on a disgusted look. "Administrators. Don't get me started."

"Open your truck, please." Collet motioned toward the cargo hold.

Vernet stared at the agent and forced an obnoxious laugh. "Open the truck? You think I have keys? You think they trust us? You should see the crap wages I get paid."

The agent's head tilted to one side, his skepticism evident. "You're telling me you don't have keys to your own truck?"

Vernet shook his head. "Not the cargo area. Ignition only. These trucks get sealed by overseers on the loading dock. Then the truck sits in dock while someone drives the cargo keys to the drop-off. Once we get the call that the cargo keys are with the recipient, then I get the okay to drive. Not a second before. I never know what the hell I'm lugging."

"When was this truck sealed?"

"Must have been hours ago. I'm driving all the way up to St. Thurial tonight. Cargo keys are already up there."

The agent made no response, his eyes probing as if trying to read Vernet's mind.

A drop of sweat was preparing to slide down Vernet's nose. "You mind?" he said, wiping his nose with his sleeve and motioning to the police car blocking his way. "I'm on a tight schedule."

"Do all the drivers wear Rolexes?" the agent asked, pointing to Vernet's wrist.

Vernet glanced down and saw the glistening band of his absurdly expensive watch peeking out from beneath the sleeve of his jacket. Merde. "This piece of shit? Bought it for twenty euro from a Taiwanese street vendor in St. Germain des Prés. I'll sell it to you for forty."

The agent paused and finally stepped aside. "No thanks. Have a safe trip."

Vernet did not breathe again until the truck was a good fifty meters down the street. And now he had another problem. His cargo. Where do I take them?

Chapter 46

Silas lay prone on the canvas mat in his room, allowing the lash wounds on his back to clot in the air. Tonight's second session with the Discipline had left him dizzy and weak. He had yet to remove the cilice belt, and he could feel the blood trickling down his inner thigh. Still, he could not justify removing the strap.

I have failed the Church.

Far worse, I have failed the bishop.

Tonight was supposed to be Bishop Aringarosa's salvation. Five months ago, the bishop had returned from a meeting at the Vatican Observatory, where he had learned something that left him deeply changed. Depressed for weeks, Aringarosa had finally shared the news with Silas.

"But this is impossible!" Silas had cried out. "I cannot accept it!"

"It is true," Aringarosa said. "Unthinkable, but true. In only six months."

The bishop's words terrified Silas. He prayed for deliverance, and even in those dark days, his trust in God and The Way never wavered. It was only a month later that the clouds parted miraculously and the light of possibility shone through.

Divine intervention, Aringarosa had called it.

The bishop had seemed hopeful for the first time. "Silas," he whispered, "God has bestowed upon us an opportunity to protect The Way. Our battle, like all battles, will take sacrifice. Will you be a soldier of God?"

Silas fell to his knees before Bishop Aringarosa—the man who had given him a new life—and he said, "I am a lamb of God. Shepherd me as your heart commands."

When Aringarosa described the opportunity that had presented itself, Silas knew it could only be the hand of God at work. Miraculous fate! Aringarosa put Silas in contact with the man who had proposed the plan—a man who called himself the Teacher. Although the Teacher and Silas never met face-to-face, each time they spoke by phone, Silas was awed, both by the profundity of the Teacher's faith and by the scope of his power. The Teacher seemed to be a man who knew all, a man with eyes and ears in all places. How the Teacher gathered his information, Silas did not know, but Aringarosa had placed enormous trust in the Teacher, and he had told Silas to do the same. "Do as the Teacher commands you," the bishop told Silas. "And we will be victorious."

Victorious. Silas now gazed at the bare floor and feared victory had eluded them. The Teacher had been tricked. The keystone was a devious dead end. And with the deception, all hope had vanished.

Silas wished he could call Bishop Aringarosa and warn him, but the Teacher had removed all their lines of direct communication tonight. For our safety.

Finally, overcoming enormous trepidation, Silas crawled to his feet and found his robe, which lay on the floor. He dug his cell phone from the pocket. Hanging his head in shame, he dialed.

"Teacher," he whispered, "all is lost." Silas truthfully told the man how he had been tricked.

"You lose your faith too quickly," the Teacher replied. "I have just received news. Most unexpected and welcome. The secret lives. Jacques Saunière transferred information before he died. I will call you soon. Our work tonight is not yet done."

Chapter 47

Riding inside the dimly lit cargo hold of the armored truck was like being transported inside a cell for solitary confinement. Langdon fought the all too familiar anxiety that haunted him in confined spaces. Vernet said he would take us a safe distance out of the city. Where? How far?

Langdon's legs had gotten stiff from sitting cross-legged on the metal floor, and he shifted his position, wincing to feel the blood pouring back into his lower body. In his arms, he still clutched the bizarre treasure they had extricated from the bank.

"I think we're on the highway now," Sophie whispered.

Langdon sensed the same thing. The truck, after an unnerving pause atop the bank ramp, had moved on, snaking left and right for a minute or two, and was now accelerating to what felt like top speed. Beneath them, the bulletproof tires hummed on smooth pavement. Forcing his attention to the rosewood box in his arms, Langdon laid the precious bundle on the floor, unwrapped his jacket, and extracted the box, pulling it toward him. Sophie shifted her position so they were sitting side by side. Langdon suddenly felt like they were two kids huddled over a Christmas present.

In contrast to the warm colors of the rosewood box, the inlaid rose had been crafted of a pale wood, probably ash, which shone clearly in the dim light. The Rose. Entire armies and religions had been built on this symbol, as had secret societies. The Rosicrucians. The Knights of the Rosy Cross.

"Go ahead," Sophie said. "Open it."

Langdon took a deep breath. Reaching for the lid, he stole one more admiring glance at the intricate woodwork and then, unhooking the clasp, he opened the lid, revealing the object within.

Langdon had harbored several fantasies about what they might find inside this box, but clearly he had been wrong on every account. Nestled snugly inside the box's heavily padded interior of crimson silk lay an object Langdon could not even begin to comprehend.

Crafted of polished white marble, it was a stone cylinder approximately the dimensions of a tennis ball can. More complicated than a simple column of stone, however, the cylinder appeared to have been assembled in many pieces. Six doughnut-sized disks of marble had been stacked and affixed to one another within a delicate brass framework. It looked like some kind of tubular, multiwheeled kaleidoscope. Each end of the cylinder was affixed with an end cap, also marble, making it impossible to see inside. Having heard liquid within, Langdon assumed the cylinder was hollow.

As mystifying as the construction of the cylinder was, however, it was the engravings around the tube's circumference that drew Langdon's primary focus. Each of the six disks had been carefully carved with the same unlikely series of letters—the entire alphabet. The lettered cylinder reminded Langdon of one of his childhood toys—a rod threaded with lettered tumblers that could be rotated to spell different words.

"Amazing, isn't it?" Sophie whispered.

Langdon glanced up. "I don't know. What the hell is it?"

Now there was a glint in Sophie's eye. "My grandfather used to craft these as a hobby. They were invented by Leonardo da Vinci."

Even in the diffuse light, Sophie could see Langdon's surprise.

"Da Vinci?" he muttered, looking again at the canister.

"Yes. It's called a cryptex. According to my grandfather, the blueprints come from one of Da Vinci's secret diaries."

"What is it for?"

Considering tonight's events, Sophie knew the answer might have some interesting implications. "It's a vault," she said. "For storing secret information."

Langdon's eyes widened further.

Sophie explained that creating models of Da Vinci's inventions was one of her grandfather's best-loved hobbies. A talented craftsman who spent hours in his wood and metal shop, Jacques Saunière enjoyed imitating master craftsmen—Fabergé, assorted cloisonne artisans, and the less artistic, but far more practical, Leonardo da Vinci.

Even a cursory glance through Da Vinci's journals revealed why the luminary was as notorious for his lack of follow-through as he was famous for his brilliance. Da Vinci had drawn up blueprints for hundreds of inventions he had never built. One of Jacques Saunière's favorite pastimes was bringing Da Vinci's more obscure brainstorms to life—timepieces, water pumps, cryptexes, and even a fully articulated model of a medieval French knight, which now stood proudly on the desk in his office. Designed by Da Vinci in 1495 as an outgrowth of his earliest anatomy and kinesiology studies, the internal mechanism of the robot knight possessed accurate joints and tendons, and was designed to sit up, wave its arms, and move its head via a flexible neck while opening and closing an anatomically correct jaw. This armor-clad knight, Sophie had always believed, was the most beautiful object her grandfather had ever built … that was, until she had seen the cryptex in this rosewood box.

"He made me one of these when I was little," Sophie said. "But I've never seen one so ornate and large."

Langdon's eyes had never left the box. "I've never heard of a cryptex."

Sophie was not surprised. Most of Leonardo's unbuilt inventions had never been studied or even named. The term cryptex possibly had been her grandfather's creation, an apt title for this device that used the science of cryptology to protect information written on the contained scroll or codex.

Da Vinci had been a cryptology pioneer, Sophie knew, although he was seldom given credit. Sophie's university instructors, while presenting computer encryption methods for securing data, praised modern cryptologists like Zimmerman and Schneier but failed to mention that it was Leonardo who had invented one of the first rudimentary forms of public key encryption centuries ago. Sophie's grandfather, of course, had been the one to tell her all about that.

As their armored truck roared down the highway, Sophie explained to Langdon that the cryptex had been Da Vinci's solution to the dilemma of sending secure messages over long distances. In an era without telephones or e-mail, anyone wanting to convey private information to someone far away had no option but to write it down and then trust a messenger to carry the letter. Unfortunately, if a messenger suspected the letter might contain valuable information, he could make far more money selling the information to adversaries than he could delivering the letter properly.

Many great minds in history had invented cryptologic solutions to the challenge of data protection: Julius Caesar devised a code-writing scheme called the Caesar Box; Mary, Queen of Scots created a transposition cipher and sent secret communiqués from prison; and the brilliant Arab scientist Abu Yusuf Ismail al-Kindi protected his secrets with an ingeniously conceived polyalphabetic substitution cipher.

Da Vinci, however, eschewed mathematics and cryptology for a mechanical solution. The cryptex. A portable container that could safeguard letters, maps, diagrams, anything at all. Once information was sealed inside the cryptex, only the individual with the proper password could access it.

"We require a password," Sophie said, pointing out the lettered dials. "A cryptex works much like a bicycle's combination lock. If you align the dials in the proper position, the lock slides open. This cryptex has five lettered dials. When you rotate them to their proper sequence, the tumblers inside align, and the entire cylinder slides apart."

"And inside?"

"Once the cylinder slides apart, you have access to a hollow central compartment, which can hold a scroll of paper on which is the information you want to keep private."

Langdon looked incredulous. "And you say your grandfather built these for you when you were younger?"

"Some smaller ones, yes. A couple times for my birthday, he gave me a cryptex and told me a riddle. The answer to the riddle was the password to the cryptex, and once I figured it out, I could open it up and find my birthday card."

"A lot of work for a card."

"No, the cards always contained another riddle or clue. My grandfather loved creating elaborate treasure hunts around our house, a string of clues that eventually led to my real gift. Each treasure hunt was a test of character and merit, to ensure I earned my rewards. And the tests were never simple."

Langdon eyed the device again, still looking skeptical. "But why not just pry it apart? Or smash it? The metal looks delicate, and marble is a soft rock."

Sophie smiled. "Because Da Vinci is too smart for that. He designed the cryptex so that if you try to force it open in any way, the information self-destructs. Watch." Sophie reached into the box and carefully lifted out the cylinder. "Any information to be inserted is first written on a papyrus scroll."

"Not vellum?"

Sophie shook her head. "Papyrus. I know sheep's vellum was more durable and more common in those days, but it had to be papyrus. The thinner the better."

"Okay."

"Before the papyrus was inserted into the cryptex's compartment, it was rolled around a delicate glass vial." She tipped the cryptex, and the liquid inside gurgled. "A vial of liquid."

"Liquid what?"

Sophie smiled. "Vinegar."

Langdon hesitated a moment and then began nodding. "Brilliant."

Vinegar and papyrus, Sophie thought. If someone attempted to force open the cryptex, the glass vial would break, and the vinegar would quickly dissolve the papyrus. By the time anyone extracted the secret message, it would be a glob of meaningless pulp.

"As you can see," Sophie told him, "the only way to access the information inside is to know the proper five-letter password. And with five dials, each with twenty-six letters, that's twenty-six to the fifth power." She quickly estimated the permutations. "Approximately twelve million possibilities."

"If you say so," Langdon said, looking like he had approximately twelve million questions running through his head. "What information do you think is inside?"

"Whatever it is, my grandfather obviously wanted very badly to keep it secret." She paused, closing the box lid and eyeing the five-petal Rose inlaid on it. Something was bothering her. "Did you say earlier that the Rose is a symbol for the Grail?"

"Exactly. In Priory symbolism, the Rose and the Grail are synonymous."

Sophie furrowed her brow. "That's strange, because my grandfather always told me the Rose meant secrecy. He used to hang a rose on his office door at home when he was having a confidential phone call and didn't want me to disturb him. He encouraged me to do the same." Sweetie, her grandfather said, rather than lock each other out, we can each hang a rose—la fleur des secrets—on our door when we need privacy. This way we learn to respect and trust each other. Hanging a rose is an ancient Roman custom.

"Sub rosa," Langdon said. "The Romans hung a rose over meetings to indicate the meeting was confidential. Attendees understood that whatever was said under the rose—or sub rosa—had to remain a secret."

Langdon quickly explained that the Rose's overtone of secrecy was not the only reason the Priory used it as a symbol for the Grail. Rosa rugosa, one of the oldest species of rose, had five petals and pentagonal symmetry, just like the guiding star of Venus, giving the Rose strong iconographic ties to womanhood. In addition, the Rose had close ties to the concept of "true direction" and navigating one's way. The Compass Rose helped travelers navigate, as did Rose Lines, the longitudinal lines on maps. For this reason, the Rose was a symbol that spoke of the Grail on many levels—secrecy, womanhood, and guidance—the feminine chalice and guiding star that led to secret truth.

As Langdon finished his explanation, his expression seemed to tighten suddenly.

"Robert? Are you okay?"

His eyes were riveted to the rosewood box. "Sub … rosa," he choked, a fearful bewilderment sweeping across his face. "It can't be."

"What?"

Langdon slowly raised his eyes. "Under the sign of the Rose," he whispered. "This cryptex … I think I know what it is."

Chapter 48

Langdon could scarcely believe his own supposition, and yet, considering who had given this stone cylinder to them, how he had given it to them, and now, the inlaid Rose on the container, Langdon could formulate only one conclusion.

I am holding the Priory keystone.

The legend was specific.

The keystone is an encoded stone that lies beneath the sign of the Rose.

"Robert?" Sophie was watching him. "What's going on?"

Langdon needed a moment to gather his thoughts. "Did your grandfather ever speak to you of something called la clef de voûte?"

"The key to the vault?" Sophie translated.

"No, that's the literal translation. Clef de voûte is a common architectural term. Voûte refers not to a bank vault, but to a vault in an archway. Like a vaulted ceiling."

"But vaulted ceilings don't have keys."

"Actually they do. Every stone archway requires a central, wedge-shaped stone at the top which locks the pieces together and carries all the weight. This stone is, in an architectural sense, the key to the vault. In English we call it a keystone." Langdon watched her eyes for any spark of recognition.

Sophie shrugged, glancing down at the cryptex. "But this obviously is not a keystone."

Langdon didn't know where to begin. Keystones as a masonry technique for building stone archways had been one of the best-kept secrets of the early Masonic brotherhood. The Royal Arch Degree. Architecture. Keystones. It was all interconnected. The secret knowledge of how to use a wedged keystone to build a vaulted archway was part of the wisdom that had made the Masons such wealthy craftsmen, and it was a secret they guarded carefully. Keystones had always had a tradition of secrecy. And yet, the stone cylinder in the rosewood box was obviously something quite different. The Priory keystone—if this was indeed what they were holding—was not at all what Langdon had imagined.

"The Priory keystone is not my specialty," Langdon admitted. "My interest in the Holy Grail is primarily symbologic, so I tend to ignore the plethora of lore regarding how to actually find it."

Sophie's eyebrows arched. "Find the Holy Grail?"

Langdon gave an uneasy nod, speaking his next words carefully. "Sophie, according to Priory lore, the keystone is an encoded map … a map that reveals the hiding place of the Holy Grail."

Sophie's face went blank. "And you think this is it?"

Langdon didn't know what to say. Even to him it sounded unbelievable, and yet the keystone was the only logical conclusion he could muster. An encrypted stone, hidden beneath the sign of the Rose.

The idea that the cryptex had been designed by Leonardo da Vinci—former Grand Master of the Priory of Sion—shone as another tantalizing indicator that this was indeed the Priory keystone. A former Grand Master's blueprint … brought to life centuries later by another Priory member. The bond was too palpable to dismiss.

For the last decade, historians had been searching for the keystone in French churches. Grail seekers, familiar with the Priory's history of cryptic double-talk, had concluded la clef de voûte was a literal keystone—an architectural wedge—an engraved, encrypted stone, inserted into a vaulted archway in a church. Beneath the sign of the Rose. In architecture, there was no shortage of roses. Rose windows. Rosette reliefs. And, of course, an abundance of cinquefoils—the five-petaled decorative flowers often found at the top of archways, directly over the keystone. The hiding place seemed diabolically simple. The map to the Holy Grail was incorporated high in an archway of some forgotten church, mocking the blind churchgoers who wandered beneath it.

"This cryptex can't be the keystone," Sophie argued. "It's not old enough. I'm certain my grandfather made this. It can't be part of any ancient Grail legend."

"Actually," Langdon replied, feeling a tingle of excitement ripple through him, "the keystone is believed to have been created by the Priory sometime in the past couple of decades."

Sophie's eyes flashed disbelief. "But if this cryptex reveals the hiding place of the Holy Grail, why would my grandfather give it to me? I have no idea how to open it or what to do with it. I don't even know what the Holy Grail is!"

Langdon realized to his surprise that she was right. He had not yet had a chance to explain to Sophie the true nature of the Holy Grail. That story would have to wait. At the moment, they were focused on the keystone.

If that is indeed what this is …

Against the hum of the bulletproof wheels beneath them, Langdon quickly explained to Sophie everything he had heard about the keystone. Allegedly, for centuries, the Priory's biggest secret—the location of the Holy Grail—was never written down. For security's sake, it was verbally transferred to each new rising sénéchal at a clandestine ceremony. However, at some point during the last century, whisperings began to surface that the Priory policy had changed. Perhaps it was on account of new electronic eavesdropping capabilities, but the Priory vowed never again even to speak the location of the sacred hiding place.

"But then how could they pass on the secret?" Sophie asked.

"That's where the keystone comes in," Langdon explained. "When one of the top four members died, the remaining three would choose from the lower echelons the next candidate to ascend as sénéchal. Rather than telling the new sénéchal where the Grail was hidden, they gave him a test through which he could prove he was worthy."

Sophie looked unsettled by this, and Langdon suddenly recalled her mentioning how her grandfather used to make treasure hunts for her—preuves de mérite. Admittedly, the keystone was a similar concept. Then again, tests like this were extremely common in secret societies. The best known was the Masons', wherein members ascended to higher degrees by proving they could keep a secret and by performing rituals and various tests of merit over many years. The tasks became progressively harder until they culminated in a successful candidate's induction as thirty-second-degree Mason.

"So the keystone is a preuve de mérite," Sophie said. "If a rising Priory sénéchal can open it, he proves himself worthy of the information it holds."

Langdon nodded. "I forgot you'd had experience with this sort of thing."

"Not only with my grandfather. In cryptology, that's called a 'self-authorizing language.' That is, if you're smart enough to read it, you're permitted to know what is being said."

Langdon hesitated a moment. "Sophie, you realize that if this is indeed the keystone, your grandfather's access to it implies he was exceptionally powerful within the Priory of Sion. He would have to have been one of the highest four members."

Sophie sighed. "He was powerful in a secret society. I'm certain of it. I can only assume it was the Priory."

Langdon did a double take. "You knew he was in a secret society?"

"I saw some things I wasn't supposed to see ten years ago. We haven't spoken since." She paused. "My grandfather was not only a ranking top member of the group … I believe he was the top member."

Langdon could not believe what she had just said. "Grand Master? But … there's no way you could know that!"

"I'd rather not talk about it." Sophie looked away, her expression as determined as it was pained.

Langdon sat in stunned silence. Jacques Saunière? Grand Master? Despite the astonishing repercussions if it were true, Langdon had the eerie sensation it almost made perfect sense. After all, previous Priory Grand Masters had also been distinguished public figures with artistic souls. Proof of that fact had been uncovered years ago in Paris's Bibliothèque Nationale in papers that became known as Les Dossiers Secrets.

Every Priory historian and Grail buff had read the Dossiers. Cataloged under Number 4° lm1 249, the Dossiers Secrets had been authenticated by many specialists and incontrovertibly confirmed what historians had suspected for a long time: Priory Grand Masters included Leonardo da Vinci, Botticelli, Sir Isaac Newton, Victor Hugo, and, more recently, Jean Cocteau, the famous Parisian artist.

Why not Jacques Saunière?

Langdon's incredulity intensified with the realization that he had been slated to meet Saunière tonight. The Priory Grand Master called a meeting with me. Why? To make artistic small talk? It suddenly seemed unlikely. After all, if Langdon's instincts were correct, the Grand Master of the Priory of Sion had just transferred the brotherhood's legendary keystone to his granddaughter and simultaneously commanded her to find Robert Langdon.

Inconceivable!

Langdon's imagination could conjure no set of circumstances that would explain Saunière's behavior. Even if Saunière feared his own death, there were three sénéchaux who also possessed the secret and therefore guaranteed the Priory's security. Why would Saunière take such an enormous risk giving his granddaughter the keystone, especially when the two of them didn't get along? And why involve Langdon … a total stranger?

A piece of this puzzle is missing, Langdon thought.

The answers were apparently going to have to wait. The sound of the slowing engine caused them both to look up. Gravel crunched beneath the tires. Why is he pulling over already? Langdon wondered. Vernet had told them he would take them well outside the city to safety. The truck decelerated to a crawl and made its way over unexpectedly rough terrain. Sophie shot Langdon an uneasy look, hastily closing the cryptex box and latching it. Langdon slipped his jacket back on.

When the truck came to a stop, the engine remained idling as the locks on the rear doors began to turn. When the doors swung open, Langdon was surprised to see they were parked in a wooded area, well off the road. Vernet stepped into view, a strained look in his eye. In his hand, he held a pistol.

"I'm sorry about this," he said. "I really have no choice."

Chapter 49

André Vernet looked awkward with a pistol, but his eyes shone with a determination that Langdon sensed would be unwise to test.

"I'm afraid I must insist," Vernet said, training the weapon on the two of them in the back of the idling truck. "Set the box down."

Sophie clutched the box to her chest. "You said you and my grandfather were friends."

"I have a duty to protect your grandfather's assets," Vernet replied. "And that is exactly what I am doing. Now set the box on the floor."

"My grandfather entrusted this to me!" Sophie declared.

"Do it," Vernet commanded, raising the gun.

Sophie set the box at her feet.

Langdon watched the gun barrel swing now in his direction.

"Mr. Langdon," Vernet said, "you will bring the box over to me. And be aware that I'm asking you because you I would not hesitate to shoot."

Langdon stared at the banker in disbelief. "Why are you doing this?"

"Why do you imagine?" Vernet snapped, his accented English terse now. "To protect my client's assets."

"We are your clients now," Sophie said.

Vernet's visage turned ice-cold, an eerie transformation. "Mademoiselle Neveu, I don't know how you got that key and account number tonight, but it seems obvious that foul play was involved. Had I known the extent of your crimes, I would never have helped you leave the bank."

"I told you," Sophie said, "we had nothing to do with my grandfather's death!"

Vernet looked at Langdon. "And yet the radio claims you are wanted not only for the murder of Jacques Saunière but for those of three other men as well?"

"What!" Langdon was thunderstruck. Three more murders? The coincidental number hit him harder than the fact that he was the prime suspect. It seemed too unlikely to be a coincidence. The three sénéchaux? Langdon's eyes dropped to the rosewood box. If the sénéchaux were murdered, Saunière had no options. He had to transfer the keystone to someone.

"The police can sort that out when I turn you in," Vernet said. "I have gotten my bank involved too far already."

Sophie glared at Vernet. "You obviously have no intention of turning us in. You would have driven us back to the bank. And instead you bring us out here and hold us at gunpoint?"

"Your grandfather hired me for one reason—to keep his possessions both safe and private. Whatever this box contains, I have no intention of letting it become a piece of cataloged evidence in a police investigation. Mr. Langdon, bring me the box."

Sophie shook her head. "Don't do it."

A gunshot roared, and a bullet tore into the wall above him. The reverberation shook the back of the truck as a spent shell clinked onto the cargo floor.

Shit! Langdon froze.

Vernet spoke more confidently now. "Mr. Langdon, pick up the box."

Langdon lifted the box.

"Now bring it over to me." Vernet was taking dead aim, standing on the ground behind the rear bumper, his gun outstretched into the cargo hold now.

Box in hand, Langdon moved across the hold toward the open door.

I've got to do something! Langdon thought. I'm about to hand over the Priory keystone! As Langdon moved toward the doorway, his position of higher ground became more pronounced, and he began wondering if he could somehow use it to his advantage. Vernet's gun, though raised, was at Langdon's knee level. A well-placed kick perhaps? Unfortunately, as Langdon neared, Vernet seemed to sense the dangerous dynamic developing, and he took several steps back, repositioning himself six feet away. Well out of reach.

Vernet commanded, "Place the box beside the door."

Seeing no options, Langdon knelt down and set the rosewood box at the edge of the cargo hold, directly in front of the open doors.

"Now stand up."

Langdon began to stand up but paused, spying the small, spent pistol shell on the floor beside the truck's precision-crafted doorsill.

"Stand up, and step away from the box."

Langdon paused a moment longer, eyeing the metal threshold. Then he stood. As he did, he discreetly brushed the shell over the edge onto the narrow ledge that was the door's lower sill. Fully upright now, Langdon stepped backward.

"Return to the back wall and turn around."

Langdon obeyed.

Vernet could feel his own heart pounding. Aiming the gun with his right hand, he reached now with his left for the wooden box. He discovered that it was far too heavy. I need two hands. Turning his eyes back to his captives, he calculated the risk. Both were a good fifteen feet away, at the far end of the cargo hold, facing away from him. Vernet made up his mind. Quickly, he laid down the gun on the bumper, lifted the box with two hands, and set it on the ground, immediately grabbing the gun again and aiming it back into the hold. Neither of his prisoners had moved.

Perfect. Now all that remained was to close and lock the door. Leaving the box on the ground for the moment, he grabbed the metal door and began to heave it closed. As the door swung past him, Vernet reached up to grab the single bolt that needed to be slid into place. The door closed with a thud, and Vernet quickly grabbed the bolt, pulling it to the left. The bolt slid a few inches and crunched to an unexpected halt, not lining up with its sleeve. What's going on? Vernet pulled again, but the bolt wouldn't lock. The mechanism was not properly aligned. The door isn't fully closed! Feeling a surge of panic, Vernet shoved hard against the outside of the door, but it refused to budge. Something is blocking it! Vernet turned to throw full shoulder into the door, but this time the door exploded outward, striking Vernet in the face and sending him reeling backward onto the ground, his nose shattering in pain. The gun flew as Vernet reached for his face and felt the warm blood running from his nose.

Robert Langdon hit the ground somewhere nearby, and Vernet tried to get up, but he couldn't see. His vision blurred and he fell backward again. Sophie Neveu was shouting. Moments later, Vernet felt a cloud of dirt and exhaust billowing over him. He heard the crunching of tires on gravel and sat up just in time to see the truck's wide wheelbase fail to navigate a turn. There was a crash as the front bumper clipped a tree. The engine roared, and the tree bent. Finally, it was the bumper that gave, tearing half off. The armored car lurched away, its front bumper dragging. When the truck reached the paved access road, a shower of sparks lit up the night, trailing the truck as it sped away.

Vernet turned his eyes back to the ground where the truck had been parked. Even in the faint moonlight he could see there was nothing there.

The wooden box was gone.

Chapter 50

The unmarked Fiat sedan departing Castel Gandolfo snaked downward through the Alban Hills into the valley below. In the back seat, Bishop Aringarosa smiled, feeling the weight of the bearer bonds in the briefcase on his lap and wondering how long it would be before he and the Teacher could make the exchange.

Twenty million euro.

The sum would buy Aringarosa power far more valuable than that.

As his car sped back toward Rome, Aringarosa again found himself wondering why the Teacher had not yet contacted him. Pulling his cell phone from his cassock pocket, he checked the carrier signal. Extremely faint.

"Cell service is intermittent up here," the driver said, glancing at him in the rearview mirror. "In about five minutes, we'll be out of the mountains, and service improves."

"Thank you." Aringarosa felt a sudden surge of concern. No service in the mountains? Maybe the Teacher had been trying to reach him all this time. Maybe something had gone terribly wrong.

Quickly, Aringarosa checked the phone's voice mail. Nothing. Then again, he realized, the Teacher never would have left a recorded message; he was a man who took enormous care with his communications. Nobody understood better than the Teacher the perils of speaking openly in this modern world. Electronic eavesdropping had played a major role in how he had gathered his astonishing array of secret knowledge.

For this reason, he takes extra precautions.

Unfortunately, the Teacher's protocols for caution included a refusal to give Aringarosa any kind of contact number. I alone will initiate contact, the Teacher had informed him. So keep your phone close. Now that Aringarosa realized his phone might not have been working properly, he feared what the Teacher might think if he had been repeatedly phoning with no answer.

He'll think something is wrong.

Or that I failed to get the bonds.

The bishop broke a light sweat.

Or worse … that I took the money and ran!

Chapter 51

Even at a modest sixty kilometers an hour, the dangling front bumper of the armored truck grated against the deserted suburban road with a grinding roar, spraying sparks up onto the hood.

We've got to get off the road, Langdon thought.

He could barely even see where they were headed. The truck's lone working headlight had been knocked off-center and was casting a skewed sidelong beam into the woods beside the country highway. Apparently the armor in this "armored truck" referred only to the cargo hold and not the front end.

Sophie sat in the passenger seat, staring blankly at the rosewood box on her lap.

"Are you okay?" Langdon asked.

Sophie looked shaken. "Do you believe him?"

"About the three additional murders? Absolutely. It answers a lot of questions—the issue of your grandfather's desperation to pass on the keystone, as well as the intensity with which Fache is hunting me."

"No, I meant about Vernet trying to protect his bank."

Langdon glanced over. "As opposed to?"

"Taking the keystone for himself."

Langdon had not even considered it. "How would he even know what this box contains?"

"His bank stored it. He knew my grandfather. Maybe he knew things. He might have decided he wanted the Grail for himself."

Langdon shook his head. Vernet hardly seemed the type. "In my experience, there are only two reasons people seek the Grail. Either they are naive and believe they are searching for the long-lost Cup of Christ …"

"Or?"

"Or they know the truth and are threatened by it. Many groups throughout history have sought to destroy the Grail."

The silence between them accentuated the sound of the scraping bumper. They had driven a few kilometers now, and as Langdon watched the cascade of sparks coming off the front of the truck, he wondered if it was dangerous. Either way, if they passed another car, it would certainly draw attention. Langdon made up his mind.

"I'm going to see if I can bend this bumper back."

Pulling onto the shoulder, he brought the truck to a stop.

Silence at last.

As Langdon walked toward the front of the truck, he felt surprisingly alert. Staring into the barrel of yet another gun tonight had given him a second wind. He took a deep breath of nighttime air and tried to get his wits about him. Accompanying the gravity of being a hunted man, Langdon was starting to feel the ponderous weight of responsibility, the prospect that he and Sophie might actually be holding an encrypted set of directions to one of the most enduring mysteries of all time.

As if this burden were not great enough, Langdon now realized that any possibility of finding a way to return the keystone to the Priory had just evaporated. News of the three additional murders had dire implications. The Priory has been infiltrated. They are compromised. The brotherhood was obviously being watched, or there was a mole within the ranks. It seemed to explain why Saunière might have transferred the keystone to Sophie and Langdon—people outside the brotherhood, people he knew were not compromised. We can't very well give the keystone back to the brotherhood. Even if Langdon had any idea how to find a Priory member, chances were good that whoever stepped forward to take the keystone could be the enemy himself. For the moment, at least, it seemed the keystone was in Sophie and Langdon's hands, whether they wanted it or not.

The truck's front end looked worse than Langdon had imagined. The left headlight was gone, and the right one looked like an eyeball dangling from its socket. Langdon straightened it, and it dislodged again. The only good news was that the front bumper had been torn almost clean off. Langdon gave it a hard kick and sensed he might be able to break it off entirely.

As he repeatedly kicked the twisted metal, Langdon recalled his earlier conversation with Sophie. My grandfather left me a phone message, Sophie had told him. He said he needed to tell me the truth about my family. At the time it had meant nothing, but now, knowing the Priory of Sion was involved, Langdon felt a startling new possibility emerge.

The bumper broke off suddenly with a crash. Langdon paused to catch his breath. At least the truck would no longer look like a Fourth of July sparkler. He grabbed the bumper and began dragging it out of sight into the woods, wondering where they should go next. They had no idea how to open the cryptex, or why Saunière had given it to them. Unfortunately, their survival tonight seemed to depend on getting answers to those very questions.

We need help, Langdon decided. Professional help.

In the world of the Holy Grail and the Priory of Sion, that meant only one man. The challenge, of course, would be selling the idea to Sophie.

Inside the armored car, while Sophie waited for Langdon to return, she could feel the weight of the rosewood box on her lap and resented it. Why did my grandfather give this to me? She had not the slightest idea what to do with it.

Think, Sophie! Use your head. Grand-père is trying to tell you something!

Opening the box, she eyed the cryptex's dials. A proof of merit. She could feel her grandfather's hand at work. The keystone is a map that can be followed only by the worthy. It sounded like her grandfather to the core.

Lifting the cryptex out of the box, Sophie ran her fingers over the dials. Five letters. She rotated the dials one by one. The mechanism moved smoothly. She aligned the disks such that her chosen letters lined up between the cryptex's two brass alignment arrows on either end of the cylinder. The dials now spelled a five-letter word that Sophie knew was absurdly obvious.

G-R-A-I-L.

Gently, she held the two ends of the cylinder and pulled, applying pressure slowly. The cryptex didn't budge. She heard the vinegar inside gurgle and stopped pulling. Then she tried again.

V-I-N-C-I

Again, no movement.

V-O-U-T-E

Nothing. The cryptex remained locked solid.

Frowning, she replaced it in the rosewood box and closed the lid. Looking outside at Langdon, Sophie felt grateful he was with her tonight. P.S. Find Robert Langdon. Her grandfather's rationale for including him was now clear. Sophie was not equipped to understand her grandfather's intentions, and so he had assigned Robert Langdon as her guide. A tutor to oversee her education. Unfortunately for Langdon, he had turned out to be far more than a tutor tonight. He had become the target of Bezu Fache … and some unseen force intent on possessing the Holy Grail.

Whatever the Grail turns out to be.

Sophie wondered if finding out was worth her life.

As the armored truck accelerated again, Langdon was pleased how much more smoothly it drove. "Do you know how to get to Versailles?"

Sophie eyed him. "Sightseeing?"

"No, I have a plan. There's a religious historian I know who lives near Versailles. I can't remember exactly where, but we can look it up. I've been to his estate a few times. His name is Leigh Teabing. He's a former British Royal Historian."

"And he lives in Paris?"

"Teabing's life passion is the Grail. When whisperings of the Priory keystone surfaced about fifteen years ago, he moved to France to search churches in hopes of finding it. He's written some books on the keystone and the Grail. He may be able to help us figure out how to open it and what to do with it."

Sophie's eyes were wary. "Can you trust him?"

"Trust him to what? Not steal the information?"

"And not to turn us in."

"I don't intend to tell him we're wanted by the police. I'm hoping he'll take us in until we can sort all this out."

"Robert, has it occurred to you that every television in France is probably getting ready to broadcast our pictures? Bezu Fache always uses the media to his advantage. He'll make it impossible for us to move around without being recognized."

Terrific, Langdon thought. My French TV debut will be on "Paris's Most Wanted." At least Jonas Faukman would be pleased; every time Langdon made the news, his book sales jumped.

"Is this man a good enough friend?" Sophie asked.

Langdon doubted Teabing was someone who watched television, especially at this hour, but still the question deserved consideration. Instinct told Langdon that Teabing would be totally trustworthy. An ideal safe harbor. Considering the circumstances, Teabing would probably trip over himself to help them as much as possible. Not only did he owe Langdon a favor, but Teabing was a Grail researcher, and Sophie claimed her grandfather was the actual Grand Master of the Priory of Sion. If Teabing heard that, he would salivate at the thought of helping them figure this out.

"Teabing could be a powerful ally," Langdon said. Depending on how much you want to tell him.

"Fache probably will be offering a monetary reward."

Langdon laughed. "Believe me, money is the last thing this guy needs." Leigh Teabing was wealthy in the way small countries were wealthy. A descendant of Britain's First Duke of Lancaster, Teabing had gotten his money the old-fashioned way—he'd inherited it. His estate outside of Paris was a seventeenth-century palace with two private lakes.

Langdon had first met Teabing several years ago through the British Broadcasting Corporation. Teabing had approached the BBC with a proposal for a historical documentary in which he would expose the explosive history of the Holy Grail to a mainstream television audience. The BBC producers loved Teabing's hot premise, his research, and his credentials, but they had concerns that the concept was so shocking and hard to swallow that the network might end up tarnishing its reputation for quality journalism. At Teabing's suggestion, the BBC solved its credibility fears by soliciting three cameos from respected historians from around the world, all of whom corroborated the stunning nature of the Holy Grail secret with their own research.

Langdon had been among those chosen.

The BBC had flown Langdon to Teabing's Paris estate for the filming. He sat before cameras in Teabing's opulent drawing room and shared his story, admitting his initial skepticism on hearing of the alternate Holy Grail story, then describing how years of research had persuaded him that the story was true. Finally, Langdon offered some of his own research—a series of symbologic connections that strongly supported the seemingly controversial claims.

When the program aired in Britain, despite its ensemble cast and well-documented evidence, the premise rubbed so hard against the grain of popular Christian thought that it instantly confronted a firestorm of hostility. It never aired in the States, but the repercussions echoed across the Atlantic. Shortly afterward, Langdon received a postcard from an old friend—the Catholic Bishop of Philadelphia. The card simply read: Et tu, Robert?

"Robert," Sophie asked, "you're certain we can trust this man?"

"Absolutely. We're colleagues, he doesn't need money, and I happen to know he despises the French authorities. The French government taxes him at absurd rates because he bought a historic landmark. He'll be in no hurry to cooperate with Fache."

Sophie stared out at the dark roadway. "If we go to him, how much do you want to tell him?"

Langdon looked unconcerned. "Believe me, Leigh Teabing knows more about the Priory of Sion and the Holy Grail than anyone on earth."

Sophie eyed him. "More than my grandfather?"

"I meant more than anyone outside the brotherhood."

"How do you know Teabing isn't a member of the brotherhood?"

"Teabing has spent his life trying to broadcast the truth about the Holy Grail. The Priory's oath is to keep its true nature hidden."

"Sounds to me like a conflict of interest."

Langdon understood her concerns. Saunière had given the cryptex directly to Sophie, and although she didn't know what it contained or what she was supposed to do with it, she was hesitant to involve a total stranger. Considering the information potentially enclosed, the instinct was probably a good one. "We don't need to tell Teabing about the keystone immediately. Or at all, even. His house will give us a place to hide and think, and maybe when we talk to him about the Grail, you'll start to have an idea why your grandfather gave this to you."

"Us," Sophie reminded.

Langdon felt a humble pride and wondered yet again why Saunière had included him.

"Do you know more or less where Mr. Teabing lives?" Sophie asked.

"His estate is called Château Villette."

Sophie turned with an incredulous look. "The Château Villette?"

"That's the one."

"Nice friends."

"You know the estate?"

"I've passed it. It's in the castle district. Twenty minutes from here."

Langdon frowned. "That far?"

"Yes, which will give you enough time to tell me what the Holy Grail really is."

Langdon paused. "I'll tell you at Teabing's. He and I specialize in different areas of the legend, so between the two of us, you'll get the full story." Langdon smiled. "Besides, the Grail has been Teabing's life, and hearing the story of the Holy Grail from Leigh Teabing will be like hearing the theory of relativity from Einstein himself."

"Let's hope Leigh doesn't mind late-night visitors."

"For the record, it's Sir Leigh." Langdon had made that mistake only once. "Teabing is quite a character. He was knighted by the Queen several years back after composing an extensive history on the House of York."

Sophie looked over. "You're kidding, right? We're going to visit a knight?"

Langdon gave an awkward smile. "We're on a Grail quest, Sophie. Who better to help us than a knight?"

Chapter 52

The Sprawling 185-acre estate of Château Villette was located twenty-five minutes northwest of Paris in the environs of Versailles. Designed by François Mansart in 1668 for the Count of Aufflay, it was one of Paris's most significant historical châteaux. Complete with two rectangular lakes and gardens designed by Le Nôtre, Château Villette was more of a modest castle than a mansion. The estate fondly had become known as la Petite Versailles.

Langdon brought the armored truck to a shuddering stop at the foot of the mile-long driveway. Beyond the imposing security gate, Sir Leigh Teabing's residence rose on a meadow in the distance. The sign on the gate was in English: PRIVATE PROPERTY. NO TRESPASSING.

As if to proclaim his home a British Isle unto itself, Teabing had not only posted his signs in English, but he had installed his gate's intercom entry system on the right-hand side of the truck—the passenger's side everywhere in Europe except England.

Sophie gave the misplaced intercom an odd look. "And if someone arrives without a passenger?"

"Don't ask." Langdon had already been through that with Teabing. "He prefers things the way they are at home."

Sophie rolled down her window. "Robert, you'd better do the talking."

Langdon shifted his position, leaning out across Sophie to press the intercom button. As he did, an alluring whiff of Sophie's perfume filled his nostrils, and he realized how close they were. He waited there, awkwardly prone, while a telephone began ringing over the small speaker.

Finally, the intercom crackled and an irritated French accent spoke. "Château Villette. Who is calling?"

"This is Robert Langdon," Langdon called out, sprawled across Sophie's lap. "I'm a friend of Sir Leigh Teabing. I need his help."

"My master is sleeping. As was I. What is your business with him?"

"It is a private matter. One of great interest to him."

"Then I'm sure he will be pleased to receive you in the morning."

Langdon shifted his weight. "It's quite important."

"As is Sir Leigh's sleep. If you are a friend, then you are aware he is in poor health."

Sir Leigh Teabing had suffered from polio as a child and now wore leg braces and walked with crutches, but Langdon had found him such a lively and colorful man on his last visit that it hardly seemed an infirmity. "If you would, please tell him I have uncovered new information about the Grail. Information that cannot wait until morning."

There was a long pause.

Langdon and Sophie waited, the truck idling loudly.

A full minute passed.

Finally, someone spoke. "My good man, I daresay you are still on Harvard Standard Time." The voice was crisp and light.

Langdon grinned, recognizing the thick British accent. "Leigh, my apologies for waking you at this obscene hour."

"My manservant tells me that not only are you in Paris, but you speak of the Grail."

"I thought that might get you out of bed."

"And so it has."

"Any chance you'd open the gate for an old friend?"

"Those who seek the truth are more than friends. They are brothers."

Langdon rolled his eyes at Sophie, well accustomed to Teabing's predilection for dramatic antics.

"Indeed I will open the gate," Teabing proclaimed, "but first I must confirm your heart is true. A test of your honor. You will answer three questions."

Langdon groaned, whispering at Sophie. "Bear with me here. As I mentioned, he's something of a character."

"Your first question," Teabing declared, his tone Herculean. "Shall I serve you coffee, or tea?"

Langdon knew Teabing's feelings about the American phenomenon of coffee. "Tea," he replied. "Earl Grey."

"Excellent. Your second question. Milk or sugar?"

Langdon hesitated.

"Milk," Sophie whispered in his ear. "I think the British take milk."

"Milk," Langdon said.

Silence.

"Sugar?"

Teabing made no reply.

Wait! Langdon now recalled the bitter beverage he had been served on his last visit and realized this question was a trick. "Lemon!" he declared. "Earl Grey with lemon"

"Indeed." Teabing sounded deeply amused now. "And finally, I must make the most grave of inquiries." Teabing paused and then spoke in a solemn tone. "In which year did a Harvard sculler last outrow an Oxford man at Henley?"

Langdon had no idea, but he could imagine only one reason the question had been asked. "Surely such a travesty has never occurred."

The gate clicked open. "Your heart is true, my friend. You may pass."

Chapter 53

"Monsieur Vernet!" The night manager of the Depository Bank of Zurich felt relieved to hear the bank president's voice on the phone. "Where did you go, sir? The police are here, everyone is waiting for you!"

"I have a little problem," the bank president said, sounding distressed. "I need your help right away."

You have more than a little problem, the manager thought. The police had entirely surrounded the bank and were threatening to have the DCPJ captain himself show up with the warrant the bank had demanded. "How can I help you, sir?"

"Armored truck number three. I need to find it."

Puzzled, the manager checked his delivery schedule. "It's here. Downstairs at the loading dock."

"Actually, no. The truck was stolen by the two individuals the police are tracking."

"What? How did they drive out?"

"I can't go into the specifics on the phone, but we have a situation here that could potentially be extremely unfortunate for the bank."

"What do you need me to do, sir?"

"I'd like you to activate the truck's emergency transponder."

The night manager's eyes moved to the LoJack control box across the room. Like many armored cars, each of the bank's trucks had been equipped with a radio-controlled homing device, which could be activated remotely from the bank. The manager had only used the emergency system once, after a hijacking, and it had worked flawlessly—locating the truck and transmitting the coordinates to the authorities automatically. Tonight, however, the manager had the impression the president was hoping for a bit more prudence. "Sir, you are aware that if I activate the LoJack system, the transponder will simultaneously inform the authorities that we have a problem."

Vernet was silent for several seconds. "Yes, I know. Do it anyway. Truck number three. I'll hold. I need the exact location of that truck the instant you have it."

"Right away, sir."

Thirty seconds later, forty kilometers away, hidden in the undercarriage of the armored truck, a tiny transponder blinked to life.

Chapter 54

As Langdon and Sophie drove the armored truck up the winding, poplar-lined driveway toward the house, Sophie could already feel her muscles relaxing. It was a relief to be off the road, and she could think of few safer places to get their feet under them than this private, gated estate owned by a good-natured foreigner.

They turned into the sweeping circular driveway, and Château Villette came into view on their right. Three stories tall and at least sixty meters long, the edifice had gray stone facing illuminated by outside spotlights. The coarse facade stood in stark juxtaposition to the immaculately landscaped gardens and glassy pond.

The inside lights were just now coming on.

Rather than driving to the front door, Langdon pulled into a parking area nestled in the evergreens. "No reason to risk being spotted from the road," he said. "Or having Leigh wonder why we arrived in a wrecked armored truck."

Sophie nodded. "What do we do with the cryptex? We probably shouldn't leave it out here, but if Leigh sees it, he'll certainly want to know what it is."

"Not to worry," Langdon said, removing his jacket as he stepped out of the car. He wrapped the tweed coat around the box and held the bundle in his arms like a baby.

Sophie looked dubious. "Subtle."

"Teabing never answers his own door; he prefers to make an entrance. I'll find somewhere inside to stash this before he joins us." Langdon paused. "Actually, I should probably warn you before you meet him. Sir Leigh has a sense of humor that people often find a bit … strange."

Sophie doubted anything tonight would strike her as strange anymore.

The pathway to the main entrance was hand-laid cobblestone. It curved to a door of carved oak and cherry with a brass knocker the size of a grapefruit. Before Sophie could grasp the knocker, the door swung open from within.

A prim and elegant butler stood before them, making final adjustments on the white tie and tuxedo he had apparently just donned. He looked to be about fifty, with refined features and an austere expression that left little doubt he was unamused by their presence here.

"Sir Leigh will be down presently," he declared, his accent thick French. "He is dressing. He prefers not to greet visitors while wearing only a nightshirt. May I take your coat?" He scowled at the bunched-up tweed in Langdon's arms.

"Thank you, I'm fine."

"Of course you are. Right this way, please."

The butler guided them through a lush marble foyer into an exquisitely adorned drawing room, softly lit by tassel-draped Victorian lamps. The air inside smelled antediluvian, regal somehow, with traces of pipe tobacco, tea leaves, cooking sherry, and the earthen aroma of stone architecture. Against the far wall, flanked between two glistening suits of chain mail armor, was a rough-hewn fireplace large enough to roast an ox. Walking to the hearth, the butler knelt and touched a match to a pre-laid arrangement of oak logs and kindling. A fire quickly crackled to life.

The man stood, straightening his jacket. "His master requests that you make yourselves at home." With that, he departed, leaving Langdon and Sophie alone.

Sophie wondered which of the fireside antiques she was supposed to sit on—the Renaissance velvet divan, the rustic eagle-claw rocker, or the pair of stone pews that looked like they'd been lifted from some Byzantine temple.

Langdon unwrapped the cryptex from his coat, walked to the velvet divan, and slid the wooden box deep underneath it, well out of sight. Then, shaking out his jacket, he put it back on, smoothed the lapels, and smiled at Sophie as he sat down directly over the stashed treasure.

The divan it is, Sophie thought, taking a seat beside him.

As she stared into the growing fire, enjoying the warmth, Sophie had the sensation that her grandfather would have loved this room. The dark wood paneling was bedecked with Old Master paintings, one of which Sophie recognized as a Poussin, her grandfather's second-favorite painter. On the mantel above the fireplace, an alabaster bust of Isis watched over the room.

Beneath the Egyptian goddess, inside the fireplace, two stone gargoyles served as andirons, their mouths gaping to reveal their menacing hollow throats. Gargoyles had always terrified Sophie as a child; that was, until her grandfather cured her of the fear by taking her atop Notre Dame Cathedral in a rainstorm. "Princess, look at these silly creatures," he had told her, pointing to the gargoyle rainspouts with their mouths gushing water. "Do you hear that funny sound in their throats?" Sophie nodded, having to smile at the burping sound of the water gurgling through their throats. "They're gargling," her grandfather told her. "Gargariser! And that's where they get the silly name 'gargoyles.' " Sophie had never again been afraid.

The fond memory caused Sophie a pang of sadness as the harsh reality of the murder gripped her again. Grand-père is gone. She pictured the cryptex under the divan and wondered if Leigh Teabing would have any idea how to open it. Or if we even should ask him. Sophie's grandfather's final words had instructed her to find Robert Langdon. He had said nothing about involving anyone else. We needed somewhere to hide, Sophie said, deciding to trust Robert's judgment.

"Sir Robert!" a voice bellowed somewhere behind them. "I see you travel with a maiden."

Langdon stood up. Sophie jumped to her feet as well. The voice had come from the top of a curled staircase that snaked up to the shadows of the second floor. At the top of the stairs, a form moved in the shadows, only his silhouette visible.

"Good evening," Langdon called up. "Sir Leigh, may I present Sophie Neveu."

"An honor." Teabing moved into the light.

"Thank you for having us," Sophie said, now seeing the man wore metal leg braces and used crutches. He was coming down one stair at a time. "I realize it's quite late."

"It is so late, my dear, it's early." He laughed. "Vous n'êtes pas Américaine?"

Sophie shook her head. "Parisienne."

"Your English is superb."

"Thank you. I studied at the Royal Holloway."

"So then, that explains it." Teabing hobbled lower through the shadows. "Perhaps Robert told you I schooled just down the road at Oxford." Teabing fixed Langdon with a devilish smile. "Of course, I also applied to Harvard as my safety school."

Their host arrived at the bottom of the stairs, appearing to Sophie no more like a knight than Sir Elton John. Portly and ruby-faced, Sir Leigh Teabing had bushy red hair and jovial hazel eyes that seemed to twinkle as he spoke. He wore pleated pants and a roomy silk shirt under a paisley vest. Despite the aluminum braces on his legs, he carried himself with a resilient, vertical dignity that seemed more a by-product of noble ancestry than any kind of conscious effort.

Teabing arrived and extended a hand to Langdon. "Robert, you've lost weight."

Langdon grinned. "And you've found some."

Teabing laughed heartily, patting his rotund belly. "Touché. My only carnal pleasures these days seem to be culinary." Turning now to Sophie, he gently took her hand, bowing his head slightly, breathing lightly on her fingers, and diverting his eyes. "M'lady."

Sophie glanced at Langdon, uncertain whether she'd stepped back in time or into a nuthouse.

The butler who had answered the door now entered carrying a tea service, which he arranged on a table in front of the fireplace.

"This is Rémy Legaludec," Teabing said, "my manservant."

The slender butler gave a stiff nod and disappeared yet again.

"Rémy is Lyonais," Teabing whispered, as if it were an unfortunate disease. "But he does sauces quite nicely."

Langdon looked amused. "I would have thought you'd import an English staff?"

"Good heavens, no! I would not wish a British chef on anyone except the French tax collectors." He glanced over at Sophie. "Pardonnez-moi, Mademoiselle Neveu. Please be assured that my distaste for the French extends only to politics and the soccer pitch. Your government steals my money, and your football squad recently humiliated us."

Sophie offered an easy smile.

Teabing eyed her a moment and then looked at Langdon. "Something has happened. You both look shaken."

Langdon nodded. "We've had an interesting night, Leigh."

"No doubt. You arrive on my doorstep unannounced in the middle of the night speaking of the Grail. Tell me, is this indeed about the Grail, or did you simply say that because you know it is the lone topic for which I would rouse myself in the middle of the night?"

A little of both, Sophie thought, picturing the cryptex hidden beneath the couch.

"Leigh," Langdon said, "we'd like to talk to you about the Priory of Sion."

Teabing's bushy eyebrows arched with intrigue. "The keepers. So this is indeed about the Grail. You say you come with information? Something new, Robert?"

"Perhaps. We're not quite sure. We might have a better idea if we could get some information from you first."

Teabing wagged his finger. "Ever the wily American. A game of quid pro quo. Very well. I am at your service. What is it I can tell you?"

Langdon sighed. "I was hoping you would be kind enough to explain to Ms. Neveu the true nature of the Holy Grail."

Teabing looked stunned. "She doesn't know?"

Langdon shook his head.

The smile that grew on Teabing's face was almost obscene. "Robert, you've brought me a virgin?"

Langdon winced, glancing at Sophie. "Virgin is the term Grail enthusiasts use to describe anyone who has never heard the true Grail story."

Teabing turned eagerly to Sophie. "How much do you know, my dear?"

Sophie quickly outlined what Langdon had explained earlier—the Priory of Sion, the Knights Templar, the Sangreal documents, and the Holy Grail, which many claimed was not a cup … but rather something far more powerful.

"That's all?" Teabing fired Langdon a scandalous look. "Robert, I thought you were a gentleman. You've robbed her of the climax!"

"I know, I thought perhaps you and I could …" Langdon apparently decided the unseemly metaphor had gone far enough.

Teabing already had Sophie locked in his twinkling gaze. "You are a Grail virgin, my dear. And trust me, you will never forget your first time."

Chapter 55

Seated on the divan beside Langdon, Sophie drank her tea and ate a scone, feeling the welcome effects of caffeine and food. Sir Leigh Teabing was beaming as he awkwardly paced before the open fire, his leg braces clicking on the stone hearth.

"The Holy Grail," Teabing said, his voice sermonic. "Most people ask me only where it is. I fear that is a question I may never answer." He turned and looked directly at Sophie. "However … the far more relevant question is this: What is the Holy Grail?"

Sophie sensed a rising air of academic anticipation now in both of her male companions.

"To fully understand the Grail," Teabing continued, "we must first understand the Bible. How well do you know the New Testament?"

Sophie shrugged. "Not at all, really. I was raised by a man who worshipped Leonardo da Vinci."

Teabing looked both startled and pleased. "An enlightened soul. Superb! Then you must be aware that Leonardo was one of the keepers of the secret of the Holy Grail. And he hid clues in his art."

"Robert told me as much, yes."

"And Da Vinci's views on the New Testament?"

"I have no idea."

Teabing's eyes turned mirthful as he motioned to the bookshelf across the room. "Robert, would you mind? On the bottom shelf. La Storia di Leonardo."

Langdon went across the room, found a large art book, and brought it back, setting it down on the table between them. Twisting the book to face Sophie, Teabing flipped open the heavy cover and pointed inside the rear cover to a series of quotations. "From Da Vinci's notebook on polemics and speculation," Teabing said, indicating one quote in particular. "I think you'll find this relevant to our discussion."

Sophie read the words.

Many have made a trade of delusions and false miracles, deceiving the stupid multitude.

—LEONARDO DA VINCI

"Here's another," Teabing said, pointing to a different quote.

Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!

—LEONARDO DA VINCI

Sophie felt a little chill. "Da Vinci is talking about the Bible?"

Teabing nodded. "Leonardo's feelings about the Bible relate directly to the Holy Grail. In fact, Da Vinci painted the true Grail, which I will show you momentarily, but first we must speak of the Bible." Teabing smiled. "And everything you need to know about the Bible can be summed up by the great canon doctor Martyn Percy." Teabing cleared his throat and declared, "The Bible did not arrive by fax from heaven."

"I beg your pardon?"

"The Bible is a product of man, my dear. Not of God. The Bible did not fall magically from the clouds. Man created it as a historical record of tumultuous times, and it has evolved through countless translations, additions, and revisions. History has never had a definitive version of the book."

"Okay."

"Jesus Christ was a historical figure of staggering influence, perhaps the most enigmatic and inspirational leader the world has ever seen. As the prophesied Messiah, Jesus toppled kings, inspired millions, and founded new philosophies. As a descendant of the lines of King Solomon and King David, Jesus possessed a rightful claim to the throne of the King of the Jews. Understandably, His life was recorded by thousands of followers across the land." Teabing paused to sip his tea and then placed the cup back on the mantel. "More than eighty gospels were considered for the New Testament, and yet only a relative few were chosen for inclusion—Matthew, Mark, Luke, and John among them.

"Who chose which gospels to include?" Sophie asked.

"Aha!" Teabing burst in with enthusiasm. "The fundamental irony of Christianity! The Bible, as we know it today, was collated by the pagan Roman emperor Constantine the Great."

"I thought Constantine was a Christian," Sophie said.

"Hardly," Teabing scoffed. "He was a lifelong pagan who was baptized on his deathbed, too weak to protest. In Constantine's day, Rome's official religion was sun worship—the cult of Sol Invictus, or the Invincible Sun—and Constantine was its head priest. Unfortunately for him, a growing religious turmoil was gripping Rome. Three centuries after the crucifixion of Jesus Christ, Christ's followers had multiplied exponentially. Christians and pagans began warring, and the conflict grew to such proportions that it threatened to rend Rome in two. Constantine decided something had to be done. In 325 A.D., he decided to unify Rome under a single religion. Christianity."

Sophie was surprised. "Why would a pagan emperor choose Christianity as the official religion?"

Teabing chuckled. "Constantine was a very good businessman. He could see that Christianity was on the rise, and he simply backed the winning horse. Historians still marvel at the brilliance with which Constantine converted the sun-worshipping pagans to Christianity. By fusing pagan symbols, dates, and rituals into the growing Christian tradition, he created a kind of hybrid religion that was acceptable to both parties."

"Transmogrification," Langdon said. "The vestiges of pagan religion in Christian symbology are undeniable. Egyptian sun disks became the halos of Catholic saints. Pictograms of Isis nursing her miraculously conceived son Horus became the blueprint for our modern images of the Virgin Mary nursing Baby Jesus. And virtually all the elements of the Catholic ritual—the miter, the altar, the doxology, and communion, the act of "God-eating"—were taken directly from earlier pagan mystery religions."

Teabing groaned. "Don't get a symbologist started on Christian icons. Nothing in Christianity is original. The pre-Christian God Mithras—called the Son of God and the Light of the World—was born on December 25, died, was buried in a rock tomb, and then resurrected in three days. By the way, December 25 is also the birthday of Osiris, Adonis, and Dionysus. The newborn Krishna was presented with gold, frankincense, and myrrh. Even Christianity's weekly holy day was stolen from the pagans."

"What do you mean?"

"Originally," Langdon said, "Christianity honored the Jewish Sabbath of Saturday, but Constantine shifted it to coincide with the pagan's veneration day of the sun." He paused, grinning. "To this day, most churchgoers attend services on Sunday morning with no idea that they are there on account of the pagan sun god's weekly tribute—Sunday."

Sophie's head was spinning. "And all of this relates to the Grail?"

"Indeed," Teabing said. "Stay with me. During this fusion of religions, Constantine needed to strengthen the new Christian tradition, and held a famous ecumenical gathering known as the Council of Nicaea."

Sophie had heard of it only insofar as its being the birthplace of the Nicene Creed.

"At this gathering," Teabing said, "many aspects of Christianity were debated and voted upon—the date of Easter, the role of the bishops, the administration of sacraments, and, of course, the divinity of Jesus."

"I don't follow. His divinity?"

"My dear," Teabing declared, "until that moment in history, Jesus was viewed by His followers as a mortal prophet … a great and powerful man, but a man nonetheless. A mortal."

"Not the Son of God?"

"Right," Teabing said. "Jesus' establishment as 'the Son of God' was officially proposed and voted on by the Council of Nicaea."

"Hold on. You're saying Jesus' divinity was the result of a vote?"

"A relatively close vote at that," Teabing added. "Nonetheless, establishing Christ's divinity was critical to the further unification of the Roman empire and to the new Vatican power base. By officially endorsing Jesus as the Son of God, Constantine turned Jesus into a deity who existed beyond the scope of the human world, an entity whose power was unchallengeable. This not only precluded further pagan challenges to Christianity, but now the followers of Christ were able to redeem themselves only via the established sacred channel—the Roman Catholic Church."

Sophie glanced at Langdon, and he gave her a soft nod of concurrence.

"It was all about power," Teabing continued. "Christ as Messiah was critical to the functioning of Church and state. Many scholars claim that the early Church literally stole Jesus from His original followers, hijacking His human message, shrouding it in an impenetrable cloak of divinity, and using it to expand their own power. I've written several books on the topic."

"And I assume devout Christians send you hate mail on a daily basis?"

"Why would they?" Teabing countered. "The vast majority of educated Christians know the history of their faith. Jesus was indeed a great and powerful man. Constantine's underhanded political maneuvers don't diminish the majesty of Christ's life. Nobody is saying Christ was a fraud, or denying that He walked the earth and inspired millions to better lives. All we are saying is that Constantine took advantage of Christ's substantial influence and importance. And in doing so, he shaped the face of Christianity as we know it today."

Sophie glanced at the art book before her, eager to move on and see the Da Vinci painting of the Holy Grail.

"The twist is this," Teabing said, talking faster now. "Because Constantine upgraded Jesus' status almost four centuries after Jesus' death, thousands of documents already existed chronicling His life as a mortal man. To rewrite the history books, Constantine knew he would need a bold stroke. From this sprang the most profound moment in Christian history." Teabing paused, eyeing Sophie. "Constantine commissioned and financed a new Bible, which omitted those gospels that spoke of Christ's human traits and embellished those gospels that made Him godlike. The earlier gospels were outlawed, gathered up, and burned."

"An interesting note," Langdon added. "Anyone who chose the forbidden gospels over Constantine's version was deemed a heretic. The word heretic derives from that moment in history. The Latin word haereticus means 'choice.' Those who 'chose' the original history of Christ were the world's first heretics."

"Fortunately for historians," Teabing said, "some of the gospels that Constantine attempted to eradicate managed to survive. The Dead Sea Scrolls were found in the 1950s hidden in a cave near Qumran in the Judean desert. And, of course, the Coptic Scrolls in 1945 at Nag Hammadi. In addition to telling the true Grail story, these documents speak of Christ's ministry in very human terms. Of course, the Vatican, in keeping with their tradition of misinformation, tried very hard to suppress the release of these scrolls. And why wouldn't they? The scrolls highlight glaring historical discrepancies and fabrications, clearly confirming that the modern Bible was compiled and edited by men who possessed a political agenda—to promote the divinity of the man Jesus Christ and use His influence to solidify their own power base."

"And yet," Langdon countered, "it's important to remember that the modern Church's desire to suppress these documents comes from a sincere belief in their established view of Christ. The Vatican is made up of deeply pious men who truly believe these contrary documents could only be false testimony."

Teabing chuckled as he eased himself into a chair opposite Sophie. "As you can see, our professor has a far softer heart for Rome than I do. Nonetheless, he is correct about the modern clergy believing these opposing documents are false testimony. That's understandable. Constantine's Bible has been their truth for ages. Nobody is more indoctrinated than the indoctrinator."

"What he means," Langdon said, "is that we worship the gods of our fathers."

"What I mean," Teabing countered, "is that almost everything our fathers taught us about Christ is false. As are the stories about the Holy Grail."

Sophie looked again at the Da Vinci quote before her. Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!

Teabing reached for the book and flipped toward the center. "And finally, before I show you Da Vinci's paintings of the Holy Grail, I'd like you to take a quick look at this." He opened the book to a colorful graphic that spanned both full pages. "I assume you recognize this fresco?"

He's kidding, right? Sophie was staring at the most famous fresco of all time—The Last Supper—Da Vinci's legendary painting from the wall of Santa Maria delle Grazie near Milan. The decaying fresco portrayed Jesus and His disciples at the moment that Jesus announced one of them would betray Him. "I know the fresco, yes."

"Then perhaps you would indulge me this little game? Close your eyes if you would."

Uncertain, Sophie closed her eyes.

"Where is Jesus sitting?" Teabing asked.

"In the center."

"Good. And what food are He and His disciples breaking and eating?"

"Bread." Obviously.

"Superb. And what drink?"

"Wine. They drank wine."

"Great. And one final question. How many wineglasses are on the table?"

Sophie paused, realizing it was the trick question. And after dinner, Jesus took the cup of wine, sharing it with His disciples. "One cup," she said. "The chalice." The Cup of Christ. The Holy Grail. "Jesus passed a single chalice of wine, just as modern Christians do at communion."

Teabing sighed. "Open your eyes."

She did. Teabing was grinning smugly. Sophie looked down at the painting, seeing to her astonishment that everyone at the table had a glass of wine, including Christ. Thirteen cups. Moreover, the cups were tiny, stemless, and made of glass. There was no chalice in the painting. No Holy Grail.

Teabing's eyes twinkled. "A bit strange, don't you think, considering that both the Bible and our standard Grail legend celebrate this moment as the definitive arrival of the Holy Grail. Oddly, Da Vinci appears to have forgotten to paint the Cup of Christ."

"Surely art scholars must have noted that."

"You will be shocked to learn what anomalies Da Vinci included here that most scholars either do not see or simply choose to ignore. This fresco, in fact, is the entire key to the Holy Grail mystery. Da Vinci lays it all out in the open in The Last Supper"

Sophie scanned the work eagerly. "Does this fresco tell us what the Grail really is?"

"Not what it is," Teabing whispered. "But rather who it is. The Holy Grail is not a thing. It is, in fact … a person."

Chapter 56

Sophie stared at Teabing a long moment and then turned to Langdon. "The Holy Grail is a person?"

Langdon nodded. "A woman, in fact." From the blank look on Sophie's face, Langdon could tell they had already lost her. He recalled having a similar reaction the first time he heard the statement. It was not until he understood the symbology behind the Grail that the feminine connection became clear.

Teabing apparently had a similar thought. "Robert, perhaps this is the moment for the symbologist to clarify?" He went to a nearby end table, found a piece of paper, and laid it in front of Langdon.

Langdon pulled a pen from his pocket. "Sophie, are you familiar with the modern icons for male and female?" He drew the common male symbol and female symbol .

"Of course," she said.

"These," he said quietly, "are not the original symbols for male and female. Many people incorrectly assume the male symbol is derived from a shield and spear, while the female symbol represents a mirror reflecting beauty. In fact, the symbols originated as ancient astronomical symbols for the planet-god Mars and planet-goddess Venus. The original symbols are far simpler." Langdon drew another icon on the paper.

"This symbol is the original icon for male," he told her. "A rudimentary phallus."

"Quite to the point," Sophie said.

"As it were," Teabing added.

Langdon went on. "This icon is formally known as the blade, and it represents aggression and manhood. In fact, this exact phallus symbol is still used today on modern military uniforms to denote rank."

"Indeed." Teabing grinned. "The more penises you have, the higher your rank. Boys will be boys."

Langdon winced. "Moving on, the female symbol, as you might imagine, is the exact opposite." He drew another symbol on the page. "This is called the chalice."

Sophie glanced up, looking surprised.

Langdon could see she had made the connection. "The chalice," he said, "resembles a cup or vessel, and more important, it resembles the shape of a woman's womb. This symbol communicates femininity, womanhood, and fertility." Langdon looked directly at her now. "Sophie, legend tells us the Holy Grail is a chalice—a cup. But the Grail's description as a chalice is actually an allegory to protect the true nature of the Holy Grail. That is to say, the legend uses the chalice as a metaphor for something far more important."

"A woman," Sophie said.

"Exactly." Langdon smiled. "The Grail is literally the ancient symbol for womanhood, and the Holy Grail represents the sacred feminine and the goddess, which of course has now been lost, virtually eliminated by the Church. The power of the female and her ability to produce life was once very sacred, but it posed a threat to the rise of the predominantly male Church, and so the sacred feminine was demonized and called unclean. It was man, not God, who created the concept of 'original sin,' whereby Eve tasted of the apple and caused the downfall of the human race. Woman, once the sacred giver of life, was now the enemy."

"I should add," Teabing chimed, "that this concept of woman as life-bringer was the foundation of ancient religion. Childbirth was mystical and powerful. Sadly, Christian philosophy decided to embezzle the female's creative power by ignoring biological truth and making man the Creator. Genesis tells us that Eve was created from Adam's rib. Woman became an offshoot of man. And a sinful one at that. Genesis was the beginning of the end for the goddess."

"The Grail," Langdon said, "is symbolic of the lost goddess. When Christianity came along, the old pagan religions did not die easily. Legends of chivalric quests for the lost Grail were in fact stories of forbidden quests to find the lost sacred feminine. Knights who claimed to be "searching for the chalice" were speaking in code as a way to protect themselves from a Church that had subjugated women, banished the Goddess, burned nonbelievers, and forbidden the pagan reverence for the sacred feminine."

Sophie shook her head. "I'm sorry, when you said the Holy Grail was a person, I thought you meant it was an actual person."

"It is," Langdon said.

"And not just any person," Teabing blurted, clambering excitedly to his feet. "A woman who carried with her a secret so powerful that, if revealed, it threatened to devastate the very foundation of Christianity!"

Sophie looked overwhelmed. "Is this woman well known in history?"

"Quite." Teabing collected his crutches and motioned down the hall. "And if we adjourn to the study, my friends, it would be my honor to show you Da Vinci's painting of her."

Two rooms away, in the kitchen, manservant Rémy Legaludec stood in silence before a television. The news station was broadcasting photos of a man and woman … the same two individuals to whom Rémy had just served tea.

Chapter 57

Standing at the roadblock outside the Depository Bank of Zurich, Lieutenant Collet wondered what was taking Fache so long to come up with the search warrant. The bankers were obviously hiding something. They claimed Langdon and Neveu had arrived earlier and were turned away from the bank because they did not have proper account identification.

So why won't they let us inside for a look?

Finally, Collet's cellular phone rang. It was the command post at the Louvre. "Do we have a search warrant yet?" Collet demanded.

"Forget about the bank, Lieutenant," the agent told him. "We just got a tip. We have the exact location where Langdon and Neveu are hiding."

Collet sat down hard on the hood of his car. "You're kidding."

"I have an address in the suburbs. Somewhere near Versailles."

"Does Captain Fache know?"

"Not yet. He's busy on an important call."

"I'm on my way. Have him call as soon as he's free." Collet took down the address and jumped in his car. As he peeled away from the bank, Collet realized he had forgotten to ask who had tipped DCPJ off to Langdon's location. Not that it mattered. Collet had been blessed with a chance to redeem his skepticism and earlier blunders. He was about to make the most high-profile arrest of his career.

Collet radioed the five cars accompanying him. "No sirens, men. Langdon can't know we're coming."

Forty kilometers away, a black Audi pulled off a rural road and parked in the shadows on the edge of a field. Silas got out and peered through the rungs of the wrought-iron fence that encircled the vast compound before him. He gazed up the long moonlit slope to the château in the distance.

The downstairs lights were all ablaze. Odd for this hour, Silas thought, smiling. The information the Teacher had given him was obviously accurate. I will not leave this house without the keystone, he vowed. I will not fail the bishop and the Teacher.

Checking the thirteen-round clip in his Heckler Koch, Silas pushed it through the bars and let it fall onto the mossy ground inside the compound. Then, gripping the top of the fence, he heaved himself up and over, dropping to the ground on the other side. Ignoring the slash of pain from his cilice, Silas retrieved his gun and began the long trek up the grassy slope.

Chapter 58

Teabing's "study" was like no study Sophie had ever seen. Six or seven times larger than even the most luxurious of office spaces, the knight's cabinet de travail resembled an ungainly hybrid of science laboratory, archival library, and indoor flea market. Lit by three overhead chandeliers, the boundless tile floor was dotted with clustered islands of worktables buried beneath books, artwork, artifacts, and a surprising amount of electronic gear—computers, projectors, microscopes, copy machines, and flatbed scanners.

"I converted the ballroom," Teabing said, looking sheepish as he shuffled into the room. "I have little occasion to dance."

Sophie felt as if the entire night had become some kind of twilight zone where nothing was as she expected. "This is all for your work?"

"Learning the truth has become my life's love," Teabing said. "And the Sangreal is my favorite mistress."

The Holy Grail is a woman, Sophie thought, her mind a collage of interrelated ideas that seemed to make no sense. "You said you have a picture of this woman who you claim is the Holy Grail."

"Yes, but it is not I who claim she is the Grail. Christ Himself made that claim."

"Which one is the painting?" Sophie asked, scanning the walls.

"Hmmm …" Teabing made a show of seeming to have forgotten. "The Holy Grail. The Sangreal. The Chalice." He wheeled suddenly and pointed to the far wall. On it hung an eight-foot-long print of The Last Supper, the same exact image Sophie had just been looking at. "There she is!"

Sophie was certain she had missed something. "That's the same painting you just showed me."

He winked. "I know, but the enlargement is so much more exciting. Don't you think?"

Sophie turned to Langdon for help. "I'm lost."

Langdon smiled. "As it turns out, the Holy Grail does indeed make an appearance in The Last Supper. Leonardo included her prominently."

"Hold on," Sophie said. "You told me the Holy Grail is a woman. The Last Supper is a painting of thirteen men."

"Is it?" Teabing arched his eyebrows. "Take a closer look."

Uncertain, Sophie made her way closer to the painting, scanning the thirteen figures—Jesus Christ in the middle, six disciples on His left, and six on His right. "They're all men," she confirmed.

"Oh?" Teabing said. "How about the one seated in the place of honor, at the right hand of the Lord?"

Sophie examined the figure to Jesus' immediate right, focusing in. As she studied the person's face and body, a wave of astonishment rose within her. The individual had flowing red hair, delicate folded hands, and the hint of a bosom. It was, without a doubt … female.

"That's a woman!" Sophie exclaimed.

Teabing was laughing. "Surprise, surprise. Believe me, it's no mistake. Leonardo was skilled at painting the difference between the sexes."

Sophie could not take her eyes from the woman beside Christ. The Last Supper is supposed to be thirteen men. Who is this woman? Although Sophie had seen this classic image many times, she had not once noticed this glaring discrepancy.

"Everyone misses it," Teabing said. "Our preconceived notions of this scene are so powerful that our mind blocks out the incongruity and overrides our eyes."

"It's known as skitoma," Langdon added. "The brain does it sometimes with powerful symbols."

"Another reason you might have missed the woman," Teabing said, "is that many of the photographs in art books were taken before 1954, when the details were still hidden beneath layers of grime and several restorative repaintings done by clumsy hands in the eighteenth century. Now, at last, the fresco has been cleaned down to Da Vinci's original layer of paint." He motioned to the photograph. "Et voilà!"

Sophie moved closer to the image. The woman to Jesus' right was young and pious-looking, with a demure face, beautiful red hair, and hands folded quietly. This is the woman who singlehandedly could crumble the Church?

"Who is she?" Sophie asked.

"That, my dear," Teabing replied, "is Mary Magdalene."

Sophie turned. "The prostitute?"

Teabing drew a short breath, as if the word had injured him personally. "Magdalene was no such thing. That unfortunate misconception is the legacy of a smear campaign launched by the early Church. The Church needed to defame Mary Magdalene in order to cover up her dangerous secret—her role as the Holy Grail."

"Her role?"

"As I mentioned," Teabing clarified, "the early Church needed to convince the world that the mortal prophet Jesus was a divine being. Therefore, any gospels that described earthly aspects of Jesus' life had to be omitted from the Bible. Unfortunately for the early editors, one particularly troubling earthly theme kept recurring in the gospels. Mary Magdalene." He paused. "More specifically, her marriage to Jesus Christ."

"I beg your pardon?" Sophie's eyes moved to Langdon and then back to Teabing.

"It's a matter of historical record," Teabing said, "and Da Vinci was certainly aware of that fact. The Last Supper practically shouts at the viewer that Jesus and Magdalene were a pair."

Sophie glanced back to the fresco.

"Notice that Jesus and Magdalene are clothed as mirror images of one another." Teabing pointed to the two individuals in the center of the fresco.

Sophie was mesmerized. Sure enough, their clothes were inverse colors. Jesus wore a red robe and blue cloak; Mary Magdalene wore a blue robe and red cloak. Yin and yang.

"Venturing into the more bizarre," Teabing said, "note that Jesus and His bride appear to be joined at the hip and are leaning away from one another as if to create this clearly delineated negative space between them."

Even before Teabing traced the contour for her, Sophie saw it—the indisputable V shape at the focal point of the painting. It was the same symbol Langdon had drawn earlier for the Grail, the chalice, and the female womb.

"Finally," Teabing said, "if you view Jesus and Magdalene as compositional elements rather than as people, you will see another obvious shape leap out at you." He paused. "A letter of the alphabet."

Sophie saw it at once. To say the letter leapt out at her was an understatement. The letter was suddenly all Sophie could see. Glaring in the center of the painting was the unquestionable outline of an enormous, flawlessly formed letter M.

"A bit too perfect for coincidence, wouldn't you say?" Teabing asked.

Sophie was amazed. "Why is it there?"

Teabing shrugged. "Conspiracy theorists will tell you it stands for Matrimonio or Mary Magdalene. To be honest, nobody is certain. The only certainty is that the hidden M is no mistake. Countless Grail-related works contain the hidden letter M—whether as watermarks, underpaintings, or compositional allusions. The most blatant M, of course, is emblazoned on the altar at Our Lady of Paris in London, which was designed by a former Grand Master of the Priory of Sion, Jean Cocteau."

Sophie weighed the information. "I'll admit, the hidden M's are intriguing, although I assume nobody is claiming they are proof of Jesus' marriage to Magdalene."

"No, no," Teabing said, going to a nearby table of books. "As I said earlier, the marriage of Jesus and Mary Magdalene is part of the historical record." He began pawing through his book collection. "Moreover, Jesus as a married man makes infinitely more sense than our standard biblical view of Jesus as a bachelor."

"Why?" Sophie asked.

"Because Jesus was a Jew," Langdon said, taking over while Teabing searched for his book, "and the social decorum during that time virtually forbid a Jewish man to be unmarried. According to Jewish custom, celibacy was condemned, and the obligation for a Jewish father was to find a suitable wife for his son. If Jesus were not married, at least one of the Bible's gospels would have mentioned it and offered some explanation for His unnatural state of bachelorhood."

Teabing located a huge book and pulled it toward him across the table. The leather-bound edition was poster-sized, like a huge atlas. The cover read: The Gnostic Gospels. Teabing heaved it open, and Langdon and Sophie joined him. Sophie could see it contained photographs of what appeared to be magnified passages of ancient documents—tattered papyrus with handwritten text. She did not recognize the ancient language, but the facing pages bore typed translations.

"These are photocopies of the Nag Hammadi and Dead Sea scrolls, which I mentioned earlier," Teabing said. "The earliest Christian records. Troublingly, they do not match up with the gospels in the Bible." Flipping toward the middle of the book, Teabing pointed to a passage. "The Gospel of Philip is always a good place to start." Sophie read the passage:

And the companion of the Saviour is Mary Magdalene. Christ loved her more than all the disciples and used to kiss her often on her mouth. The rest of the disciples were offended by it and expressed disapproval. They said to him, "Why do you love her more than all of us?"

The words surprised Sophie, and yet they hardly seemed conclusive. "It says nothing of marriage."

"Au contraire." Teabing smiled, pointing to the first line. "As any Aramaic scholar will tell you, the word companion, in those days, literally meant spouse."

Langdon concurred with a nod.

Sophie read the first line again. And the companion of the Saviour is Mary Magdalene.

Teabing flipped through the book and pointed out several other passages that, to Sophie's surprise, clearly suggested Magdalene and Jesus had a romantic relationship. As she read the passages, Sophie recalled an angry priest who had banged on her grandfather's door when she was a schoolgirl.

"Is this the home of Jacques Saunière?" the priest had demanded, glaring down at young Sophie when she pulled open the door. "I want to talk to him about this editorial he wrote." The priest held up a newspaper.

Sophie summoned her grandfather, and the two men disappeared into his study and closed the door. My grandfather wrote something in the paper? Sophie immediately ran to the kitchen and flipped through that morning's paper. She found her grandfather's name on an article on the second page. She read it. Sophie didn't understand all of what was said, but it sounded like the French government, under pressure from priests, had agreed to ban an American movie called The Last Temptation of Christ, which was about Jesus having sex with a lady called Mary Magdalene. Her grandfather's article said the Church was arrogant and wrong to ban it.

No wonder the priest is mad, Sophie thought.

"It's pornography! Sacrilege!" the priest yelled, emerging from the study and storming to the front door. "How can you possibly endorse that! This American Martin Scorsese is a blasphemer, and the Church will permit him no pulpit in France!" The priest slammed the door on his way out.

When her grandfather came into the kitchen, he saw Sophie with the paper and frowned. "You're quick."

Sophie said, "You think Jesus Christ had a girlfriend?"

"No, dear, I said the Church should not be allowed to tell us what notions we can and can't entertain."

"Did Jesus have a girlfriend?"

Her grandfather was silent for several moments. "Would it be so bad if He did?"

Sophie considered it and then shrugged. "I wouldn't mind."

Sir Leigh Teabing was still talking. "I shan't bore you with the countless references to Jesus and Magdalene's union. That has been explored ad nauseum by modern historians. I would, however, like to point out the following." He motioned to another passage. "This is from the Gospel of Mary Magdalene."

Sophie had not known a gospel existed in Magdalene's words. She read the text:

And Peter said, "Did the Saviour really speak with a woman without our knowledge? Are we to turn about and all listen to her? Did he prefer her to us?"

And Levi answered, "Peter, you have always been hot-tempered. Now I see you contending against the woman like an adversary. If the Saviour made her worthy, who are you indeed to reject her? Surely the Saviour knows her very well. That is why he loved her more than us."

"The woman they are speaking of," Teabing explained, "is Mary Magdalene. Peter is jealous of her."

"Because Jesus preferred Mary?"

"Not only that. The stakes were far greater than mere affection. At this point in the gospels, Jesus suspects He will soon be captured and crucified. So He gives Mary Magdalene instructions on how to carry on His Church after He is gone. As a result, Peter expresses his discontent over playing second fiddle to a woman. I daresay Peter was something of a sexist."

Sophie was trying to keep up. "This is Saint Peter. The rock on which Jesus built His Church."

"The same, except for one catch. According to these unaltered gospels, it was not Peter to whom Christ gave directions with which to establish the Christian Church. It was Mary Magdalene."

Sophie looked at him. "You're saying the Christian Church was to be carried on by a woman?"

"That was the plan. Jesus was the original feminist. He intended for the future of His Church to be in the hands of Mary Magdalene."

"And Peter had a problem with that," Langdon said, pointing to The Last Supper. "That's Peter there. You can see that Da Vinci was well aware of how Peter felt about Mary Magdalene."

Again, Sophie was speechless. In the painting, Peter was leaning menacingly toward Mary Magdalene and slicing his blade-like hand across her neck. The same threatening gesture as in Madonna of the Rocks!

"And here too," Langdon said, pointing now to the crowd of disciples near Peter. "A bit ominous, no?"

Sophie squinted and saw a hand emerging from the crowd of disciples. "Is that hand wielding a dagger?"

"Yes. Stranger still, if you count the arms, you'll see that this hand belongs to … no one at all. It's disembodied. Anonymous."

Sophie was starting to feel overwhelmed. "I'm sorry, I still don't understand how all of this makes Mary Magdalene the Holy Grail."

"Aha!" Teabing exclaimed again. "Therein lies the rub!" He turned once more to the table and pulled out a large chart, spreading it out for her. It was an elaborate genealogy. "Few people realize that Mary Magdalene, in addition to being Christ's right hand, was a powerful woman already."

Sophie could now see the title of the family tree.

THE TRIBE OF BENJAMIN

"Mary Magdalene is here," Teabing said, pointing near the top of the genealogy.

Sophie was surprised. "She was of the House of Benjamin?"

"Indeed," Teabing said. "Mary Magdalene was of royal descent."

"But I was under the impression Magdalene was poor."

Teabing shook his head. "Magdalene was recast as a whore in order to erase evidence of her powerful family ties."

Sophie found herself again glancing at Langdon, who again nodded. She turned back to Teabing. "But why would the early Church care if Magdalene had royal blood?"

The Briton smiled. "My dear child, it was not Mary Magdalene's royal blood that concerned the Church so much as it was her consorting with Christ, who also had royal blood. As you know, the Book of Matthew tells us that Jesus was of the House of David. A descendant of King Solomon—King of the Jews. By marrying into the powerful House of Benjamin, Jesus fused two royal bloodlines, creating a potent political union with the potential of making a legitimate claim to the throne and restoring the line of kings as it was under Solomon."

Sophie sensed he was at last coming to his point.

Teabing looked excited now. "The legend of the Holy Grail is a legend about royal blood. When Grail legend speaks of 'the chalice that held the blood of Christ' … it speaks, in fact, of Mary Magdalene—the female womb that carried Jesus' royal bloodline."

The words seemed to echo across the ballroom and back before they fully registered in Sophie's mind. Mary Magdalene carried the royal bloodline of Jesus Christ? "But how could Christ have a bloodline unless …?" She paused and looked at Langdon.

Langdon smiled softly. "Unless they had a child."

Sophie stood transfixed.

"Behold," Teabing proclaimed, "the greatest cover-up in human history. Not only was Jesus Christ married, but He was a father. My dear, Mary Magdalene was the Holy Vessel. She was the chalice that bore the royal bloodline of Jesus Christ. She was the womb that bore the lineage, and the vine from which the sacred fruit sprang forth!"

Sophie felt the hairs stand up on her arms. "But how could a secret that big be kept quiet all of these years?"

"Heavens!" Teabing said. "It has been anything but quiet! The royal bloodline of Jesus Christ is the source of the most enduring legend of all time—the Holy Grail. Magdalene's story has been shouted from the rooftops for centuries in all kinds of metaphors and languages. Her story is everywhere once you open your eyes."

"And the Sangreal documents?" Sophie said. "They allegedly contain proof that Jesus had a royal bloodline?"

"They do."

"So the entire Holy Grail legend is all about royal blood?"

"Quite literally," Teabing said. "The word Sangreal derives from San Greal—or Holy Grail. But in its most ancient form, the word Sangreal was divided in a different spot." Teabing wrote on a piece of scrap paper and handed it to her.

She read what he had written.

Sang Real

Instantly, Sophie recognized the translation. Sang Real literally meant Royal Blood.

CONTINUED IN

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